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Redrawn Illustrations of Shanhaijing: The Artistic Inspiration Behind the Ancient Divine Creatures
In the minds of most people, Chinese monsters are usually associated with various strange and supernatural creatures in novels and stories. For example, the monster featured in the first episode of "Yao-Chinese Folktales" titled "Nobody" is from the famous novel "Journey to the West". The inspiration for the second episode's story titled "Goose Mountain" comes from a Southern Dynasty supernatural novel called "Yang Xian Shu Sheng". The animation depicts scenes of monsters devouring each other, creating a creepy atmosphere that vividly portrays an imaginative interpretation of “Chinese monsters” and “Chinese aesthetics”. These ancient Chinese monsters or rather Chinese demons have been passed down for thousands of years; therefore more excellent works like "Yao-Chinese Folktales" are needed to celebrate their unique charm. The textual records of monster images date back to the pre-Qin period, with a history spanning more than two thousand years. The "Shanhaijing (山海经, Classic of Mountains and Seas)" is the pioneer in this field and also known as the ancestor of ancient and modern strange stories. The original version of "Shanhaijing" was illustrated; however, those ancient illustrations were lost during Han dynasty, leaving only Ming-Qing engraved illustrations for us to reference. Artist Ren Caifeng attempts to discover an… -
Hanfu Girl: Siyue – Restore the Beauty of Four Classic Novels
Putting on the Chinese Hanfu costume, she is the king of the daughter kingdom in "Journey to the West (西游记)" and the sister of Baochai (宝钗) in "Dream of the Red Chamber (红楼梦)", with the classical charm flowing between her eyebrows and smiles, as if the characters from the Four Great Masterpieces (also includes: Romance of the Three Kingdoms (三国演义) and Water Margin (水浒传)) came to her eyes. The young Hanfu girl named Wu Chen (吴晨), who became popular online for a set of Hanfu photos. It is her interpretation of the beautiful women in the Four Great Masterpieces that has made many young people fall in love with Hanfu. In fact, she has a more special identity - the seventh generation inheritor of Changzhou Xiju (锡剧, also know as Wuxi Opera) Troupe. In Wu Chen's opinion, meeting Xiju and Hanfu are both wonderful encounters in life, and she also hopes to drive more young people to understand the traditional culture and inherit Chinese beauty through her creation. Accidentally Popular: Siyue Wu Chen was born in 2001, grew up in Jiangyin, Wuxi, and is now studying Xiju at the Jiangsu Drama School. She has long black hair with big watery… -
A New Era for Xianxia Dramas: Exploring the Changing Landscape of Immortal Tales
For a long time, the genre of Xianxia dramas has always been an important category in Chinese television productions. Whether it's the once dominant and repeatedly aired "New Legend of White Snake", or the pioneering work of contemporary Xianxia dramas, "Chinese Paladin", or the 2017 sensation that sparked a craze "Eternal Love", Xianxia dramas are an inevitable subject in Chinese TV series creation. And beneath the fantastical world and martial heroes lies its ever-changing core, the values of changing times. Classic values in Xianxia drama series When reminiscing about Xianxia and monster-themed dramas you have watched, you may immediately think of classics such as "Journey to the West," "New Legend of White Snake," and "Gods of Honour" which were adapted from Chinese folk legends and historical texts. Underneath their classic stories, these immortal drama series possess lasting vitality undoubtedly related to their fundamental narrative logic. For instance, at its essence, "Journey to the West" is a tale of team adventure where protagonists undergo different forms of growth after facing conflicts and difficulties. The protagonist often embarks on a journey alone or with a team to search for something but ultimately discovers that what they find isn't tangible treasure but…
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