Yang Mi

In the realm of popular TV series for the second quarter, "Fox Spirit Matchmaker: Moon Red Arc" (hereafter referred to as "Moon Red Arc") undeniably claims a prominent position. Fans of Chinese animation eagerly anticipate the adaptation of a major IP into a drama, while enthusiasts of ancient puppetry rejoice in the arrival of fresh content. Followers of the cast cheer at the prospect of witnessing the "visual ceiling" of Yang Mi and Gong Jun in traditional costumes. Within the industry, there's considerable curiosity surrounding the debut application of virtual production technology in a domestically produced long-form drama. As various perspectives converge, "Moon Red Arc" has garnered significant attention since its premiere, with its collaboration with over 50 brands interpreted by netizens as a "crushing victory" in terms of commercial success. However, amidst the hype, the essence of a series remains its backbone. Many viewers, despite praising the first-class technical craftsmanship that crafts a fantastical world of folklore and integrates exquisite scenic designs with traditional cultural elements, find themselves at a loss when it comes to discussing the mediocre and thin storyline. At one point, sharp critiques of the "ancient puppet vase" began circulating widely. Behind this lies the inherent…

This year, the film industry has witnessed a perplexing move with the movie "Nothing Can't Be Undone by a Hotpot" being pulled from theaters and switched to streaming online. Just five days after its release, the film was withdrawn from cinemas, citing "various environmental factors" leading to low scheduling rates, with plans to re-release it at a later date. However, just six days after its withdrawal, this movie, originally intended for theatrical release, suddenly appeared online where it became accessible to subscribers without even a separate fee, leaving those who had paid for tickets feeling betrayed. This shift has significantly impacted Yang Mi, the lead actress, beyond just the director. This year has been pivotal for her, with not only "Nothing Can't Be Undone by a Hotpot" but also the spy drama "In the Name of the Brother," marking a substantial shift in her career towards both film and television. These roles signal a clear intention to transform, aligning with the broader trend among her peers from the post-85 actors, striving to redefine their artistic directions.   Post-85 Full-scale Transformation in Film and Drama With "In the Name of the Brother" setting the stage and "Nothing Can't Be Undone by…