Jia Ling

Last year was a fruitful year for domestic film and television in the international arena. "The Long Season" was released on Netflix; Sony Pictures announced the remake of "Hi, Mom," with Jia Ling serving as producer; multiple series such as "Three-Body" and "The Knockout" were popular overseas; while "Joy of Life Season 2" was still in production, Disney had already acquired its exclusive overseas distribution rights. Although this year is not yet halfway through, works like "Blossoms Shanghai" and "The Legend of Shen Li" have not only been a hit domestically but have also broken free from regional constraints, sparking discussions in multiple countries and regions. The transformation of broadcasting channels by streaming services has not only led to a new wave from content to industry domestically but has also provided more possibilities for the "going global" of domestic film and television content. A richer variety of genres, an increasing number of diverse platforms for viewing, more mature business models, and a series of new horizons based on overseas distribution, such as industry integration and IP overseas expansion. "YOLO" has already premiered in multiple countries overseas and will be showcased as the opening film at the 26th Far East Film…