Wudan

Chinese opera (戏曲, xìqǔ) can be tracked to as far back as the Northern Qi Dynasty, and since then has grown into the instantly-recognizable spectacle of music, costumes, and drama it is today. Its characters are especially memorable as they sing, act, and fight across the stage. There are four main types of roles in opera: Dan, Sheng, Jing, and Chou. Dan Dan (旦) is a broad term that refers to all female roles in Chinese opera. Subtypes within the Dan role include Guimen Dan, young women whose parts focused on vocal performance, Zheng Dan (also known as Qingyi Dan), older higher-class women, and Wudan, who specialize in acrobatics and do not often sing. Up until the late Qing Dynasty, all roles, including the Dan, were played by men. Mei Lanfang, considered one of the “four great Dan,” was one such male Dan performer who pioneered an entire new subtype of Dan and was considered by some to be the greatest vocal artist in modern China. Mei also played a key role in popularizing Chinese opera outside of China over the course of a 50-year career. Male Dan roles were made obsolete during the Cultural Revolution, but the legacies of those…