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Grand Opening of the 8th Xitang Hanfu Culture Week
In the bustling crowd, women in Hanfu, men in armor, passing by. This beautiful dream, has been realized in Xitang. October 31, the eighth Chinese national costume show and China Xitang Hanfu culture week in Zhejiang Xitang ancient town grand opening, from all over the country tens of thousands of traditional culture lovers and tourists gathered in Xitang, to watch the national costume show, to promote traditional Hanfu culture, to enjoy the scenery of Xitang. ▲Video of the opening ceremony of the 8th Xitang Hanfu Culture Week Let's take a look at the highlights of this year's Xitang Hanfu Culture Week Carnival by following the Xitang Travel. First up was the carnival float. The float beats the drum to symbolize the pioneering spirit of Wu Zixu. The float extracts the elements of the ancient architecture of Xitang in the Ming and Qing dynasties, combines the humanistic atmosphere of "poetry and painting" with the traditional calligraphy and painting, and is designed from the Yongning Bridge, the symbol of Xitang ancient town, which conveys people's beautiful vision of "eternal peace and prosperity", and creates a "poetic and picturesque" "dream Xitang" cultural visual feast. Followed by the honor guard, riding horses… -
Tang Dynasty Hairdos Examples: Discovering the Fascinating of Hanfu Hairstyles
During the Tang Dynasty, which was the pinnacle of feudal society in China, many aspects reached unprecedented heights. Well-known achievements such as poetry, calligraphy, painting, and dance were accompanied by a vibrant clothing culture that became one of the most dazzling chapters in Chinese fashion history. Consequently, hairstyles also exhibited an unimaginable array of colors and postures. High Bun The term "high bun" may refer to a specific type of bun hairstyle, but it is more likely a general term for tall buns. High buns were frequently seen during the Tang Dynasty and underwent continuous innovation in style. Many poets mentioned them in their works. The popularity of these high buns spanned the entire three hundred years of the Tang Dynasty. Lofty Bun Lofty Bun (峨髻, e ji) implies grandeur and magnificence. It is widely believed that the hairstyle depicted in Zhou Fang's painting "Court Ladies Adorning Their Hair with Flowers" represents lofty bun due to its towering mountain-like appearance. However, some people associate it with flower-decorated bun because women in the painting wear golden and silver floral accessories. Side Bun This type of bun existed as early as the Sui Dynasty. It involved creating a tall… -
The Cultural Connotation and Expression of Traditional Chinese Colors
The traditional colors of China are an indispensable part of Chinese culture. These colors are not just simple visual elements, but also carry rich cultural connotations and historical backgrounds. In traditional Chinese culture, each color has its unique symbolic meaning, and is closely related and complementary to many aspects. From architecture, clothing to painting, calligraphy, and even daily etiquette and festival activities, these traditional colors have been widely used and have become an essential element of Chinese culture. This article will explore the cultural connotations contained in traditional Chinese colors and their expressions in various fields. 01 What are traditional Chinese colors? When it comes to colors, we naturally think of specific colors such as red, yellow, blue, and green, each with a fixed number. But when we look at traditional Chinese colors, we see names such as "Xuan (玄)", "Xun (纁)", "Piao (缥)", "Qing Dai (青黛)", etc. If there is no special color card, I believe that most people will be confused when they see these color names. In fact, this is due to the different color order regulations between the East and the West. Western color culture pays more attention to physical properties and scientific theories, and… -
History and Characteristics of Chinese Painting
Chinese painting is the art of brush and ink applied on Xuan (paper) or silk. The basic tools are those of calligraphy, which has influenced painting in both style and theory. Characteristics and Categories of Chinese Painting A distinctive basic characteristic of this painting is that ideas and motifs are presented primarily in the form of lines and dots in ink, rather than in color, proportion, and perspective. These works are conceived with the aid of brushes composed of handle and head. The handle is usually made of bamboo or wood, while the head is made of animal hair, usually sheep or wolf. The heads are soft and flexible, and suitably fit the style of Chinese painting. Usually, only black ink is used, and silk and thin paper are used for the "canvases". Chinese painting falls into three main categories: portraits, landscapes, and flowers and birds. Of the three traditions, the oldest is portraiture, dominating the scene until the late Tang dynasty. In general, landscape paintings depicted mountains and water, influenced by the Taoist tradition of seeking solitude in nature. Landscape dominated in the 11th century, becoming a favorite motif of artists. Even today, when a Chinese says a place…
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