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Do you know the characteristics of embroidery in various dynasties of Hanfu?
Embroidery, known as needle embroidery in ancient times, is a kind of technology that uses an embroidery needle to guide color thread, embroiders and transports the designed patterns on textiles, and forms patterns with embroidery traces.Because embroidery is mostly made by women, it belongs to an important part of “needlework”. According to the records of the book of history, the system of Zhang Fu, which was more than 4000 years ago, stipulated that “clothes should be painted while clothes should be embroidered.” Today, let’s take a look at the embroidery features of different dynasties! (only partial pattern and process reference are provided in the following drawings) Han Dynasty The motifs of embroidery are mostly wavy cloud patterns, flying birds, and animals, as well as ribbon patterns and geometric patterns commonly seen in Han mirror patterns. Tang Dynasty In the Tang Dynasty, besides the Buddha figures, the landscape flowers and birds also gradually flourished, and the composition was lively and the colors were bright. The use of gold and silver thread to coil the outline of the pattern and strengthen the three-dimensional sense of objects is an innovation of embroidery in Tang Dynasty at that time. Song Dynasty In order to… -
Transformation of Traditional Costumes into Hanfu, Beauties Transforming Traditional Costumes into Hanfu
Borrowing from Chinese imagination, Korean historical dramas are essentially plagiarizing Chinese elements. In South Korea, Chinese TV shows are not broadcasted, yet they plagiarize various elements from our traditional costume dramas, claiming them as their own, and portray Chinese people in a negative light with queue dramas. In reality, the revealing attire and white clothing are their national costumes. The Koreans in ancient times lacked even dyeing technology, with 97% wearing crudely made coarse clothing, while only 3% of the nobility could wear garments made from imported Chinese fabrics. Only a few nobles in ancient times received clothes as gifts from Chinese emperors. Now, they shamelessly claim the costumes in our traditional dramas as their own and attempt to beautify their impoverished and backward history. The beautiful hanboks we see today were actually redesigned by Japanese and Westerners after Japanese colonization, with modern elements added in recent times. As the saying goes, one's appearance reflects their inner self, and so does their fate. The heart is like a pearl that illuminates the world; a mere destiny cannot obstruct the power of the heart. Therefore, a person with a good heart need not fear even if born under an unfavorable star.… -
What is the Ming Dynasty Hanfu Clothing?
Ming Dynasty Hanfu clothing refers to the clothing system in the Ming Dynasty (1368-1644). At the beginning of the Ming Dynasty, Zhu Yuanzhang, the founder of the Ming Dynasty, inherited the costume style of Zhou, Han, Tang, and Song Dynasties and re-established the costume system in order to rebuild the national pride and etiquette and remove the influence of ethnic minorities. In the middle and later period of the Ming Dynasty, there were some new styles, such as stand collar, and a large number of buttons were used in the conspicuous part of a garment. It was gradually banned during the Qing Dynasty, but there are still a few styles and features that have been handed down to this day. The characteristics of Hanfu in the Ming dynasty In the Ming Dynasty, a series of measures were taken to develop production, which made the industry and commerce develop continuously, and the production technology of each industry has improved. After the rise of the citizen class, the aesthetic interest has become the aesthetic orientation of the general dress in the Ming Dynasty. "Secularization" of the aesthetic and cultural sources and a relatively general, casual, and loose historical and cultural environment.… -
Observations from the 2024 World Artificial Intelligence Conference
The 2024 World Artificial Intelligence Conference and Global Governance Summit, held in Shanghai from July 4th to 6th, gathered scientists and entrepreneurs from around the world. Together, they envisioned a future where AI advancements foster collaborative governance and innovation across industries. The rapid evolution of AI technologies showcased at the 2024 World Artificial Intelligence Conference highlights not only their technological prowess but also their profound implications for global governance and societal integration. As AI continues to advance, its transformative potential extends beyond industrial applications to encompass broader societal benefits and ethical considerations. Forging New Frontiers in AI The conference showcased remarkable advancements, exemplified by the debut of innovative technologies like the global landmark steel factory from CITIC Tai Fung Special Steel. Here, intricate displays revealed the transparency of blast furnace operations, illustrating efficiency gains such as a 56.6% increase in R&D effectiveness and a 47.3% decrease in defect rates. These advancements underscore how AI-powered insights are revolutionizing industries, enhancing precision and productivity on a global scale. "Two global landmark factories have already been established by CITIC," remarked Zhang Wenwu, Deputy Secretary of the Party Committee and General Manager of CITIC Group. These AI applications span across 29 manufacturing bases worldwide,… -
Do you know the characteristics of embroidery in various dynasties of Hanfu?
Embroidery, known as needle embroidery in ancient times, is a kind of technology that uses an embroidery needle to guide color thread, embroiders and transports the designed patterns on textiles, and forms patterns with embroidery traces.Because embroidery is mostly made by women, it belongs to an important part of “needlework”. According to the records of the book of history, the system of Zhang Fu, which was more than 4000 years ago, stipulated that “clothes should be painted while clothes should be embroidered.” Today, let’s take a look at the embroidery features of different dynasties! (only partial pattern and process reference are provided in the following drawings) Han Dynasty The motifs of embroidery are mostly wavy cloud patterns, flying birds, and animals, as well as ribbon patterns and geometric patterns commonly seen in Han mirror patterns. Tang Dynasty In the Tang Dynasty, besides the Buddha figures, the landscape flowers and birds also gradually flourished, and the composition was lively and the colors were bright. The use of gold and silver thread to coil the outline of the pattern and strengthen the three-dimensional sense of objects is an innovation of embroidery in Tang Dynasty at that time. Song Dynasty In order to… -
Exploring the Moon’s Backside: Inside China’s Chang’e 6 Lunar Mission
In the vast expanse of Inner Mongolia's Siziwang Banner, amidst the serene landscapes of Amugulang Grassland, a historic moment unfolded on June 25th at 2 PM. It was here that Hu Hao, the chief designer of the Chang'e 6 mission, welcomed back the long-awaited "Moon Maiden (六姑娘)" after 53 days of anticipation—the Chang'e 6 probe, marking humanity's first-ever lunar far-side sample return. Unveiling the Triumph Positioning, searching, checking status—the returner functioned flawlessly, achieving a resounding success for the mission, finally putting Hu Hao's anxieties to rest. Even as Chang'e 6 faithfully brought back nearly 4 kilograms of lunar soil from the far side of the moon, Hu Hao remains tirelessly occupied these days: escorting the returner back to Beijing, overseeing the unpacking of the lunar samples, planning future orbital experiments, and witnessing the initiation of scientific research on the lunar samples. Amidst his busy schedule, he shared with Xinhua News Agency reporters for the first time the untold stories of Chang'e 6. Technological Feats Collecting 1935.3 grams of the first human lunar far-side sample, and achieving a more precise re-entry than Chang'e 5, international payloads also harvested a scientific data "bonanza". Discussing the accomplishments of the "Moon Maiden," Hu Hao's… -
History of Chinese Traditional Filigree Inlay Art
The magnificent filigree inlay, representing the pinnacle of precious metal production technology, from the old days dedicated to the court, to nowadays spread to the folk, there has been a lot of people contact, wear filigree inlay products, and for its exquisite and intricate technology by. What is Filigree Inlay? Filigree inlay (花丝镶嵌), also known as "fine gold craft", is a long-established traditional Chinese handicraft technique, mainly used in the production of ancient Chinese royal jewelry, by the combination of "filigree" and "inlay" two production techniques. Filigree Inlay Art in THE GREAT SHOKUNIN Filigree refers to drawing gold and silver into fine wire, using filling and weaving techniques to make crafts. Inlay refers to the hammering of gold and silver flakes into vessels, and then burin out the pattern, set with pearls or gemstones, and become. As one of the "Eight Unique Skills of Yanjing", the art of filigree mosaic was included in China's national intangible cultural heritage list in June 2008. The objects that can be applied with filigree inlay can be divided into three categories. The first category is jewelry, including bracelets, necklaces, earrings, brooches, pendants, cufflinks, etc. The second category is the display category, mainly indoor… -
Cozying Up in Antiquity: Exploring the Winter Heating Methods of Ancient China
In ancient China, the harsh winter cold was often a challenge, especially in regions where winters were long and frigid. However, the ancient Chinese people, with their wisdom and creativity, developed a series of unique and effective methods of keeping warm. These methods not only reflected the progress of ancient Chinese society and technology but also demonstrated their profound understanding of and adaptation to the natural environment. From braziers to fireplaces, from underfloor heating to ingeniously designed clothing, the heating methods of ancient China were the crystallization of wisdom in the face of cold. 01 Fur The most direct way for the human body to keep warm is to dress thickly, and the most natural and effective fabric is animal fur. This is also an indicator we use to determine the changing seasons in historical dramas - whether the main characters are wearing fluffy costumes, indicating that it is cold in the drama. A large number of historical dramas have contributed to the production of various styles of furry costumes. In fact, the winter clothing of ancient people was more exquisite and complete than the costumes in dramas. They would wear warm hats, fur jackets, cloaks, woolen socks, and… -
Cultural Inheritor: New Ideas for Documenting Traditional Craft Heritage
Eight years ago, the first season of "Inheritor" (2015) premiered. This documentary series focused on the skills and emotions of inheritors of intangible cultural heritage, showcasing little-known traditional techniques to the public and arousing people's interest in experiencing, watching, and exploring intangible cultural heritage. Eight years later, what kind of sparks can be generated when traditional intangible cultural heritage collides with modern technology? On June 10th, the documentary "Cultural Inheritor" premiered. Based on inheriting outstanding traditional culture and holding a modern scientific perspective, this program allows ancient techniques to collide with modern technology while further examining the civilization codes hidden in intangible cultural heritage. It not only showcases the charm of integrating culture and technology but also helps tell stories about intangible cultural heritage while conveying China's cultural charm and confidence to audiences worldwide. Perceiving the aesthetic value of drama and technology The inheritance and innovation of intangible cultural heritage cannot be separated from generations' adherence to tradition while innovating. "Cultural Inheritor" excavates true stories between inheritors and projects, telling stories about intangible cultural projects through dramatic means while recounting wonderful life experiences by inheritors. With advances in technological methods, there are now more opportunities for projects related to… -
A Long Painting about Chinese Silk Production
Ancient China attaches great importance to silk production. Shang Dynasty, silk weaving, and utilization has been quite popular, and has a certain scale of production, mastering a higher degree of weaving technology. By the Qin and Han dynasties, silk weaving handicraft production flourished, and the industry has reached a more mature scale, the Tang and Song dynasties are more prosperous. As for the Yuan, Ming and Qing dynasties, the ancient silk weaving technology reached the highest level, it is not difficult to imagine the prevailing situation. Today, let's learn about the whole process of Chinese silk production through the Qing dynasty Jiao Bingzhen's paintings: "Geng Zhi Tu Ce (耕织图册)". Hanfu and Chinese silk you may like: -
Reacquaintance the Plain Gauze Robe: Simplicity and Elegance of Han Dynasty
The Han Dynasty (206 BCE - 220 CE) is widely recognized as a golden age in Chinese history, marked by significant advances in science, technology, and arts. Among the many cultural treasures of this era, one item that stands out is the plain gauze robe. Despite its simple appearance, this garment played a crucial role in shaping the fashion and social etiquette of the Han Dynasty. In this article, we'll take a closer look at three points to understand anew this exquisite plain gauze dress. Plain gauze robe from the tomb of the Marquis of Dai at Mawangdui Over two thousand years ago, in the Western Han dynasty, the Chancellor of Changsha, Li Cang, and his wife stood on equal footing with one another. Mrs. Xinzhui, his wife, possessed remarkable beauty and wore light makeup that truly complemented her looks. The undyed raw silk was weaved into plain gauze without any lining, which paired perfectly with Xin Zhui's appearance. As moved, the sleeve would release a faint yet enchanting fragrance. The Fashionable Style of Han Dynasty's Women "Thin as cicada wings, light as smoke," the plain gauze robe unearthed from Mawangdui Han tomb number one in Changsha, Hunan province,… -
4 Kinds of Common Hanfu Fabric Process
Fabric and craftsmanship are both very important aspects of hanfu making. In this article, several common hanfu fabric processes will be briefly introduced to you. Zhuang Hua Zhuang Hua (妆花) is the most complex variety of weaving technology in Nanjing cloud brocade, and also the representative jacquard silk weaving variety with the most local characteristics of Nanjing, was popular in the Ming and Qing Dynasties. Traditional Zhuang Hua is made of artificial weaving, and the Zhuang Hua on nowadays are all "imitation Zhuang Hua", which are made by machines. The Zhuang Hua fabric is characterized by many colors and is rich in color changes. In terms of the weaving method, the pattern on the fabric is partially painted by using a colored fleece weft bobbin. The color matching is very free and there are no restrictions. The main pattern of the design is usually expressed in two or three levels of color, and some patterns are expressed in simple color (such as pedicels, leaves, and buds). A piece of Zhuang Hua fabric with patterns and colors can be matched in more than a dozen or even 20 or 30 colors. Although there are many colors of Zhuang Hua, but… -
History of Chinese Traditional Filigree Inlay Art
The magnificent filigree inlay, representing the pinnacle of precious metal production technology, from the old days dedicated to the court, to nowadays spread to the folk, there has been a lot of people contact, wear filigree inlay products, and for its exquisite and intricate technology by. What is Filigree Inlay? Filigree inlay (花丝镶嵌), also known as "fine gold craft", is a long-established traditional Chinese handicraft technique, mainly used in the production of ancient Chinese royal jewelry, by the combination of "filigree" and "inlay" two production techniques. Filigree Inlay Art in THE GREAT SHOKUNIN Filigree refers to drawing gold and silver into fine wire, using filling and weaving techniques to make crafts. Inlay refers to the hammering of gold and silver flakes into vessels, and then burin out the pattern, set with pearls or gemstones, and become. As one of the "Eight Unique Skills of Yanjing", the art of filigree mosaic was included in China's national intangible cultural heritage list in June 2008. The objects that can be applied with filigree inlay can be divided into three categories. The first category is jewelry, including bracelets, necklaces, earrings, brooches, pendants, cufflinks, etc. The second category is the display category, mainly indoor… -
Chinese Traditional Silk Artwork – Kesi Weaving Technique
Kesi (缂丝), the most traditional type of silk weaving in the Chinese silk industry, which is highly appreciated for its decorative qualities. Kesi is a kind of pattern with warp and weft, forming a pattern border, with the effect as if was carved, and rich two-sided three-dimensional sense of silk crafts. The knitting technique of Kesi is different from the embroidery and brocade. Suzhou Kesi painting is also known as the "Four Great Weavers" of China, along with Hangzhou silk painting, Yongchun paper painting and Sichuan bamboo curtain painting. The Kesi technique has appeared many times in the collection of ancient costume dramas, such as the delicate Kesi fans in the hands of the concubines of “Story of Yanxi Palace”, adding endless style to them. The another drama “Marvelous Women” which take the Qing Dynasty as the background, has restored the weaving scene of the Kesi. The Uniqueness of Kesi Different from the weaving method of Song brocade, Shu brocade, cloud brocade which are woven through the warp and weft. Kesi with raw silk as the warp, a variety of colorful cooked silk threads for the weft, which are dug and woven by the method of passing through the…
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