Yuan dynasty

Bijia (比甲) is a kind of Chinese outfit, it is a sleeveless and collarless vest, with two sides split to the knee. Its style is longer than that of the later vest, generally to the hip or knee, some longer, less than a ruler (about 33 cm long) from the ground. The main function is to keep warm, the advantage is very convenient, Bijia popular in the Yuan and Ming Dynasties. Origin & Development of Bijia Bijia was designed and made by the empress of Kublai Khan (the emperor of the Yuan Dynasty). At the beginning of the Yuan Dynasty, Bijia was worn by the emperor, and later gradually became popular among the people. Since the application of buttons in clothes appeared in the Yuan Dynasty, buttons have also been used in Bijia, which is more convenient and compact to wear. This is a new change in traditional Chinese outfits. Shape & Wear Style of Bijia In the Yuan Dynasty, Bijia was sleeveless and collarless, and the back of the garment was longer than the front, with two buttons made of thread on each side of the split, it was originally designed for the convenience of riding. The front chest…

History Background In 1368, Zhu Yuanzhang has crowned emperor. His regime was established with the name of Hongwu and the whole dynasty was named Ming. In the 14th year of Hongwu, the remaining forces of the Yuan dynasty in Yunnan were pacified and ancient China was finally reunified again. Zhu Yuanzhang abandoned the costume system established in the Yuan Dynasty and adopted the system of the Han and Tang dynasties and tried his best to restore the various rituals of the Han people. From the beginning of the Ming Dynasty to the reign of the second emperor Chengzu, the Ming Dynasty had been quite prosperous, and after Chengzu, Emperor Xuanzong and Emperor Yingzong were still able to maintain prosperity. But since then, due to the eunuchs' disorderly administration and the invasion of pirates, the country had been on the way of declining. In 1644, Wu Sangui opened the Shanhai Pass and led the Qing troops into Beijing to fight against Li Zicheng. And after that the Qing troops entered the Central Plains. The Ming dynasty lasted 227 years from the beginning of the Ming dynasty to the death of Emperor Chongzhen who hanged himself.   Ming Dynasty Makeup Features During…

This article focuses on the changes in the popularity of traditional Chinese men's clothing from the Ming and Qing dynasties to the early Republic of China. The early Ming dynasty clothing continued the style of the Yuan dynasty, men's clothing in addition to Zhishen (直身), but also have Changshan (长衫) style. At this time the Daopao (道袍) has not yet formed, because the Changshan pleated structure on both sides, inferred that may be the Daopao predecessor. The prototype of the Yisan (曳撒) came from the Yuan Dynasty, and the sleeve shape and silhouette gradually changed in the Ming Dynasty, and developed an outer hem structure, which was one of the common styles of Bianfu (便服)/army clothing or Jifu (吉服) in the Ming Dynasty. The more significant change in the mid-Ming men's clothing is the gradual widening of the sleeve type, the structure of the outer hem is also different from the initial period. Late Ming dynasty men's clothing popular with the Daopao, the initial sleeve type for the bias to straight sleeves, with the structure of the Shoumei (收袂). At the end of the Ming Dynasty, the robe has developed into wide sleeves, and the structure of the inner and…

This article focuses on the changes in the popularity of traditional Chinese women's clothing from the Ming and Qing dynasties to the early Republic of China. Please read in conjunction with "Ming-style Hanfu collar types diagram" The early Ming dress continues the style of the Yuan dynasty Duanyi (短衣, short clothes), inherited the style of dressing with Duijin (对襟, symmetrical lapels) worn as Jiaojin (交襟, cross lapels) in Song and Yuan Dynasty At this time, also called Dui Jiao Chuan (对交穿). There is also a Jiaoling Youren (交领右衽, wrapping the right side before the left) style. In the mid-Ming period, the sleeve type and skirt door gradually widened, and there was a Tao sleeve (裪袖, sleeve edge protruding from the cuff) structure. According to cultural relics, the stand collar Duijin Shan appeared in the palace system during this period, and was fixed with metal sub-buttons. The style of Dui Jiao Chuan (对交穿) was also excavated in this period, and the more special one is the Mamian skirt with narrow sleeves and thin pleats. Regarding the style of the Mamian skirt, according to the research of excavated cultural relics, the structure of [trapezoidal pleat] and [wide sleeve door] was popular in the…

This article focuses on the changes in the popularity of traditional Chinese women's clothing from the Ming and Qing dynasties to the early Republic of China. Please read in conjunction with "Ming-style Hanfu collar types diagram" The early Ming dress continues the style of the Yuan dynasty Duanyi (短衣, short clothes), inherited the style of dressing with Duijin (对襟, symmetrical lapels) worn as Jiaojin (交襟, cross lapels) in Song and Yuan Dynasty At this time, also called Dui Jiao Chuan (对交穿). There is also a Jiaoling Youren (交领右衽, wrapping the right side before the left) style. In the mid-Ming period, the sleeve type and skirt door gradually widened, and there was a Tao sleeve (裪袖, sleeve edge protruding from the cuff) structure. According to cultural relics, the stand collar Duijin Shan appeared in the palace system during this period, and was fixed with metal sub-buttons. The style of Dui Jiao Chuan (对交穿) was also excavated in this period, and the more special one is the Mamian skirt with narrow sleeves and thin pleats. Regarding the style of the Mamian skirt, according to the research of excavated cultural relics, the structure of [trapezoidal pleat] and [wide sleeve door] was popular in the…

Diji and Tiaopai are two magnificent pieces of traditional Chinese hair jewelry, often paired with Ming-style Hanfu. The Ming dynasty was one of the most commercialized periods in ancient Chinese history, particularly in the Jiangnan region. From the point of view of hair jewelry, the most significant change shown in gold and silver jewelry during the Ming dynasty, compared to the Song and Yuan dynasties, was an increase in the number of types and styles, and a more detailed distinction in names. Various types of traditional Chinese hair jewelry, have different names, depending on where they are worn, or on their decoration, style, and even their length. Today we will focus on the Diji and Tiaopai. Diji (䯼髻, dí jì) [History and structure] Diji is a new type of wig bun that appeared in the Ming Dynasty, generally made of gold and silver wire or horsehair, and hair, covered with soap-colored yarn and worn over the top bun. The appearance of the Diji was influenced on the one hand by the wearing of Guan by women from the Northern Song Dynasty onwards, and on the other by the popularity of the 'Baoji (包髻)' hairstyle during the Jin and Yuan Dynasties.…

The Ming Dynasty was the last dynasty ruled by the Han nationality in China’s feudal history, and the evolution of its costumes showed irregular volatility. The costume of Ming Dynasty can be divided into four periods： 1) Early Ming Dynasty (1368-1435)2) Mid Ming Dynasty (1436-1505)3) Late Ming Dynasty (1506-1620)4) The end of the Ming Dynasty (1620-1644) In the early Ming Dynasty, the evolution of Ming Dynasty clothing was a process from top to bottom, from formal dress to casual dress, from the retention of the Yuan Dynasty to removing the traces of the Yuan Dynasty. Part 1.1: Early Ming Dynasty – Women’s Clothing Style The clothing style of this period is still in the formative period, and there is still the dress style of Han women in the late Yuan Dynasty – long sleeve short shirt with half sleeve short shirt and skirt on the lower body. At this time, women did not appear in long clothes over the knee. Therefore, it can be concluded that women’s clothing in the early Ming Dynasty was mainly short shirts with a solid color skirt. The style of women’s headdress in this period still has the style of Han women in the late…

In the first year of Hongwu in the Ming Dynasty. In order to eliminate the influence of the clothing left by the Yuan Dynasty, Zhu Yuanzhang issued an edict to the whole country, requiring the removal of Hu clothing. However, it was not the emperor who could determine the style of clothing, but the general public. Zhu Yuanzhang's edict on the restoration of the clothes and the crowns did not completely return people's dress to the Tang Dynasty tradition. Even many elements of Mongolian clothing of the Yuan Dynasty were retained because they were convenient to wear on a daily basis, resulting in the formation of Ming clothing of various shapes and features.   Ming Style Hanfu vs. Song Style Hanfu For the general Hanfu lover, the difference between Ming Hanfu and Song Hanfu is probably the hardest to tell. Although it is often possible to make some guesses by feeling after wearing it, it is not really easy to pick out a single piece to see. Although there was no mention in Zhu Yuanzhang's edict of restoring clothing to the style of the Song Dynasty, but the Tang Dynasty was a distant time for the people of the Ming Dynasty.…

Armor was an important war material in the cold weapon era, and its quality and quantity were crucial to the combat power of ancient armies and the rule of feudal dynasties. The Chinese emperors paid attention to improving the ability and quality of armor manufacturing, but also strictly controlled the private possession of armor by strict penalties and laws. During the Song and Yuan dynasties, this restriction was even stricter, and those who hid the whole set of armor privately would be regarded as having conspiracy to commit rebellion to be executed. The armor could only be handed out during the war and collected into the national treasury after the war. These military treasures were eventually destroyed and lost during the war between the dynasties, so except for a few surviving artifacts from the late Qing Dynasty that have been preserved as cultural relics, the rest of the dynasties have rarely survived to this day. However, after the death of the royal family and the senior military class, armor could be buried in the burial chamber as burial goods. For example, the Qin Dynasty, the images of armor portrayed on the terracotta warriors and the stone armor excavated from the…

During the Ming dynasty, the categories and styles of gold and silver ornaments had greater innovation and development based on the Song and Yuan dynasties, showing different visual aesthetic experiences and artistic styles. Among the various types of gold and silver in the Ming dynasty ornaments, "San Sher (三事儿, sān shèr, three things)" is a unique example. Unlike other ornaments, the "San Sher" are daily life tools, used for repairing and cleaning, and their main components include hooks, chains, connectors, pendants, etc. Some of them also have storage tubes, and the pendant objects are usually toothpicks, ear picks, and tweezers, which can be worn by both men and women. The "San Sher" is a common name in the Ming Dynasty, but in fact, the number of pendants can be increased or decreased, and the types are also different. The Ming Dynasty gold and silver "San Sher" are exquisite and unique, reflecting the high design aesthetic appeal, and also have a rich cultural connotation.   Design aesthetics of Ming dynasty Ornaments - San Sher   01 Small and applicable: the form of pendant design The gold and silver "San Sher" of the Ming Dynasty pursued unity in form, and the pendant…

Diji and Tiaopai are two magnificent pieces of traditional Chinese hair jewelry, often paired with Ming-style Hanfu. The Ming dynasty was one of the most commercialized periods in ancient Chinese history, particularly in the Jiangnan region. From the point of view of hair jewelry, the most significant change shown in gold and silver jewelry during the Ming dynasty, compared to the Song and Yuan dynasties, was an increase in the number of types and styles, and a more detailed distinction in names. Various types of traditional Chinese hair jewelry, have different names, depending on where they are worn, or on their decoration, style, and even their length. Today we will focus on the Diji and Tiaopai. Diji (䯼髻, dí jì) [History and structure] Diji is a new type of wig bun that appeared in the Ming Dynasty, generally made of gold and silver wire or horsehair, and hair, covered with soap-colored yarn and worn over the top bun. The appearance of the Diji was influenced on the one hand by the wearing of Guan by women from the Northern Song Dynasty onwards, and on the other by the popularity of the 'Baoji (包髻)' hairstyle during the Jin and Yuan Dynasties.…

What is Da Hu? Da Hu(褡护, dā hù), also known as "搭护", which was a type of Bianfu(便服, casual wear) in the Ming Dynasty. The Tong Ya says: "Da Hu is a shirt with bald sleeves", which means sleeveless, indicating that the Da Hu was a long garment with short sleeves or no sleeves, and had a certain origin with the Banbi of the Tang and Song dynasties. The "Juyi Record" records that: "The name of the Da Hu, or along with the Yuan dynasty, its style is not the Yuan dynasty Da Hu, when it is a slightly longer than the Gua (褂), a short-sleeved clothes." The basic form of Da Hu is cross collar, wrapping the right side before the left (交领右衽), with white collar protector, short sleeves or no sleeves, slit on both sides of the body, and the slit is connected with the outer or inner hem. In the Ming Dynasty, the Da Hu was a kind of half-sleeved dress with a hem outside, which was part of the dres's system of Ming officials. How to wear the Da Hu? What to wear inside the Da Hu? Da Hu early is often used as a jacket,…