Buddhism

A complete hanfu look is certainly not complete without fine jewelry to match. In the course of ancient history, traditional Chinese jewelry naturally evolved, graceful and luxurious, or refined and small. In this article, we will reveal through the order of dynasties, the fashion secrets in ancient traditional Chinese jewelry boxes. Let's see those periods of "China-Chic" how fashionable.   Wei, Jin and North and South Dynasties: A Fashion Trend from Abroad? The poem "Ballad of Mulan" contains the line: "She combs her hair by the window and, before the mirror, fastens golden yellow flowers." This "yellow flowers (Hua Hunag, 花黄)" refers to the makeup of women in the Wei and Jin dynasties, which was inspired by Buddhism. Stills from "Mulan" Due to the popularity of Buddhism, the Buddha-nature of gold brought inspiration to women, so although the "flower yellow" in makeup may have been a little exaggerated, but it does reflect the characteristics of Buddhism at the time, as well as the pursuit of exoticism. Stills from "Mulan" Of course, the rise of the introduction of Buddhism to the fashion circle brought not only makeup, with the matching jewelry also with a clear Buddhist style. In terms of production…

In the Chinese lunar calendar, the 15th day of the seventh month is the traditional Zhongyuan festival (Ghost festival). There is a folk saying that "At the half of the seventh month, the gate of ghosts will be opened", just like the plot of the movie "Coco". But is this really the case? And why is the Zhongyuan festival commonly considered to be a ghost festival? How did the ancient people spend this festival? movie Coco   Zhongyuan Festival = Ghost Festival? Zhongyuan festival has a thousand-year history, and is also known as "Qi Yue Ban (七月半)" and "Yulanpen Festival (盂兰盆节)", each name representing a different ideological origin of the Zhongyuan festival. Simply put, it originated as a folk custom of ancestor worship, and later incorporated the ideas of Confucianism, Buddhism, and Taoism. When it comes to traditional folklore ancestor worship, we have to mention the "Qiu Chang (秋尝)": an ancient sacrificial ritual held in July. Autumn is the harvest season, and ancient people offer the ripe grains to their ancestors to pray for a good harvest in the coming year. In the beginning, there was no fixed date for "Qiu Chang". As the 15th day of the 7th lunar…

"The six dynasties of the late Han, Wei and Jin dynasties were the most chaotic and socially painful era in Chinese history, yet one of the most spiritually free and liberated, the richest in wisdom and passion, and therefore the richest in artistic spirit." Due to the decline of Confucianism and the rise of Xuanxue, both men and women in the Wei and Jin dynasties sought to express their superior inner personality with a beautiful external appearance. In addition, Buddhism was spread to the east, the exchange of migration between north and south brought about a broadening of horizons. As well as the harem beauties, the number of dancers is vast, must be unique makeup to attract attention, so all the reasons contributed to the Wei Jin and North and South Dynasties on the explosive development of makeup. This development is due to the thin burial of the number of makeup artifacts, mostly presented in the level of written records so that we will call this period the peak era of makeup at the documentary level. This article brings together 10 classic Hanfu makeup looks from the Wei and Jin dynasties. Through them, you can get a glimpse of how…

China has a long history of loving and appreciating flowers, but in fact, before the Northern and Southern Dynasties, flowers were rarely used as the main decorative motifs in life, from the Shang and Zhou dynasties to the Han dynasty, the dominant decorative motifs were mainly animal and geometric. It was not until the Wei-Jin-North and South Dynasties periods that, with the introduction of Buddhism, the Lonicera twining pattern was introduced into China, and under the development and effect of cultural intermingling, the Lonicera twining pattern with exotic colors was combined with the local lotus pattern with auspicious symbolic meaning, forming a new form of decorative pattern. These motifs first appeared in a large number in the decoration of religious instruments, and as they spread, they also appeared frequently in the decoration of secular crafts. In the Tang Dynasty, in addition to the floral patterns inherited from the Wei and Jin Dynasties, different floral shapes such as peonies and chrysanthemums, as well as the Baoxiang patterns also appeared in the expression of the decorative patterns. The floral patterns of the Tang Dynasty are very different from the slender and delicate shapes of the Wei and Jin Dynasties, with rich and…

In the Wei, Jin, and North-South Dynasties, when Buddhism was first spread, the flying immortals in the murals were once called Fei Tian (飞天, flying apsaras). With the deep development of Buddhism in China, the Buddhist flying gods and flying immortals merged with each other in artistic images. Dunhuang Fei Tian is the flying apsaras painted in the Dunhuang caves, which later became a special term for Chinese Dunhuang mural art.   01 Origin of flying apsaras In Buddhist culture, the term "Tian" not only refers to celestial abodes but also to the deities within them, such as the "Gongde Tian," which represents auspicious heavenly maidens. Within the heavenly realm, there exists a category of minor deities who flit about and attend to various matters for the apsaras. They possess exceptional singing and dancing abilities, and whenever the Buddha expounds upon his teachings, they soar through the air in graceful dances while playing music and scattering flowers. This imagery actually originated from two minor deities in Brahmanism - Gandharvas and Apsaras. The former is associated with music while the latter embodies dance. The early translators aptly rendered these minor deities as "Fei Tian," denoting their ethereal nature of soaring through…

Since the Chinoiserie style became very popular, Dunhuang culture has naturally become one of the focuses. Many Chinese actresses and hanfu models have tried the Dunhuang flying apsaras. Dunhuang flying apsaras, as the top popular exotic culture, how is it possible to combine grandeur and ebullience in such an ingenious way? It all starts with the Dunhuang murals.   The Origin of Dunhuang Frescoes During the Northern and Southern Dynasties, the divisive political situation made people’s lives turbulent. The concept of Buddhism’s compassion and salvation provided comfort to suffering people and developed rapidly. There was a monk on way to the west, passing through Dunhuang and encountered a golden light spectacle, identified as a holy place. He hired the craftsman to dig caves here and carve Buddha statues. Over time, not only the princes and nobles, and even the common people have come to Dunhuang to excavate Buddhist caves, then the scale of the grottoes gradually expanded. Gradually, Dunhuang, located at the west end of the Hexi Corridor, has become a true fertile land for the spread of Buddhism, forged a rich treasure house of art and culture. Grand, magnificent, and surpassingly beautiful, Dunhuang has an unparalleled aesthetic background, known…