Spring and Autumn period

The history of traditional Chinese eyebrows makeup can be traced back to the Spring and Autumn Period(770 to 476 B.C.). There is a verse in "Chu Ci" that says "Black-painted eyebrows and white-powdered cheeks(粉白黛黑，施芳泽之).", which means that women were wearing powder, drawing eyebrows and rouge at that time.   Traditional Chinese Eyebows Tools Eyebrow tools are crucial. Unlike modern eyebrow pencils, eyebrow powders, eyebrow cream, etc., there are a wide variety of tools to choose from. But the ancients were still creative with their limited tools. Before there was a specific material for eyebrow painting, Dai (黛), it was mainly used to draw eyebrows with burnt willow sticks, which women used to burn and apply to their eyebrows. The earliest material used to paint eyebrows was Dai, a black mineral also known as "Shi Dai (石黛)". Stone inkstones for grinding stone Dai are found in Han tombs, which means that this cosmetic was already in use in the Han Dynasty. Before paint eyebrows, stone Dai had to be ground on the stone inkstone to make it into powder, and then water was added to mix it. In addition to black color, there is also a dark gray material for painting…

The history of the Shangsi Festival dates back to ancient times, and in the ancient China, Shangsi had already become a large-scale folk festival. With the arrival of spring and clear, bright scenery, people would step out of their homes, gather by the water, and participate in rituals to purify and dispel inauspicious energies. According to historical records, the Shangsi Festival was already popular during the Spring and Autumn Period. The term "Shangsi" first appeared in Han Dynasty literature. This festival had a unique custom before the Han Dynasty, serving as a carnival organized by the government for young men and women. The "Zhou Li • Di Guan • Mei Shi" recorded, "In the middle of the spring month, men and women were ordered to gather. At that time, those who ran away were not restrained." The term "ran away" refers to young men and women meeting outdoors, and besides bathing by the riverside, romantic affairs during these gatherings were not considered a violation of customary norms. The Shangsi Festival is also associated with witchcraft activities aimed at warding off evil spirits using orchid-infused water. Orchids were considered spiritual entities with a fragrant aroma. Before conducting significant rituals, ancient people observed…

The history of traditional Chinese eyebrows makeup can be traced back to the Spring and Autumn Period(770 to 476 B.C.). There is a verse in "Chu Ci" that says "Black-painted eyebrows and white-powdered cheeks(粉白黛黑，施芳泽之).", which means that women were wearing powder, drawing eyebrows and rouge at that time.   Traditional Chinese Eyebows Tools Eyebrow tools are crucial. Unlike modern eyebrow pencils, eyebrow powders, eyebrow cream, etc., there are a wide variety of tools to choose from. But the ancients were still creative with their limited tools. Before there was a specific material for eyebrow painting, Dai (黛), it was mainly used to draw eyebrows with burnt willow sticks, which women used to burn and apply to their eyebrows. The earliest material used to paint eyebrows was Dai, a black mineral also known as "Shi Dai (石黛)". Stone inkstones for grinding stone Dai are found in Han tombs, which means that this cosmetic was already in use in the Han Dynasty. Before paint eyebrows, stone Dai had to be ground on the stone inkstone to make it into powder, and then water was added to mix it. In addition to black color, there is also a dark gray material for painting…

The Warring States Period, spanning from 475 BC to 221 BC, was a time of chaos and transformation in ancient China. This era was marked by incessant warfare and the rise and fall of states, ultimately leading to the unification of China under the Qin Dynasty. Here are 15 key facts that paint a vivid picture of this tumultuous period. 1. A Long Era of Warfare The Warring States Period lasted for 254 years, beginning in 475 BC and ending in 221 BC. It was the final chapter of the Zhou Dynasty (1046–221 BC), which itself was divided into three phases: Western Zhou (1046–771 BC), the Spring and Autumn Period (770–476 BC), and finally, the Warring States Period. 2. The Fall of the Zhou Dynasty The Warring States Period began when nobles withdrew their support for the Zhou Dynasty. The vassal states, granted autonomy through a system of enfeoffment, declared independence and vied for territory, transforming into independent kingdoms. 3. Seven Dominant States (Image from: https://en.wikipedia.org/wiki/Warring_States_period) By the middle of the Warring States Period, the landscape had consolidated into seven major states: Qin, Chu, Zhao, Wei, Han, Yan, and Qi. Each state controlled significant regions, with Qin in the west, Chu…

What is Xia? Some say they are skilled warriors, others say they are outsiders on the fringes of society, and some even say it is an adult fairy tale. A knight-errant can take on many forms, but one thing is certain: from the moment they step onto the stage of history, their extraordinary allure ensures that the concept of a "Xia" will never fade away. What is Xia? Who can be called a knight-errant? To answer these questions, let us first go back to the Spring and Autumn Period and the Warring States Period, when knights-errant roamed.   01 When did ancient China have Xia? During the Pre-Qin period, warfare was frequent. One day, the powerful state of Chu was preparing to attack the weak state of Song and hired the renowned craftsman Lu Ban to create siege weapons. The military strength of Song was far inferior to that of Chu, and the people were filled with fear, scattering in all directions in an attempt to escape. Mozi, who had a deep background in craftsmanship and was skilled in defending cities, received this news and immediately rushed thousands of miles to the capital of Chu, hoping to utilize his expertise…

History of Lotus Pattern The origin of the lotus pattern in China can be traced back to ancient times. During the Western Zhou period, bronze lamps were decorated with lotus patterns as ornaments. In the Spring and Autumn Period and the Warring States Period, lotus patterns remained an important decorative pattern for bronze vessels, with the Lotus and Crane Square Vessel being a representative example showcasing the skilled craftsmanship of the time. The vessel featured double-layered lotus petals as decoration on its lid, with intricately carved empty spaces between the layers, displaying exquisite artistry that seemed almost supernaturally created. In both ancient India and China, the symbolic meaning of the lotus was very similar, making it the ideal bridge for the spread of Buddhism. During the Wei, Jin, Southern, and Northern Dynasties, Buddhism was widely spread throughout the Central Plains of China, with lotus patterns becoming an important decorative design due to their high aesthetic and expressive value. This had a significant impact on the development of indigenous lotus patterns in China. During the Qin and Han dynasties, lotus patterns in China mostly took on a round flower shape, in keeping with traditional design concepts. However, as Buddhism continued to…

Introduction The Flower Festival (花朝节, huācháo jié), simplified as 花朝 (huācháo), is also known as the "Flower Goddess Festival (花神节, huāshén jié)," "Hundred Flowers’ Birthday (百花生日, bǎihuā shēngrì)," and "Flower Goddess’ Birthday (花神生日, huāshén shēngrì)." It is a festival where people can admire the blossoming flowers and show their respect for nature and the goddess of nature. The emergence of this flower festival has led to some confusions. Some claim it began during the Spring and Autumn Period, others during the Pre-Qin era, and some argue it emerged during the Tang Dynasty. The exact historical origins of this festival are not well-documented from the artifacts unearthed. Even with some historical records, it is still a challenge to pinpoint the exact dynasty for this festival. Perhaps they were called by a different name or a different festival slowly evolved into the flower festival known in the Tang Dynasty. What we can be certain of is that by the Tang Dynasty, the festival existed; whether it started before or during that period is still a matter of speculation. The earliest evidence of its existence dates back to the Spring and Autumn Period in the work of "táozhū gōngshū (陶朱公书)." Ancient Chinese society…

From the Spring and Autumn period to the prosperous Tang Dynasty, from idealism to realism, the first two seasons of the epic documentary "China" made a strong entry into the realm of high-scoring documentaries, receiving unanimous acclaim. Unexpectedly, the "China Season 3" took a different approach, starting from mythology and embarking on a reverse journey through time: from early myths to ancient history, from primitive society to agrarian civilization, the establishment of the state, and the development of rites, allowing us to glimpse the civilization codes shimmering in the galaxy of history. What is even more noteworthy, the "China Season 3" incorporated a large number of the latest archaeological discoveries and invited 183 outstanding young artists to create 443 Chinese paintings. Through special effects, the paintings came to life, combining storytelling and aesthetics to provide us with an artistic feast.   Unique realm of romantic imagination Every civilization has its own creator god. Just like a prelude to life, in Chinese mythology, Pangu is the god who broke the chaos, bringing light to the world, creating the first mountain and the first river. Nuwa, with a human head and a snake body, represents the gods of eternal life and reproduction,…