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How Chinese Post-85 Actresses Changing the Cdrama Industry
This year, the film industry has witnessed a perplexing move with the movie "Nothing Can't Be Undone by a Hotpot" being pulled from theaters and switched to streaming online. Just five days after its release, the film was withdrawn from cinemas, citing "various environmental factors" leading to low scheduling rates, with plans to re-release it at a later date. However, just six days after its withdrawal, this movie, originally intended for theatrical release, suddenly appeared online where it became accessible to subscribers without even a separate fee, leaving those who had paid for tickets feeling betrayed. This shift has significantly impacted Yang Mi, the lead actress, beyond just the director. This year has been pivotal for her, with not only "Nothing Can't Be Undone by a Hotpot" but also the spy drama "In the Name of the Brother," marking a substantial shift in her career towards both film and television. These roles signal a clear intention to transform, aligning with the broader trend among her peers from the post-85 actors, striving to redefine their artistic directions. Post-85 Full-scale Transformation in Film and Drama With "In the Name of the Brother" setting the stage and "Nothing Can't Be Undone by… -
Analyzing the Intricacies of In the Name of the Brother in a Deep Cdrama Review
The throne of the hottest TV drama on iQIYI in 2024 has been updated once again, and this time it is claimed by the espionage drama "In the Name of the Brother". Perhaps the initial audience was drawn by the refreshing combination of the lead actors, Qin Hao and Yang Mi, but after watching a dozen episodes, viewers were undoubtedly captivated by the solid performance of the formidable creative duo, director Zhang Li and screenwriter Wang Xiaoqiang. In recent times, several period espionage dramas have emerged on the market, yet "In the Name of the Brother" not only airs simultaneously during prime time on three major TV stations, garnering widespread attention, but its online popularity continues to soar, fueling ongoing discussions and upholding the vitality of classic espionage narratives. A remark from a fervent viewer in the barrage succinctly encapsulates the audience's visceral experience: "Since watching this TV drama, I am always on edge." Despite the buzz surrounding topics like "Qin Hao taking on the challenge of portraying dual roles" and "Yang Mi's debut as a villain in a period drama", "In the Name of the Brother" does not rely on these as gimmicks. Instead, it weaves a tale around…
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