Poster

The initial attraction to "The Story of Suzhou" was its poetic poster. The ancient city’s flowing water, misty bridges, and a beautiful woman standing on a stone slab, separated from the bustling city, captivated many. The poster featured a couplet: "In spring, Suzhou's greenery spans the river, stone bridges and red towers remain unchanged." As the premiere approached, this poetic atmosphere only intensified. The official social media account wrote: "Unveiling the splendor of Suzhou's intangible cultural heritage, weaving a new chapter of millennia-old cultural lineage." Lead actress Xiao Yan said, "Within the opening and closing of scenes, one sees the beauty of intangible heritage, and encounters the vibrant life of Jiangnan in the streets and alleys." In today's extensive audio-visual entertainment landscape, how should cultural and tourism micro-dramas position themselves? What role should these short dramas play in promoting local culture and tourism? "The Story of Suzhou" provides the answer: a key, that fully unlocks the audience's curiosity and desire to explore. Literature once played this role. Wang Anyi casually wrote in her book, "The moonlight in Suzhou seems especially cool and smooth, people feel refreshingly clear, even sleep is clear and bright," sparking readers' longing. "The Story of Suzhou"…

Our previous articles have covered the costume components of the Song emperors, but today we focus on the composition and details of the Song empress costumes, using the Empress Cao's costume from the Qing Ping Yue TV series as a reference for comparison with museum collections. From the makeup poster of Empress Cao's character, Jiang Shuying, the cast still referenced the costumes in the "Axis of the Seated Portrait of empress Song Renzong (宋仁宗皇后坐像轴)" which is now in the National Palace Museum in Taipei, and perhaps due to the poor detail definition of the phoenix crown in the portrait, the phoenix crown was restored with reference to Liu E's phoenix crown in the similar era of Empress Zhenzong (真宗皇后). It's also worth noting that this empress costumes are of a higher class and therefore more elaborate, so let's start with a brief dissection of what Empress Cao is wearing. "Axis of the Seated Portrait of empress Song Renzong"   Dragon & Phoenix Flower Hairpin Crown In today's context, we are accustomed to referring to the Empress's ceremonial crown as a "phoenix crown" and sometimes the bride's jewelry as a "phoenix crown", but for a long time in ancient China, jewelry…