Yang Mi

Fox Spirit Matchmaker, a historical romance drama led by Yang Mi and Gong Jun, with special appearances by Guo Xiaoting and Wei Zheming, has made waves on the streaming platform iQIYI. Breaking records on its premiere day, the series quickly became the fastest to surpass 9000 heat points on iQIYI this year. Adapted from the popular comic "Fox Spirit Matchmaker," the show tells the story of Tu Shan Hong Hong (played by Yang Mi), the head of the Tu Shan fox clan, and Dong Fang Yue Chu (played by Gong Jun), a member of the human clan, as they meet, fall in love, and strive to protect peace. Beyond the main storyline, this drama delves into a rich tapestry of characters. Guo Xiaoting portrays Tu Shan Ya Ya, whose character undergoes a complete growth arc from carefree youth to formidable warrior. Wei Zheming plays the role of the "strongest fighter" from the Ao Lai Kingdom, who forms a bond with Tu Shan Ya Ya and grows alongside her. In a recent interview with the Global Times Entertainment, Guo Xiaoting and Wei Zheming shared their insights into their characters and behind-the-scenes stories from the set of Fox Spirit Matchmaker. The success…

In the realm of popular TV series for the second quarter, "Fox Spirit Matchmaker: Moon Red Arc" (hereafter referred to as "Moon Red Arc") undeniably claims a prominent position. Fans of Chinese animation eagerly anticipate the adaptation of a major IP into a drama, while enthusiasts of ancient puppetry rejoice in the arrival of fresh content. Followers of the cast cheer at the prospect of witnessing the "visual ceiling" of Yang Mi and Gong Jun in traditional costumes. Within the industry, there's considerable curiosity surrounding the debut application of virtual production technology in a domestically produced long-form drama. As various perspectives converge, "Moon Red Arc" has garnered significant attention since its premiere, with its collaboration with over 50 brands interpreted by netizens as a "crushing victory" in terms of commercial success. However, amidst the hype, the essence of a series remains its backbone. Many viewers, despite praising the first-class technical craftsmanship that crafts a fantastical world of folklore and integrates exquisite scenic designs with traditional cultural elements, find themselves at a loss when it comes to discussing the mediocre and thin storyline. At one point, sharp critiques of the "ancient puppet vase" began circulating widely. Behind this lies the inherent…

This year, the film industry has witnessed a perplexing move with the movie "Nothing Can't Be Undone by a Hotpot" being pulled from theaters and switched to streaming online. Just five days after its release, the film was withdrawn from cinemas, citing "various environmental factors" leading to low scheduling rates, with plans to re-release it at a later date. However, just six days after its withdrawal, this movie, originally intended for theatrical release, suddenly appeared online where it became accessible to subscribers without even a separate fee, leaving those who had paid for tickets feeling betrayed. This shift has significantly impacted Yang Mi, the lead actress, beyond just the director. This year has been pivotal for her, with not only "Nothing Can't Be Undone by a Hotpot" but also the spy drama "In the Name of the Brother," marking a substantial shift in her career towards both film and television. These roles signal a clear intention to transform, aligning with the broader trend among her peers from the post-85 actors, striving to redefine their artistic directions.   Post-85 Full-scale Transformation in Film and Drama With "In the Name of the Brother" setting the stage and "Nothing Can't Be Undone by…