Daopao

On the morning of the 8th, the "Continuing the Old Year, Welcoming the New" series of events for the 2020 Spring Festival officially kicked off in the Cultural Square. Dozens of members from the County Zi Jin Hanfu Club, dressed in traditional Hanfu such as ruqun (robe-skirt sets), zhidu (straight robes), and daopao (Taoist-style robes), held a themed "Hanfu Fluttering to Welcome the New Year" ancient-style Hanfu parade. Holding paper umbrellas and wearing fluttering garments, they started from the Cultural Square, walked along the Shanmen Bridge down to the Waterfront Platform, and arrived at County Front Street. With the breeze blowing, their skirts swayed gracefully, fully displaying the charm of Hanfu, as if they were under a spotlight attracting passersby to stop and admire. The Hanfu performers also showcased traditional arts such as guzheng, guqin, and tea ceremonies along the street, making it a feast for the eyes for the citizens. "We should celebrate our traditional festivals well and wear our traditional clothing well," said Ms. Huang, a Hanfu enthusiast who participated in the event. She believes that Hanfu and Han culture have a long history and are very charming, and during such festive occasions like the Spring Festival, they…

This article focuses on the changes in the popularity of traditional Chinese men's clothing from the Ming and Qing dynasties to the early Republic of China. The early Ming dynasty clothing continued the style of the Yuan dynasty, men's clothing in addition to Zhishen (直身), but also have Changshan (长衫) style. At this time the Daopao (道袍) has not yet formed, because the Changshan pleated structure on both sides, inferred that may be the Daopao predecessor. The prototype of the Yisan (曳撒) came from the Yuan Dynasty, and the sleeve shape and silhouette gradually changed in the Ming Dynasty, and developed an outer hem structure, which was one of the common styles of Bianfu (便服)/army clothing or Jifu (吉服) in the Ming Dynasty. The more significant change in the mid-Ming men's clothing is the gradual widening of the sleeve type, the structure of the outer hem is also different from the initial period. Late Ming dynasty men's clothing popular with the Daopao, the initial sleeve type for the bias to straight sleeves, with the structure of the Shoumei (收袂). At the end of the Ming Dynasty, the robe has developed into wide sleeves, and the structure of the inner and…

This article focuses on the changes in the popularity of traditional Chinese men's clothing from the Ming and Qing dynasties to the early Republic of China. The early Ming dynasty clothing continued the style of the Yuan dynasty, men's clothing in addition to Zhishen (直身), but also have Changshan (长衫) style. At this time the Daopao (道袍) has not yet formed, because the Changshan pleated structure on both sides, inferred that may be the Daopao predecessor. The prototype of the Yisan (曳撒) came from the Yuan Dynasty, and the sleeve shape and silhouette gradually changed in the Ming Dynasty, and developed an outer hem structure, which was one of the common styles of Bianfu (便服)/army clothing or Jifu (吉服) in the Ming Dynasty. The more significant change in the mid-Ming men's clothing is the gradual widening of the sleeve type, the structure of the outer hem is also different from the initial period. Late Ming dynasty men's clothing popular with the Daopao, the initial sleeve type for the bias to straight sleeves, with the structure of the Shoumei (收袂). At the end of the Ming Dynasty, the robe has developed into wide sleeves, and the structure of the inner and…

Original Author: Huafeng Mozhu (华风墨逐) Hanfu Cutting & Sewing Patterns Detail Zhongyi (中衣) Aoqun (袄裙) Ruqun (襦裙) Beizi (褙子) Pan collar Aoqun (盘领袄) Quju (曲裾) Banbi (半臂) Shuhe (裋褐) Zhiduo/Zhishen/Daopao (直裰/直身/道袍) Panling Pao/Lanshan (盘领袍/襕衫) Shenyi (深衣) Yisan (曳撒) Inspired Hanfu (改良汉服) Updating   Preface Ethnic costumes are different from ordinary clothes that only play the role of warmth and decoration, but they are one of the elements of the appearance of a nation and an important carrier of its traditional culture. It is also an important carrier of the traditional culture of a nation. The cultural connotation of traditional costumes of different nationalities is different, and it can naturally show the spiritual civilization and aesthetics of the nation. Hanfu is the traditional costume of the Han people, also known as "Han Zhuang" or "Hua Fu".Since the time of the Yellow Emperor, Yao and Shun, hanfu has taken a basic form, and after the inheritance of the rituals of the Zhou Dynasty, it has formed a perfect system of clothing and crown and spread to the people in the Han Dynasty. The hanfu had been developed for thousands of years until the fall of the Ming Dynasty, when it was temporarily stopped.…

This section contains Zhiduo (直裰), Zhishen (直身), Daopao (道袍). Size range: 165/88A to 185/104A. Please read the introduction of the topic and how to use this guide in advance.   Introduction Zhiduo is a kind of costume from the Song Dynasty, the initial is mostly worn by monks, a few literati also wear, Song Zhiduo is generally not slit. By the Ming Dynasty, Zhiduo had become widely popular among literati and scholars, and the basic features of Ming Zhiduo were the cross collar, knee-length garment, slit on both sides without Bai (摆), generally with a collar guard on the collar, and mostly with pipa sleeves. The cutting and sewing patterns in this chapter are based on Ming Zhiduo. Zhishen was also an important costume of the Ming Dynasty, as well as Zhiduo and Daopao, the basic features of Zhishen are the same as Zhiduo, with a cross collar, more collar protection, pipa sleeves, and knee-length, but the difference is that there is outside Bai on both sides in Zhishen. Daopao is one of the traditional costumes of Taoism, but it was also the main style of casual wear and dress for scholars in the Ming Dynasty, so Daopao was not…