Reality

【European Times Network】In recent years, the enthusiasm for ancient costumes has sparked a return to the pursuit of classical beauty. More and more young Chinese people dare to "time travel" into reality dressed in traditional attire. On the streets and in parks, it is common to see "Emperors of the Great Han" and " Beauties of the Tang Dynasty". Even foreigners have begun to imitate this trend; when they put on hanfu, not only do they instantly get into character without any sense of incongruity, but it has also become a "magic weapon" for them to seek romantic relationships. Hanfu has also become a cultural calling card overseas; let's take a look at foreigners' love affair with hanfu. The editor has compiled information on how to make traditional hanfu, photography techniques for ancient costume photography, and various types of ancient costume beauties. There are also discussions on whether hanfu can be considered as traditional costumes, the relationship between traditional costumes and hanfu, and the definition of traditional costumes related to hanfu knowledge. For more details, please refer to the main text below! The album of pure and beautiful women in traditional hanfu is a collection of related images spontaneously organized…

Borrowing from Chinese imagination, Korean historical dramas are essentially plagiarizing Chinese elements. In South Korea, Chinese TV shows are not broadcasted, yet they plagiarize various elements from our traditional costume dramas, claiming them as their own, and portray Chinese people in a negative light with queue dramas. In reality, the revealing attire and white clothing are their national costumes. The Koreans in ancient times lacked even dyeing technology, with 97% wearing crudely made coarse clothing, while only 3% of the nobility could wear garments made from imported Chinese fabrics. Only a few nobles in ancient times received clothes as gifts from Chinese emperors. Now, they shamelessly claim the costumes in our traditional dramas as their own and attempt to beautify their impoverished and backward history. The beautiful hanboks we see today were actually redesigned by Japanese and Westerners after Japanese colonization, with modern elements added in recent times. As the saying goes, one's appearance reflects their inner self, and so does their fate. The heart is like a pearl that illuminates the world; a mere destiny cannot obstruct the power of the heart. Therefore, a person with a good heart need not fear even if born under an unfavorable star.…

Ancient paintings are one of the most important ways to explore the ancient traditional Hanfu, and the Hanfu styles in some classic famous paintings are even more popular among Hanfu enthusiasts. The charm of the Wei and Jin dynasties, the gracefulness of the Tang Dynasty, the elegance of the Song Dynasty, just flow into reality from ancient paintings. Today, take a look at those restored Hanfu costumes from ancient paintings!   Court Ladies Preparing Newly Woven Silk Court Ladies Preparing Newly Woven Silk (Dao Lian Tu, 捣练圖) shows women at work pounding, weaving, ironing and sewing, and is an important custom painting of the Tang Dynasty. The women in the painting are voluptuous and dressed in various colors of Qixiong dresses, if looking closely, you can see that the fabric is decorated with colorful patterns, mainly with Tuan Hua (团花). At present, there are some restored Court Ladies Preparing Newly Woven Silk hanfu, which can be said to be very nicely restored in color and pattern, fresh, natural and antique style.   A Palace Concert A Palace Concert (Tang Ren Gong Le Tu, 唐人宫乐图) depicts the life of court lady at a banquet during the late Tang Dynasty. Around the…

Ancient paintings are one of the most important ways to explore the ancient traditional Hanfu, and the Hanfu styles in some classic famous paintings are even more popular among Hanfu enthusiasts. The charm of the Wei and Jin dynasties, the gracefulness of the Tang Dynasty, the elegance of the Song Dynasty, just flow into reality from ancient paintings. Today, take a look at those restored Hanfu costumes from ancient paintings!   Court Ladies Preparing Newly Woven Silk Court Ladies Preparing Newly Woven Silk (Dao Lian Tu, 捣练圖) shows women at work pounding, weaving, ironing and sewing, and is an important custom painting of the Tang Dynasty. The women in the painting are voluptuous and dressed in various colors of Qixiong dresses, if looking closely, you can see that the fabric is decorated with colorful patterns, mainly with Tuan Hua (团花). At present, there are some restored Court Ladies Preparing Newly Woven Silk hanfu, which can be said to be very nicely restored in color and pattern, fresh, natural and antique style.   A Palace Concert A Palace Concert (Tang Ren Gong Le Tu, 唐人宫乐图) depicts the life of court lady at a banquet during the late Tang Dynasty. Around the…

In the realm of ancient costume martial arts dramas, a new contender emerges with the announcement of "To the Mountains and Seas." Headlined by actor Cheng Yi, the series unveils its first teaser trailer, teasing audiences with glimpses of its black-and-white chiaroscuro style, and revealing its stellar cast lineup. Directed by Ren Haitao and Lin Feng, with a script penned by Liu Fang, "To the Mountains and Seas" promises to be a thrilling journey into the world of martial arts and honor. The plot centers around Xia Mingming, a young man whose passion for martial arts novels contrasts starkly with the harsh realities of his mundane life. Played by Cheng Yi, Xia Mingming embarks on a transformative journey as he immerses himself in the world of martial arts through the eyes of the protagonist, Xiao Qiushui. From a naive and impulsive youth with meager martial skills, Xiao Qiushui evolves into a noble and righteous hero, dedicated to defending his homeland and upholding justice. At its core, "To the Mountains and Seas" explores the age-old theme of the hero's journey, tracing Xia Mingming's evolution from an ordinary individual to a legendary figure in the martial arts world. Through trials and tribulations,…

The program of "Eight Masters of the Tang and Song" unveils the magnificent and dramatic life story of a generation of grandmasters through the mode of "immersive real-life performance + cinematic filming + XR innovative presentation", and explores the moments of the birth of "Tang and Song masterpieces". Immersive real-life performance: The "Cultural Exploration Team" personally experiences the plot, with scenes built on real-life settings. Cinematic filming: Through techniques such as plot rhythm and camera movement, the visuals are crafted to have a cinematic texture, enhancing the artistic and aesthetic qualities of the work. XR innovative presentation: By combining reality and virtuality through computers, it brings the participants a seamless immersion between the virtual world and the real world. Let us follow the "Cultural Exploration Team" of the program "Eight Masters of the Tang and Song" and step into the depths of history to take a look at the experience of Han Yu in the great Tang Dynasty. Han Yu lost his parents at a young age. At the age of 12, his older brother Han He passed away in Shaozhou, and Han Yu returned to Heyang with his sister-in-law to bury his brother. Since then, the burden of supporting…

Wearing armor, riding a horse, holding a traditional weapon, fighting on the battlefield. Such a scene may have appeared in the dreams of many people when they were young. But there is a person who turned the traditional Chinese armor in the dream into reality, he is the first person to restore the ancient armor of the Tang and Song dynasties, Wen Chenhua (温陈华). He has highly restoration the armor of the Song dynasty, which has been lost in China for 700 years, after 6 years. He founded the Lian Kai Tang (炼铠堂), and with his own strength, he promoted the obscure armor restoration craft, and let Chinese armor on the world-class combat stage.   #01 The first person in traditional Chinese armor restoration There are only about 1000 armor restorers in China, 90% of them are Wen Chenhua's students, and for 40 years, he has been restoring Jiazhou (甲胄, traditional Chinese armor) to the extreme. On Wen Chenhua's social platforms profile, there is only a simple sentence "Top Chinese Jiazhou maker" as an introduction. However, he has shared a lot of armor design drawings and finished armor photos, all revealing his deep love for Jiazhou. Traditional armor restoration and…