Drawing board

Hairpins, earrings, brooches, bracelets, and other antique jewelry in a wide range, tweezers, wire drawing board, spitfire, and other tools filled the workbench. In the studio of "Jia Xu Zao Wu (甲戌造物)" located in Jinan, Shandong Province, "post-90s" young man Lü Jikai is using the millennium-old filigree inlay craft to process custom traditional jewelry for customers. Among the popular culture in China in recent years, the ancient trend represented by hanfu, cheongsam and traditional jewelry is especially sought after by young people like Lü Jikai. More and more "post-90s" and "post-00s" have turned their love for Chinese costumes and traditional jewelry into a career, becoming the promoters of the Chinoiserie culture. "8 years ago, when I first joined the industry, the demand for traditional jewelry is not high, and few people do it, like the old craft of filigree inlay, but few people know." Lü Jikai said. But in recent years, traditional Chinoiserie culture is receiving more and more attention, oriental aesthetics get more young people like, traditional Chinese jewelry also began to capture the hearts of more consumers. "In the past, only a few orders a month, now the orders are basically scheduled to three months later.Some people specify…