Bronze

Two weeks ago, at a significant meeting on the "Archaeology of China" project, held in Huainan, Anhui Province, a major discovery was announced. Archaeologists revealed that a bronze Ding unearthed from the "Wu Wangdun" site, the largest and most intricate high-status Chu tomb excavated to date, set a new record for the largest Chu cultural Ding found in China. Measuring 88.3 cm in diameter and about 1.2 m in height, this vessel surpasses the renowned Zhuke Dading (or "Chu Dading"), a prized artifact of the Anhui Museum. Although it doesn't rival the monumental Houmuwu Ding, its discovery has still sparked great excitement. As China national treasure, each bronze vessel is not only a marvel to craft but also a supreme symbol of power. Historically, the Ding size indicated one's status and authority. Records show that ancient nobles cooked various meats separately in different vessel, directly serving from them. Later, the Zhou Li stipulated a hierarchy of Dings: nine for the emperor, seven for lords, five for ministers, and three for officials. Thus, their size and weight took on special meaning, remaining a point of fascination even today. We know the largest and heaviest Ding in China is the Houmuwu Ding,…

History of Lotus Pattern The origin of the lotus pattern in China can be traced back to ancient times. During the Western Zhou period, bronze lamps were decorated with lotus patterns as ornaments. In the Spring and Autumn Period and the Warring States Period, lotus patterns remained an important decorative pattern for bronze vessels, with the Lotus and Crane Square Vessel being a representative example showcasing the skilled craftsmanship of the time. The vessel featured double-layered lotus petals as decoration on its lid, with intricately carved empty spaces between the layers, displaying exquisite artistry that seemed almost supernaturally created. In both ancient India and China, the symbolic meaning of the lotus was very similar, making it the ideal bridge for the spread of Buddhism. During the Wei, Jin, Southern, and Northern Dynasties, Buddhism was widely spread throughout the Central Plains of China, with lotus patterns becoming an important decorative design due to their high aesthetic and expressive value. This had a significant impact on the development of indigenous lotus patterns in China. During the Qin and Han dynasties, lotus patterns in China mostly took on a round flower shape, in keeping with traditional design concepts. However, as Buddhism continued to…