Feature film

Xianxia-themed web series and online literature have enjoyed tremendous popularity, yet the big screen seems to lack Xianxia-themed films. Why is that? Firstly, in terms of creative adaptation, the vast and intricate world of Xianxia presents significant challenges for filmmakers. This complexity often restricts the adaptation of Xianxia IPs to television series rather than feature films. Xianxia dramas typically span over 30 episodes, allowing ample time to depict the fantastical realms of Xianxia in detail. However, condensing the intricate world-building and character relationships of Xianxia into a 120-minute film presents a formidable challenge. Without sufficient exposition, audiences may struggle to grasp the backstory and nuances of the Xianxia world, leading to confusion and disengagement. Furthermore, the commercial viability of Xianxia films is another consideration. While Xianxia-themed web series and online literature have found success with niche audiences, the broader appeal of Xianxia films on the big screen remains uncertain. Unlike television dramas, which can cater to specific fanbases over multiple episodes, films require a broader appeal to attract a larger audience and recoup production costs. Given the niche nature of Xianxia content and its relatively limited mainstream appeal, studios may be hesitant to invest in Xianxia films for fear of…

In the past 40 years, China has been the main market for exporting Japanese and American animations. However, in recent years, Chinese animation works have gradually gained attention in the international market. In 2018, the first Chinese original animation series "Scissor Seven" was launched on Netflix and made its way overseas. After being simultaneously broadcasted in over 190 countries and regions worldwide, the entire animation market has accelerated its pace in going global. In 2019, "White Snake" was nominated for the Feature Film competition unit at the Annecy International Animated Film Festival in France. In the same year, the phenomenal work "Ne Zha" was released in North America and achieved a box office of 3.69 million dollars, setting a new record for the distributing company. In 2021, "I Am What I Am" participated in the largest animation festival in North America, the AIF Animation Film Festival. This summer, the domestic animated film "Chang An" received both critical acclaim and box office success overseas. In addition to an increasing number of Chinese animation works being available on mainstream international media platforms and attracting attention from the global market, various Chinese video platforms have also made moves to enter the international market.…