Craft

Liu Chao's family has been filigree inlay artworks craftsmen for three generations, and they have devoted almost all their time to this craft. But in China, some traditional craft are facing the crisis of being lost, so how did Liu Chao inherit and carry forward the traditional craft of filigree inlay?   Filigree inlay (花丝镶嵌), also known as "fine gold art", is a long-established traditional Chinese handicraft technique, mainly used in the production of royal jewelry, in ranked among the Eight Unique Skills of Yanjing (original name of Beijing). In 1963, Liu Chao's maternal grandfather Li Yucheng learned "filigree inlay" from an old artist, and now it has been 57 years. From the grandfather, to Liu Chao's mother, to Liu Chao today. More than 20 years ago, Liu Chao used to follow his father and go to the street stall with the filigree inlay Ruyi, and with the change of time, a new generation of craftsmen has inherited these crafts. In Liu Chao's case, it is apparent to see the seemingly contradictory combination of innovation and tradition in the new generation of craftsmen. On the one hand, he is considered to be a person who follows the trend of the…

Shu embroidery, as the longest-standing embroidery in China, is one of the four famous Chinese embroidery, along with Su embroidery, Xiang embroidery, and Yue embroidery. The hands of Shu embroidery weavers not only hold a precious craft, but also carry thousands of years of reproduction and imagination of flowers, birds, trees, rivers, and nature. Take a look at the history of Shu embroidery and its exquisiteness with Cosmopolitan's interview with Wang Xia, the inheritor of Shu embroidery.   The treasure of Shu embroidery begins at the tip of a needle The art of Shu embroidery, which began with a needlepoint, is a luxury for modern people, it is a craft that has been passed down for over two thousand years. Shu embroidery, with its bright and delicate colors and exquisite needlework, has formed its own unique charm, and its richness ranks first among the four famous embroideries. In fact, the history of Shu embroidery dates back to the Western Han Dynasty. "The industry of female workers, covering the world in clothes," was recorded in the "Book of the Later Han". At that time, the literary writer Yang Xiong described the scene of embroidering silk that could be seen everywhere in…

In recent years, with the rise of the China-Chic trend, many gold stores have also begun to favor products of traditional culture and launched the so-called ancient gold craft and inheritance series of Chinese gold jewelry. The ancient Chinese used goldware as body decoration, dating back to the Xia Dynasty 4,000 years ago. The gold eardrops unearthed in Gansu is the best proof. The simple circle obviously cannot reflect the skill level of the ancients, so today let’s take a look at the gold earrings and gold bracelets in the museum’s collection of cultural relics. Let’s experience the luxury aesthetics of ancient Chinese gold jewelry. Gold earrings, 2100-1600 B.C., collection of Gansu Provincial Institute of Archaeology   Eardrop Eardrops (Er Zhui, 耳坠) is a kind of traditional Chinese earrings, with an additional part of the drop than earrings. Gold earrings, Warring States period, collection of Ordos Museum This pair of gold eardrops in the Warring States Period adopts a cone and spring design, and the color matching of gold and turquoise is even more ingenious. Gem-set gold earrings, Northern Wei Dynasty, collection of Datong Museum This pair of gold eardrops from the Northern Wei Dynasty is composed of amber, silver…

Bamboo weaving is a handicraft that uses bamboo split into strips or filaments from mountain bamboo to weave various utensils and handicrafts. The craft of bamboo weaving not only has great practical value, but also has a profound historical heritage. In the history of bamboo weaving industry, it was mostly in the form of workshops, often passed down from generation to generation or through master-apprentice relationships based on workshops, where apprentices became independent after learning and then recruited apprentices, passing on their skills through oral and practical teaching. Generally used for daily necessities and agricultural tools. Bamboo weaving has a long history and is the second batch of Chinese intangible cultural heritage. Diao Kuan, a bamboo weaving craftsman born in the 1990s, is from Dangshan County, Anhui Province. As a child, Diao Kuan loved to hang around the old craftsmen, willing to spend a whole day watching them weave bamboo. The old craftsmen's hands seemed to have a magical power, turning ordinary bamboo strips into exquisite handicrafts. The love for bamboo weaving was like a seed planted in the young Diao Kuan's heart. What sets Diao Kuan apart from other craftsmen is that he injured his right hand when he…

In recent years, with the rise of the China-Chic trend, many gold stores have also begun to favor products of traditional culture and launched the so-called ancient gold craft and inheritance series of Chinese gold jewelry. The ancient Chinese used goldware as body decoration, dating back to the Xia Dynasty 4,000 years ago. The gold eardrops unearthed in Gansu is the best proof. The simple circle obviously cannot reflect the skill level of the ancients, so today let’s take a look at the gold earrings and gold bracelets in the museum’s collection of cultural relics. Let’s experience the luxury aesthetics of ancient Chinese gold jewelry. Gold earrings, 2100-1600 B.C., collection of Gansu Provincial Institute of Archaeology   Eardrop Eardrops (Er Zhui, 耳坠) is a kind of traditional Chinese earrings, with an additional part of the drop than earrings. Gold earrings, Warring States period, collection of Ordos Museum This pair of gold eardrops in the Warring States Period adopts a cone and spring design, and the color matching of gold and turquoise is even more ingenious. Gem-set gold earrings, Northern Wei Dynasty, collection of Datong Museum This pair of gold eardrops from the Northern Wei Dynasty is composed of amber, silver…

The magnificent filigree inlay, representing the pinnacle of precious metal production technology, from the old days dedicated to the court, to nowadays spread to the folk, there has been a lot of people contact, wear filigree inlay products, and for its exquisite and intricate technology by.   What is Filigree Inlay? Filigree inlay (花丝镶嵌), also known as "fine gold craft", is a long-established traditional Chinese handicraft technique, mainly used in the production of ancient Chinese royal jewelry, by the combination of "filigree" and "inlay" two production techniques. Filigree Inlay Art in THE GREAT SHOKUNIN Filigree refers to drawing gold and silver into fine wire, using filling and weaving techniques to make crafts. Inlay refers to the hammering of gold and silver flakes into vessels, and then burin out the pattern, set with pearls or gemstones, and become. As one of the "Eight Unique Skills of Yanjing", the art of filigree mosaic was included in China's national intangible cultural heritage list in June 2008. The objects that can be applied with filigree inlay can be divided into three categories. The first category is jewelry, including bracelets, necklaces, earrings, brooches, pendants, cufflinks, etc. The second category is the display category, mainly indoor…

Chinese embroidery, also known as silk embroidery and needle embroidery, is one of China’s outstanding traditional national crafts. It is a process that uses embroidery needles to guide color thread, embroiders and transports needles on textiles according to the designed patterns, and forms patterns with embroidery traces. Q: what are the top ten famous embroidery in China? A: Suzhou embroidery, Xiang embroidery, Yue embroidery, Shu embroidery, Beijing embroidery, Lu embroidery, Bian Embroidery, Ou embroidery, Hangzhou embroidery, and Han Embroidery. Suzhou Embroidery Suzhou embroidery is the general name of Suzhou embroidery products. It originated in Wuxian, Suzhou, and has spread to Wuxi, Changzhou and other places. Embroidery and sericulture, silk reeling inseparable, so embroidery, also known as silk embroidery. Suzhou embroidery has the unique style of beautiful pattern, ingenious conception, meticulous embroidery, lively needling and elegant color, with strong local characteristics. Xiang Embroidery Xiang embroidery is the general name of Hunan embroidery products with distinctive Hunan Chu cultural characteristics centered on Changsha, Hunan. It is a folk craft with Hunan Chu cultural characteristics created by the hardworking and intelligent working people of Han nationality in Hunan Province in the long development process of human civilization history. Xiang embroidery is good at…

Tang Dynasty clothing mainly refers to the Tang Dynasty Hanfu clothes. Tang Dynasty is a period of great prosperity of China's feudal society. Both people's thoughts and material production have reached the ancient historical peak. Since the Tang Dynasty, a large number of flower patterns have been widely used in craft decoration. Its composition is lively and free, dense and symmetrical, plump, and mellow. Especially after the combination of wavy continuous patterns and floral plants, it was the popular pattern in that period. Tang Dynasty beauty pictures The style of the Tang Dynasty clothing has taken real flowers, grass, fish, and insects for sketching, instead of the previous creative idea of the "Mandate of Heaven." Still, the traditional mythical animals, like dragon and phoenix pattern, has not been excluded. At this time, the design of costume patterns tends to express the free, open mind and casual artistic style. The Feature of Tang Dynasty Clothing In the Tang Dynasty, foreign trade was developed, and the country was peaceful for a long time. Especially when the Tang Dynasty became the center of economic and cultural exchanges among Asian nations, it was the most glorious page in the history of Asian history. This…

Introduction of Chinese Lanterns Chinese lanterns (Deng Long, 灯笼), also known collectively as Deng Cai (灯彩), an ancient Han Chinese traditional craft. Through thousands of years of development, Chinese lanterns have developed different regional styles, each with a unique artistic expression. Every year, around the Lantern Festival on the 15th day of the first month of the lunar calendar, people hang up red lanterns, which symbolize the meaning of reunion, to create a festive atmosphere. Lanterns are closely related to the life of Chinese people and have become a symbol of joy and celebration. Through the succession and development of lantern artists in the past generations, a colorful variety and high level of craftsmanship have been formed. There are various types of lanterns: palace lanterns, sarong lanterns, and so on. The outer layer is mostly made of thin bamboo or wire skeleton, and covered with transparent materials such as paper or yarn, and the candles are burned inside for lighting and decoration. The origin of the Chinese lantern has a variety of sayings, one of the more widely circulated is: during the Eastern Han Dynasty, the emperor Liu Zhuang advocated Buddhism, heard that Buddhism has the practice of the 15th…

The magnificent filigree inlay, representing the pinnacle of precious metal production technology, from the old days dedicated to the court, to nowadays spread to the folk, there has been a lot of people contact, wear filigree inlay products, and for its exquisite and intricate technology by.   What is Filigree Inlay? Filigree inlay (花丝镶嵌), also known as "fine gold craft", is a long-established traditional Chinese handicraft technique, mainly used in the production of ancient Chinese royal jewelry, by the combination of "filigree" and "inlay" two production techniques. Filigree Inlay Art in THE GREAT SHOKUNIN Filigree refers to drawing gold and silver into fine wire, using filling and weaving techniques to make crafts. Inlay refers to the hammering of gold and silver flakes into vessels, and then burin out the pattern, set with pearls or gemstones, and become. As one of the "Eight Unique Skills of Yanjing", the art of filigree mosaic was included in China's national intangible cultural heritage list in June 2008. The objects that can be applied with filigree inlay can be divided into three categories. The first category is jewelry, including bracelets, necklaces, earrings, brooches, pendants, cufflinks, etc. The second category is the display category, mainly indoor…

Wearing armor, riding a horse, holding a traditional weapon, fighting on the battlefield. Such a scene may have appeared in the dreams of many people when they were young. But there is a person who turned the traditional Chinese armor in the dream into reality, he is the first person to restore the ancient armor of the Tang and Song dynasties, Wen Chenhua (温陈华). He has highly restoration the armor of the Song dynasty, which has been lost in China for 700 years, after 6 years. He founded the Lian Kai Tang (炼铠堂), and with his own strength, he promoted the obscure armor restoration craft, and let Chinese armor on the world-class combat stage.   #01 The first person in traditional Chinese armor restoration There are only about 1000 armor restorers in China, 90% of them are Wen Chenhua's students, and for 40 years, he has been restoring Jiazhou (甲胄, traditional Chinese armor) to the extreme. On Wen Chenhua's social platforms profile, there is only a simple sentence "Top Chinese Jiazhou maker" as an introduction. However, he has shared a lot of armor design drawings and finished armor photos, all revealing his deep love for Jiazhou. Traditional armor restoration and…

The modern hanfu is an improved version of traditional Chinese clothing, also called as new hanfu. The modern hanfu is on the basis of Western-style clothing, formed by integrating the basic elements of traditional hanfu outfit. The new hanfu is split into several varieties based on its features that can be part of the form characteristics, patterns, or aesthetic. If you take the word "Hanfu" back to its roots, it simply was the Chinese word for “Han People's Clothing.” Later on, it evolved to mean specifically, traditional Chinese clothing. As they came into popularity in the ancient period, manufacturers began producing these pieces of hanfu with many cutting methods, and they’d cut various lines of fabric, sew them together. It's usually a very loose design that meant they wouldn’t have to have multiple sizes and fits. Eventually, hanfu style developed and people began wearing on a large scale, integrated into their everyday style. Hanfu designers improved their craft to such an extent that it became an art form and not simply as apparel. Traditional hanfu became more valuable and more collectible as pieces of art. That’s not to say that an appreciation of the hanfu today has to be all…