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Hanfu Accessory: Tuanshan History and Shapes
Vocabulary Moon-shaped fan; 团扇 (tuánshàn). Also called 宫扇(gōng shàn), 纨扇 (wánshàn), 合欢扇 (héhuān shàn), a fan that is made from silks, embroideries, golds, beads, etc. later on into the period. Barrier fan; 障扇 (zhàng shàn) - one of the earliest version of fan from ancestors. Made with pheasant’s feathers and has a long handle. Also known as 长扇 (Chǎng shàn)、掌扇 (zhǎng shàn)、五明扇 (wǔ míng shàn). It is under the category of moon-shaped fan (团扇). Imperial carriage; 辇 (niǎn). Also known as chariot. This is the earlier versions of traveling vehicles primarily used by prestigious people for ceremonial processes, imperial tours, and any other formal occasions. The usage of this is closely related to imperial court instead of public, such as for emperor, queen’s mother, empress, and imperial concubines. These types of carriage are still man-drawn, and are made of simple designs with either a cushion or a chair for the individual seating on it. History of Tuanshan The moon-shaped fan, also known as 团扇 (tuánshàn), is a traditional handicraft tool of the Han people from ancient China. It consists of four main components: the fan's frame, handles (usually short in length), the fan's surface (made of semi-transparent or opaque… -
From Dynasties to Daily Wear: The Resurgence of Hanfu Fashion
Mamian skirt, Qixiong dress, and the hundred-pleat skirt; wearing traditional Hanfu has become a new trend in public attire in recent years, whether it be for sightseeing, wedding ceremonies, shopping, friend gatherings, and various other occasions. The "Hanfu craze" continues to rise, blending tradition with modernity, activating cultural resources, igniting the consumer market, and driving industrial development. In recent years, Hanfu has gradually gained popularity among the younger generation, with their youthful expression and fashionable presentation bringing Chinese traditional culture into daily life in a tangible and palpable form. The long-standing Chinese traditional clothing culture embodies a blend of Chinese aesthetic interests, reflecting not only a consumer choice but also the Chinese people's love for outstanding traditional culture. Demand exceeds supply During the Spring Festival and Lantern Festival of the Year of the Dragon, the activity of "wearing Chinese costumes for free to visit the Confucian Temples" in Qufu City, Jining, Shandong, has been well received. Wang Chunling, a visitor from Liaoning, traveled a long distance with friends to play here, attracted by the lively atmosphere of night tours in the ancient city of Qufu and folk performances, and dressed in Hanfu to join the parade. This year, garments… -
The Rise of Traditional Chinese Fashion in Luoyang
there has been a remarkable resurgence of interest in traditional Chinese attire, known as Guofeng Guochao, across various regions in China. Luoyang (洛阳), renowned for its rich historical legacy as one of China's ancient capitals, has emerged as a focal point for this cultural revival. Visitors strolling through the streets of Luoyang can now frequently encounter tourists donning a variety of Tang dynasty and Song dynasty costumes. Whether riding electric bikes, commuting on buses, or capturing moments amidst pavilions and towers, these individuals have become a unique and vibrant addition to the city's cultural landscape. The sight of tourists dressed in Tang and Song dynasty costumes is not merely a nostalgic reenactment but a celebration of cultural heritage brought to life. Luoyang's comprehensive reforms and innovative cultural tourism initiatives have played a pivotal role in revitalizing its historical narratives. By bridging the gap between ancient texts and contemporary city life, Luoyang has transformed its streets and alleyways into living testaments of its thirteen dynastic histories. Luoyang's approach to cultural tourism goes beyond superficial displays of history; it integrates immersive experiences that resonate with both locals and visitors alike. The blend of ancient attire with modern transportation and photography exemplifies this… -
Hanfu Accessory: Tuanshan History and Shapes
Vocabulary Moon-shaped fan; 团扇 (tuánshàn). Also called 宫扇(gōng shàn), 纨扇 (wánshàn), 合欢扇 (héhuān shàn), a fan that is made from silks, embroideries, golds, beads, etc. later on into the period. Barrier fan; 障扇 (zhàng shàn) - one of the earliest version of fan from ancestors. Made with pheasant’s feathers and has a long handle. Also known as 长扇 (Chǎng shàn)、掌扇 (zhǎng shàn)、五明扇 (wǔ míng shàn). It is under the category of moon-shaped fan (团扇). Imperial carriage; 辇 (niǎn). Also known as chariot. This is the earlier versions of traveling vehicles primarily used by prestigious people for ceremonial processes, imperial tours, and any other formal occasions. The usage of this is closely related to imperial court instead of public, such as for emperor, queen’s mother, empress, and imperial concubines. These types of carriage are still man-drawn, and are made of simple designs with either a cushion or a chair for the individual seating on it. History of Tuanshan The moon-shaped fan, also known as 团扇 (tuánshàn), is a traditional handicraft tool of the Han people from ancient China. It consists of four main components: the fan's frame, handles (usually short in length), the fan's surface (made of semi-transparent or opaque…
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