Mural

To choose a representative of ancient Chinese beauty, Yang Guifei (杨贵妃/杨玉环, Yang Yuhuan) would probably be one of the most highly acclaimed candidates. As one of the Four Beauties, her romantic legend with Emperor Xuanzong has been repeatedly sung, and anecdotes about the consort and written accounts of her appearance, as well as related paintings, operas, and theatrical stage performances, are commonplace. For thousands of years, literati and people have been curious about the beauty and makeup of the consort. What is the real makeup style of Yang Guifei? If we only speculate from the descriptions of later texts, we may not get the real results. Aesthetics are always changing, and the benchmark for judgment is also changing. Yang Guifei look in modern cdrama But large-scale archaeological excavations over the past half-century or so, especially the hundreds of realistic ceramic figurines, murals and silk paintings unearthed in the tombs of nobles during the Xuanzong era, have allowed us to scientifically summarize the aesthetic tendencies and changes in the figure and makeup of noblewomen during the decades of the Tang dynasty, Kaiyuan (开元), and Tianbao (天宝). Among them are many court paintings of Yang Guifei during her stay in the palace,…

In the Wei, Jin, and North-South Dynasties, when Buddhism was first spread, the flying immortals in the murals were once called Fei Tian (飞天, flying apsaras). With the deep development of Buddhism in China, the Buddhist flying gods and flying immortals merged with each other in artistic images. Dunhuang Fei Tian is the flying apsaras painted in the Dunhuang caves, which later became a special term for Chinese Dunhuang mural art.   01 Origin of flying apsaras In Buddhist culture, the term "Tian" not only refers to celestial abodes but also to the deities within them, such as the "Gongde Tian," which represents auspicious heavenly maidens. Within the heavenly realm, there exists a category of minor deities who flit about and attend to various matters for the apsaras. They possess exceptional singing and dancing abilities, and whenever the Buddha expounds upon his teachings, they soar through the air in graceful dances while playing music and scattering flowers. This imagery actually originated from two minor deities in Brahmanism - Gandharvas and Apsaras. The former is associated with music while the latter embodies dance. The early translators aptly rendered these minor deities as "Fei Tian," denoting their ethereal nature of soaring through…

The caves with undulating heights and depths are truly spectacular; the exquisitely crafted statues are vivid and lifelike; the colorful and dazzling murals. For a thousand years, time has silently passed over this desert, proclaiming to the world the former prosperity and bustle of this place. Among them, murals are the most widespread and deeply ingrained art in Dunhuang. Dunhuang, known as the "Great Gallery in the Desert," has 735 caves, more than 2,400 colored sculptures, and over 45,000 square meters of murals. These precious works of human civilization include portraits of Buddha, stories of Buddha's life, myths and legends, Buddhist historical events, and Buddhist scriptures. Despite enduring wind and frost, these brightly colored murals still radiate their brilliance. To appreciate the beauty of Dunhuang, one must learn to understand the rich world within the murals. The following introductory guide to Dunhuang murals from "Art Culture China" will present the most beautiful side of Dunhuang to you.   In the Dunhuang murals, there is a group of people who believe in Buddhism and funded the excavation of the caves. They not only funded the painting of Buddhist themes but also depicted their own popular ideas and life portraits in the…