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Floral Deity Records Hanfu, Images of Male Floral Deities in Traditional Hanfu
The Floral Deity Competition was the highlight of this year's Taishan Flower Festival. Prior to the event, online registrations for the floral deity contest were already underway, with fifty participants selected from over a hundred online registrants to compete in the live floral deity competition. The live competition was held in multiple rounds, eventually selecting ten floral deities representing each month of the year. Ultimately, these ten floral deities led all traditional culture enthusiasts wearing hanfu in a ritual ceremony dedicated to the floral deity. Contemporary traditional rituals differ from ancient times, now more imbued with a pursuit of beauty and respect for the inheritance of traditional culture. Floral Deity Records Hanfu, a graceful and poetic qixiong (crossed-collar) robe with elegant embroidery, is an autumn-themed original hanfu design that embodies the ethereal beauty of a fairy. Priced at 35 RMB, it features a fresh and elegant color palette paired with lotus patterns, making it both exquisite and vibrant, offering versatile styling options. The flowing skirt drapes naturally, with bright and vivid colors. Purchase on Taobao Recently,娄艺潇 (Lou Yixiao) has developed a fondness for the simplicity of hanfu, leading to a significant change in her style. At the variety show "Yun… -
A Visual Feast of Fantastic Creatures: An Painter’s Tribute to a Chinese Classic
Fantastic creatures, beasts, and ghosts, people fear, or fascinated, but no one has ever seen the real face. However, there is a post-90s painter, Shan Ze, in his brush, those only appear in the legends and ancient books of the creatures and ghosts are presented one by one. Since ancient times, Chinese people have been full of unknown and respect for fantastic creatures and spirits, but under the brush of painter Shan Ze, they are completely overturned, with kind of new appearances. His paintings were nominated for the "Golden Dragon Award" for best illustration, and he has captured a large number of fans by transforming the thoughts of the millennium into paintings. Shan Ze, his real name is Li Yifan, a young man from Chengdu, graduated from Sichuan University College of Arts. Inheriting the heritage of Chinese style, he dares to challenge the traditional way of painting, forming a unique style that is beautiful and not losing its atmosphere. Shan Ze's paintings seem to transport the viewer to a whole new world of creatures, which is mesmerizing. In Shan Ze's imagination, the majestic and fearsome door gods of mythology are dressed in splendid battle armor and have a heroic posture.… -
China’s Faded Holidays – Flower Festival
Introduction The Flower Festival (花朝节, huācháo jié), simplified as 花朝 (huācháo), is also known as the "Flower Goddess Festival (花神节, huāshén jié)," "Hundred Flowers’ Birthday (百花生日, bǎihuā shēngrì)," and "Flower Goddess’ Birthday (花神生日, huāshén shēngrì)." It is a festival where people can admire the blossoming flowers and show their respect for nature and the goddess of nature. The emergence of this flower festival has led to some confusions. Some claim it began during the Spring and Autumn Period, others during the Pre-Qin era, and some argue it emerged during the Tang Dynasty. The exact historical origins of this festival are not well-documented from the artifacts unearthed. Even with some historical records, it is still a challenge to pinpoint the exact dynasty for this festival. Perhaps they were called by a different name or a different festival slowly evolved into the flower festival known in the Tang Dynasty. What we can be certain of is that by the Tang Dynasty, the festival existed; whether it started before or during that period is still a matter of speculation. The earliest evidence of its existence dates back to the Spring and Autumn Period in the work of "táozhū gōngshū (陶朱公书)." Ancient Chinese society… -
Exploring the Vibrant Palette of Ancient China: Hanfu Color Scheme
Traditional Chinese colors come from nature and from the imagination of the ancient Chinese civilization. Traditional Chinese colors pursue the color concept of giving colors according to types and conveying consciousness through colors. In ancient times in China, there are positive colors and inter colors, with the distinction of respect, and lowly; righteous, and evil. Positive color refers to the color that promote each other, that is, the original color. Ancient primary colors to "Yin Yang Five Phases" doctrine in the five elements, water, fire, wood, metal, and earth, respectively, corresponding to black, red, cyan, white, and yellow as color symbols, known as the five-color system. Traditional Chinese clothing colors are also mainly primary colors. With the development of the times, different dynasties revered different colors, and these popular colors also reflected the material and spiritual civilization of their dynasties to a certain extent. Hanfu Shi Dai has compiled a summary of the traditional hanfu color schemes through dynasties, let's explore together. Han Dynasty The Han Dynasty was influenced by the Taoist philosophy of Huanglao and Confucianism, and its costumes often pursued the essential beauty of the whole. At the same time, by the previous Qin dynasty, the concept of black…
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