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Ming Dynasty Aesthetics in Drama The Imperial Age: Costumes and Props
Drama The Imperial Age (山河月明), which begins with the "Hongwu Northern Expedition" in the early Ming Dynasty, tells the story of Zhu Di, the fourth son of Hongwu Emperor Zhu Yuanzhang, who have experienced the battlefield at a young age, grows into a qualified military commander and mature politician with the company of Xu Da, and achieves greatness. The Imperial Age has gained a lot of fans since it started, and viewers have fallen in love with the daily life of the imperial family, which is different from the serious royal atmosphere of previous historical dramas, describing it as "the happy life of the first family of the Ming Dynasty", and the elaborate hanfu costumes in the drama have also unfolded a realistic and detailed aesthetic painting of the Ming Dynasty. Court Dress in the Ming Dynasty During the Ming Dynasty, costumes also became more hierarchical, with strict rules on the types of clothing, accessories, and even colors that different classes could wear. Zhu Biao, acted by Mickey He In The Imperial Age, civil officials' uniforms were embroidered with birds, while military officials' uniforms were embroidered with fierce animals. The official uniform system at that time stipulated that the… -
From Dynasties to Daily Wear: The Resurgence of Hanfu Fashion
Mamian skirt, Qixiong dress, and the hundred-pleat skirt; wearing traditional Hanfu has become a new trend in public attire in recent years, whether it be for sightseeing, wedding ceremonies, shopping, friend gatherings, and various other occasions. The "Hanfu craze" continues to rise, blending tradition with modernity, activating cultural resources, igniting the consumer market, and driving industrial development. In recent years, Hanfu has gradually gained popularity among the younger generation, with their youthful expression and fashionable presentation bringing Chinese traditional culture into daily life in a tangible and palpable form. The long-standing Chinese traditional clothing culture embodies a blend of Chinese aesthetic interests, reflecting not only a consumer choice but also the Chinese people's love for outstanding traditional culture. Demand exceeds supply During the Spring Festival and Lantern Festival of the Year of the Dragon, the activity of "wearing Chinese costumes for free to visit the Confucian Temples" in Qufu City, Jining, Shandong, has been well received. Wang Chunling, a visitor from Liaoning, traveled a long distance with friends to play here, attracted by the lively atmosphere of night tours in the ancient city of Qufu and folk performances, and dressed in Hanfu to join the parade. This year, garments…
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