Ancient Style Hanfu

Traditional Chinese colors come from nature and from the imagination of the ancient Chinese civilization. Traditional Chinese colors pursue the color concept of giving colors according to types and conveying consciousness through colors. In ancient times in China, there are positive colors and inter colors, with the distinction of respect, and lowly; righteous, and evil. Positive color refers to the color that promote each other, that is, the original color. Ancient primary colors to "Yin Yang Five Phases" doctrine in the five elements, water, fire, wood, metal, and earth, respectively, corresponding to black, red, cyan, white, and yellow as color symbols, known as the five-color system. Traditional Chinese clothing colors are also mainly primary colors. With the development of the times, different dynasties revered different colors, and these popular colors also reflected the material and spiritual civilization of their dynasties to a certain extent. Hanfu Shi Dai has compiled a summary of the traditional hanfu color schemes through dynasties, let's explore together.   Han Dynasty The Han Dynasty was influenced by the Taoist philosophy of Huanglao and Confucianism, and its costumes often pursued the essential beauty of the whole. At the same time, by the previous Qin dynasty, the concept of black…...

With the movement and innovation of Hanfu, more and more new styles of Hanfu have appeared in our eyes, but those who are new to Hanfu may not know much about its style, so they don't know where to start to understand Hanfu style. Today, we have collected some basic styles of Hanfu and their corresponding historical prototypes, so let's experience the ancient Chinese fashion together. The Hanfu costume "began in Huangdi (黄帝) and was perfected in Yao (尧) and Shun (舜) ", and was styled in the Zhou Dynasty, and through the Han Dynasty, a complete system of headwear and costume was formed based on the Four Books and Five Classics. Duijin Ruqun (对襟襦裙, parallel collar) Ruqun is a top garment and skirt in Chinese, it is one of the earliest and most basic forms of Hanfu. "Ru", is a short garment, with collar style with parallel collar, crossed collar, or shawl collar (U-shaped collar). "Qun", is a skirt, is usually a one-piece or two-piece. The term "Duijin" refers to the symmetry of the left and right lapels of the Ruqun, and need wearing of an inner Moxiong(camisole). Duijin Ruqun was mainly popular in the Song Dynasty. Compared to other…...

The hanfu culture is no longer just a celebration for a small group of people; an increasing number of ordinary individuals are now sharing their hanfu experiences through creative short videos, integrating hanfu into their daily lives. At the same time, the seemingly unrelated realms of hanfu and fashion have also begun to merge. Hanfu covers in fashion magazines have sparked discussions within the hanfu community, fashion circles, and academic circles alike. Among them, we can find replicas, traditional designs, and fusion styles of hanfu. Dongjin Shangyu has compiled a collection of fashionable magazine spreads featuring hanfu throughout the years for you.   Hanfu in 2013 "FHM" Ten years ago, social networks were not as active as they are today. However, even at that time these three photos broke through the aesthetic norms of the hanfu community and even attracted attention from the media industry. One of these works was used as a cover photo in Issue 112 of "CHINESE HERITAGE" magazine. At that time, Yu Lingyuan was responsible for this photoshoot and said: "The structure of Western suits is similar to Western sculpture - it is very complex in terms of craftsmanship and has a three-dimensional quality. However, what…...

Cheongsam, as one of the traditional Chinese dresses, can be seen as one of the tags of oriental women. It is like an ink-scented rice paper, which writes the history of Chinese dress, and like an inscription of the ancient time, even the folds of which contain the scent of ancient culture. It is not only a garment, but also a carrier of traditional Chinese culture. As one of the key elements of the composition of cheongsam, the collar shape has a very important influence on the style of cheongsam. Traditional cheongsam collar, often with a stand collar design, formed an elegant effect, with good effect in highlighting the lines of the female neck and body. The details of the cheongsam collar, show the workmanship, also the soul of the cheongsam. The right collar type can fit perfectly with the body, but also with the cheongsam as a whole, to the overall style of cheongsam into more exquisite aesthetic temperament, from the fundamental focus on temperament.   The origin of the cheongsam collar The relationship between modern cheongsam and Qing dynasty Manchu robe is still controversial, but it is undeniable that there is an inextricable relationship between cheongsam and Qi…...

The 2024 "Silk Road Week" grandly opened at the China National Silk Museum! The highlight of this event is the grand exhibition "The Silk Road's Chang'an," officially launched with over 210 artifacts on display, including more than 50 first-class relics. The exhibition is divided into five sections, showcasing a vibrant, diverse, open, and integrated Chang'an through aspects such as politics, economy, culture, lifestyle, and its long-standing connections with Zhejiang. Chang'an, the ancient name for Xi'an, located in the central Guanzhong Plain, is one of the cradles of Chinese civilization. Historically, over ten dynasties, including the Western Han, Xin, Eastern Han, Western Jin, Former Zhao, Former Qin, Later Qin, Western Wei, Northern Zhou, Sui, and Tang, established their capitals here over a span of more than a thousand years. It is the city with the longest history, most dynasties, greatest influence, and richest heritage in Chinese history. During the Han and Tang dynasties, Chang'an was the starting point of the ancient Silk Road, a crucial node connecting the Eurasian continent. With its thriving economy, splendid culture, and inclusive nature, it became an undeniable global metropolis and a center of cultural exchange between China and the world. This year marks the 10th…...

With the rise of ancient Chinese costume "Hanfu culture" among young people, the China-chic has become an unstoppable trend. The September issue of Harper's BAZAAR e-magazine features a stylish restoration of hanfu, and a closer look at these "trendy elements" from a thousand years ago that are still stunning today.   HAN DYNASTY The restored hanfu shot by Harper's BAZAAR During the Han Dynasty, large-sleeved clothes were popular, called "Zhu Yu (诸于)". The characteristic of large-sleeved clothes is the use of the slanting cutting method, which makes the clothes look wide at the top and narrow at the bottom. This set of hanfu designs in "Harper's BAZAAR" uses this typical slanting cutting method, which makes the model look taller and slimmer, so it can be said to be a "slimming secret". During the Han Dynasty, common women wore Ru upper and Qun underneath, which shows that women in the Han Dynasty wore a skirt and a dress as their daily wear. Han Dynasty costumes in the drama The Han Dynasty was a feudal period with a strict hierarchy, which was also reflected in women's clothing, which could be basically divided into two different dress systems for nobles and commoners. Hairstyle…...

More than a thousand years ago, Wei Zhuang once wrote the poem "Spring Tour, apricot blossoms blowing all over the head", walking towards the apricot forest during the blossoming season, and the apricot blossoms would fall on hair bun at the wind. In ancient times, seasonal flowers in addition to floating down in the hair bun, but also may be inserted in the hair or brim, embellished as a touch of spring color in the ancient head. Putting flowers on the head is also called Zan Hua 簪花 (Flower Hairpin, or wearing flowers). In ancient times, both Sheng Hua and Xiangsheng Hua were used to Zan Hua. Sheng Hua is flower, and Xiangsheng Hua is a kind of fake flower made in imitation of a flower. All the flowers mentioned in this article are Sheng Hua. Apricot flowers In the Han Dynasty, although the culture of wearing flowers was not really formed, but flowers had already entered people's lives in various forms. For example, on the day of the Chongyang Festival, people in the Han Dynasty, in addition to climbing mountains and drinking chrysanthemum wine, would take off dogwood flowers and wear them around their waists to avoid disasters and…...

The Chinese ancient armor protecting the head was called Zhou (胄, helmet) in the pre-Qin period. In oracle bone inscriptions, the helmet is painted as a shield with a vertical tube at the top. And many of the bronzes excavated from the Yinxu tomb in Anyang are fully consistent with this phenomenon. However, there is a lack of a standard for the definition of other ancient helmets without vertical tubes in Western Zhou and Spring and Autumn Warring States. Therefore, the emergence of iron head armor as the dividing line, before that, regardless of whether they had vertical tubes or not, they were called Zhou regardless of whether the material specifically leather or bronze, after that, they were divided into two categories: Dou Mou (兜鍪, helmet) and Kui (盔, helmet). But those with vertical tubes with feathers as decoration were still called Zhou, such as the unified style of the Qing Dynasty.   Ancient helmets from the pre-Qin period Bronze Zhou (胄) of the pre-Qin period is bounded by the Shang and Zhou (周) dynasties. The surface of Zhou in the Shang Dynasty is generally cast with Taotie, round sunflowers, and other patterns, and the unearthed objects in Xingan County,…...

Diji and Tiaopai are two magnificent pieces of traditional Chinese hair jewelry, often paired with Ming-style Hanfu. The Ming dynasty was one of the most commercialized periods in ancient Chinese history, particularly in the Jiangnan region. From the point of view of hair jewelry, the most significant change shown in gold and silver jewelry during the Ming dynasty, compared to the Song and Yuan dynasties, was an increase in the number of types and styles, and a more detailed distinction in names. Various types of traditional Chinese hair jewelry, have different names, depending on where they are worn, or on their decoration, style, and even their length. Today we will focus on the Diji and Tiaopai. Diji (䯼髻, dí jì) [History and structure] Diji is a new type of wig bun that appeared in the Ming Dynasty, generally made of gold and silver wire or horsehair, and hair, covered with soap-colored yarn and worn over the top bun. The appearance of the Diji was influenced on the one hand by the wearing of Guan by women from the Northern Song Dynasty onwards, and on the other by the popularity of the 'Baoji (包髻)' hairstyle during the Jin and Yuan Dynasties.…...

We have previously detailed a few ancient Chinese robes from the Ming Dynasty (Zhiduo/Taoist/Zhishen), most of which are suitable for scholars, but today we will introduce you to 2 more martial styles ancient Chinese robes for men: Tieli & Yisan. You may often find these two classic Chinese costumes at Hanfu festivals or events, they are very eye-catching and handsome. Tieli (贴里) [History and characteristics of Tieli] Tieli is usually worn under a round-necked robe and Dahu (褡护, a type of clothing that belongs to the Banbi), which makes the wide hem of the robe slightly outward and dignified. Tieli is the Mongolian word for the robe and is an import from the Yuan Dynasty. After being inherited by the Ming Dynasty, the garment was lengthened, and the overall structure closer to Shenyi system of the Hanfu, and integrated the Han "orthodox" rituals, and later became the most common ancient Chinese robes, and is a common style of the Ming Dynasty officials (up to the Feiyu suit, down to military uniforms). narrow sleeve Tieli, in the collection of the Shandong Museum of Art Features of the Tieli include: Jiaolingyouren (交领右衽), the front and back of the garment are cut separates…...

China has a splendid costume history, but the splendor of the ancients has gone with the years, and we can only recall it through historical records and archaeological discoveries. Fortunately, there is someone who can use his exquisite painting skills to rigorously and meticulously restore the ancient Chinese clothing and trace the history of the delicate and gorgeous. Today, we are going to share with you the ancient Chinese clothing timeline and experience the charm of Chinese clothing together.   Shang Dynasty (c. 16th-11th century BC) Features: The main feature of the Shang dynasty dress is "upper garment, lower Chang (裳), Youren (右衽), hair bunch". The upper half of the body wears clothes, the lower half of the body wears Chang, Chang is the skirt. Noble men's dress (left): The head wears the tall Ge(葛) cloth crown. The Yue-shaped cloth hanging from the front abdomen was a sign of noble status, and was often referred to in later literature as the "Bixi (蔽膝)". The pattern on it is based on the Leiwen depicted on the Shang dynasty Yuge in the collection of the Palace Museum. The boots worn by the feet are painted on the basis of pottery boots excavated from…...

Chinese painting is the art of brush and ink applied on Xuan (paper) or silk. The basic tools are those of calligraphy, which has influenced painting in both style and theory. Characteristics and Categories of Chinese Painting A distinctive basic characteristic of this painting is that ideas and motifs are presented primarily in the form of lines and dots in ink, rather than in color, proportion, and perspective. These works are conceived with the aid of brushes composed of handle and head. The handle is usually made of bamboo or wood, while the head is made of animal hair, usually sheep or wolf. The heads are soft and flexible, and suitably fit the style of Chinese painting. Usually, only black ink is used, and silk and thin paper are used for the "canvases". Chinese painting falls into three main categories: portraits, landscapes, and flowers and birds. Of the three traditions, the oldest is portraiture, dominating the scene until the late Tang dynasty. In general, landscape paintings depicted mountains and water, influenced by the Taoist tradition of seeking solitude in nature. Landscape dominated in the 11th century, becoming a favorite motif of artists. Even today, when a Chinese says a place…...