Philosophy

While some cultures might think of December as the month of twinkling lights and festive cheer, for ancient China, it held a different significance. The 21st or 22nd of December marked the Dongzhi Festival, a celebration of the winter solstice, the year's shortest day and longest night. But Dongzhi wasn't just about cozying up by the fire. It was a time steeped in rich history, philosophy, and tradition, a turning point in the natural world and a moment of cosmic balance. A Dance of Yin and Yang: Imagine the universe as a delicate dance between yin and yang, darkness and light, cold and warmth. Ancient Chinese believed the winter solstice marked the peak of yin, with darkness holding sway. Yet, Dongzhi also held the promise of yang's gradual ascendance. Days would slowly lengthen, signifying hope and renewal. This shift resonated deeply, inspiring customs and symbolism throughout the festival. Grand Ceremonies and Family Reunions: Emperors, in elaborate ceremonies, worshipped the heavens and ancestors, seeking blessings for bountiful harvests. Commoners gathered with families, offering sacrifices and sharing meals filled with symbolic significance. Dumplings, resembling the full moon, represented wholeness and family unity. Tangyuan, sweet rice balls symbolizing reunion, were shared in steaming…

As an objective visual aesthetic element, the color in nature has a stable aesthetic meaning as the cognitive ability of the aesthetic subject improves and the aesthetic interest accumulates. Human cognition of the objective color world is the sublimation of people from material cognition to spiritual cognition, so color has strong psychological properties and emotional factors. During thousands of years of history, the Chinese people, with their unique cultural character, have gradually formed their own philosophical and discursive view of color in their consideration of nature and themselves.   1 Traditional Chinese Color Theory Ancient Chinese color theory is mostly derived from man's profound understanding of ecological phenomena in nature, as well as the imitation and generalization of natural colors. On this basis, the ancients linked their understanding of color with the traditional "Wuxing (五行, five phases)" philosophy, forming a very oriental flavor of the "Wuxing & Wuse (五行五色, five phases, and five colors" color theory. When the ancients began to understand color at the beginning, they saw that everything in the world was covered with harmonious and beautiful colors, so they had the desire to follow suit and collected colorful objects for their own decoration. With a further understanding…