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Cultural Inheritor: New Ideas for Documenting Traditional Craft Heritage
Eight years ago, the first season of "Inheritor" (2015) premiered. This documentary series focused on the skills and emotions of inheritors of intangible cultural heritage, showcasing little-known traditional techniques to the public and arousing people's interest in experiencing, watching, and exploring intangible cultural heritage. Eight years later, what kind of sparks can be generated when traditional intangible cultural heritage collides with modern technology? On June 10th, the documentary "Cultural Inheritor" premiered. Based on inheriting outstanding traditional culture and holding a modern scientific perspective, this program allows ancient techniques to collide with modern technology while further examining the civilization codes hidden in intangible cultural heritage. It not only showcases the charm of integrating culture and technology but also helps tell stories about intangible cultural heritage while conveying China's cultural charm and confidence to audiences worldwide. Perceiving the aesthetic value of drama and technology The inheritance and innovation of intangible cultural heritage cannot be separated from generations' adherence to tradition while innovating. "Cultural Inheritor" excavates true stories between inheritors and projects, telling stories about intangible cultural projects through dramatic means while recounting wonderful life experiences by inheritors. With advances in technological methods, there are now more opportunities for projects related to… -
Reacquaintance the Plain Gauze Robe: Simplicity and Elegance of Han Dynasty
The Han Dynasty (206 BCE - 220 CE) is widely recognized as a golden age in Chinese history, marked by significant advances in science, technology, and arts. Among the many cultural treasures of this era, one item that stands out is the plain gauze robe. Despite its simple appearance, this garment played a crucial role in shaping the fashion and social etiquette of the Han Dynasty. In this article, we'll take a closer look at three points to understand anew this exquisite plain gauze dress. Plain gauze robe from the tomb of the Marquis of Dai at Mawangdui Over two thousand years ago, in the Western Han dynasty, the Chancellor of Changsha, Li Cang, and his wife stood on equal footing with one another. Mrs. Xinzhui, his wife, possessed remarkable beauty and wore light makeup that truly complemented her looks. The undyed raw silk was weaved into plain gauze without any lining, which paired perfectly with Xin Zhui's appearance. As moved, the sleeve would release a faint yet enchanting fragrance. The Fashionable Style of Han Dynasty's Women "Thin as cicada wings, light as smoke," the plain gauze robe unearthed from Mawangdui Han tomb number one in Changsha, Hunan province,…
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