Dragon and Phoenix

Chinese fashion elements have always been closely related to Chinese traditional culture, auspicious patterns and Hanfu also have a very good combination. There are many auspicious patterns in Chinese folk. On the new year's day, or on a festive day, people like to decorate their rooms with these auspicious patterns to express their yearning for a happy life and the celebration of a good day. It is the most common way to extend and extend the natural attributes and characteristics of some animals and plants. For example, dragon and Phoenix are used to symbolize power. From ancient times to now, Dragon is the auspicious God of ancient China. It is regarded as the totem of the Chinese nation and has supreme status. In Chinese, pronunciation often corresponds to several Chinese characters, so using the same and similar pronunciation can achieve a certain rhetorical effect. These auspicious patterns have been popular from the Han Dynasty to Ming Dynasty, and they are mostly seen in ancient porcelain of the Ming and Qing Dynasty. Today, Chinese fashion elements are constantly integrated into our modern life, and our Hanfu and auspicious patterns are also very well combined. Let's follow the steps of Hanfu Time…

Tang Dynasty clothing mainly refers to the Tang Dynasty Hanfu clothes. Tang Dynasty is a period of great prosperity of China's feudal society. Both people's thoughts and material production have reached the ancient historical peak. Since the Tang Dynasty, a large number of flower patterns have been widely used in craft decoration. Its composition is lively and free, dense and symmetrical, plump, and mellow. Especially after the combination of wavy continuous patterns and floral plants, it was the popular pattern in that period. Tang Dynasty beauty pictures The style of the Tang Dynasty clothing has taken real flowers, grass, fish, and insects for sketching, instead of the previous creative idea of the "Mandate of Heaven." Still, the traditional mythical animals, like dragon and phoenix pattern, has not been excluded. At this time, the design of costume patterns tends to express the free, open mind and casual artistic style. The Feature of Tang Dynasty Clothing In the Tang Dynasty, foreign trade was developed, and the country was peaceful for a long time. Especially when the Tang Dynasty became the center of economic and cultural exchanges among Asian nations, it was the most glorious page in the history of Asian history. This…

The development of Chinese motifs has a rich history, with each era having its own unique design themes and styles. Throughout history, it has been discovered that from the graphics and symbols that emerged during the primitive era of humanity, to the present day where we classify art into different categories, some commonly used themes such as floral motifs, dragon and phoenix motifs, cloud motifs, and geometric motifs have continued to exist from ancient times to the present day, and have even remained unchanged. What has changed is that the same theme has different characteristics in different eras due to differences in the expression of artificial craftsmanship. Traditional Chinese Hanfu clothing emphasizes a harmonious blend of temperament and style, and in order to not destroy the overall effect of the clothing while also making its style versatile, changes in the motifs along the lapel edges of the clothing have become an important means of decoration. From the perspective of artistic expression, motifs can be divided into abstract, figurative, and imagery forms. In the application of clothing edges, motifs are generally divided into geometric, animal, plant, and auspicious character motifs.   Abstract form - geometric pattern The decorative motifs in the…

Thousands of years of Eastern civilization, aesthetics, anecdotes, and legends, as well as ingenuity and divine skills collected between the lines, have traveled through time and space and come before us. While artifacts have no voice, traditional motifs burst out with color: Floral, flying crane, white egret, dragon and phoenix, plum blossom, and persimmon calyx motifs. Unfortunately, due to limitations in craftsmanship and inheritance, many motifs are gradually disappearing or being ignored. The Team Wen Zang (纹藏) has long been dedicated to translating Chinese traditional motifs. With love and exploration, more than 60 team members have designed and recreated thousands of motif data texts throughout more than 1000 days and nights, compiling them in the book, "The Motifs of The Imperial Palace", to allow more people to see and remember the motifs of the Forbidden City. Selected from among millions of cultural relics, classified into five major mediums -- woven embroidery, porcelain, tapestries, enamelware, and architecture -- the book selects and features 117 of the most classic and beautiful motifs, providing a 5000-year visual feast. The Team Wen Zang has long been dedicated to translating traditional Chinese motifs. With love and exploration, more than 60 team members have designed and…