Ancient Style Hanfu

In terms of the cultural and economic development of Chinese feudal society, the Tang Dynasty was undoubtedly an apogee in the development of human civilization. The Tang government not only opened its country to the outside world, allowing foreigners to enter for business or study, but even allowed them to participate in the selection examinations for government officials. It was tolerant, and often appreciative of religions, art and culture of the outside world. Chang'an, the Tang capital, became the center of exchanges between different cultures. It deserves special mention that women of the Tang dynasty did not have to obey traditional dress codes, but were allowed to wear clothing that exposed their arms and chest, or dress with exotic elements. They could also wear riding clothes if they wanted to and enjoyed the freedom to choose their marriage and to divorce. The abundance of materials and a relatively relaxed social environment gave the Tang dynasty an unprecedented opportunity to develop culture, reaching new heights in such fields as poetry, painting, music and dance. Based on the development of the textile industry in the Sui Dynasty, and progress achieved in reeling and dyeing, the variety, quality and quantity of textile materials…...

The Tang dynasty makeup style can almost be said to be the most versatile in the entire ancient history of China, because both in terms of national power and politics, the Tang dynasty almost reached the pinnacle of history, and because of this prosperity, the makeup of the women's makeup in the people's peace of environment constantly changing refinement. With the transformation of the early Tang Dynasty, the flourishing Tang Dynasty, and the middle and late Tang Dynasty, the makeup was also making different changes, and for this reason, some special makeups were created, as we can see from the many ancient wall paintings and drawings.   Early Tang Dynasty makeup style: the beauty of simplicity In the early Tang Dynasty, influenced by the short-lived Sui Dynasty (581-617), the royal family did not pursue luxury and advocated simplicity. Therefore, the overall makeup of the women's more subtle and graceful, to lightly coated with lead white makeup and lightly coated with rouge red makeup mainly.  | White Makeup | Since ancient times, people have advocated the beauty of white, so women have the custom of powder, only to the Tang Dynasty, women's powder and style more diverse and prevalent. During the…...

The documentary genre in China, particularly in the realm of traditional culture, continues to produce outstanding works. Today, I would like to introduce a documentary film about porcelain titled "I Am Your Porcelain (我是你的瓷儿, Wo Shi Ni De Ci Er)". It is well known that in English, the term "china" refers to both "porcelain" and "China", highlighting China as the true homeland of porcelain. Centuries before Europe mastered the technique of porcelain production, China was already creating exquisitely crafted porcelain. Chinese porcelain was once a high-end luxury item exported overseas. The documentary "I Am Your Porcelain" not only fills in our knowledge gap about porcelain but also elevates our aesthetic appreciation, allowing modern individuals to experience traditional aesthetics and craftsmanship through the magnificent Chinese porcelain. "I Am Your Porcelain" features narrator Yu Entai, unfolding a thousand-year-old porcelain scroll. Unlike traditional documentaries that tend to be serious and dull, this film adopts a humorous and witty overall style. In Beijing dialect, "Ci Er" means "good friend, buddy", likening porcelain to an friend we interact with daily, a material object embodying Chinese traditional aesthetics and craftsmanship. Seemingly ordinary yet deeply mysterious, emerging from clay and fire yet as lustrous as jade, it…...

Have you ever watched the Dream of the Red Chamber (1987 TV series)? The costume styling of this drama can be called the pinnacle of classical Chinese costume aesthetics. Compared to the diverse styles of costume dramas in recent years, the classical style aesthetic seems to have gradually suffered from indifference and become rare. However, there are still someone who is trying to spread classical aesthetics, and she is the main character in this article, the Hanfu & Classical Aesthetics content creation blogger, @我是411 (I'm 411). She hopes to bring classical aesthetics back into the public through her own efforts and restoration. "The GREAT SHOKUNINI" recently interviewed this 27-year-old Xi'an girl. Like most girls, 411 loved the classical style when she was a child: comic books with traditional stories, calendar illustrations with classical ladies, ancient frescoes and illustrations of ladies in textbooks, and the Dream of the Red Chamber that she watched over and over again. In her opinion, the classical aesthetic was disseminated in the past through refined literary works that did not deviate from tradition, but now, there are many important things that are dying out. Along with the initial heart and sense of mission, 411 set up…...

Each dynasty has a different style of makeup, such as the Tang Dynasty's rich and colorful, and the Song Dynasty's clear and elegant. What kind of make-up should I wear when photographing the ancient Chinese dress? General photo-photography, without being very strict, can be very beautiful according to their own conditions hobbies, modern aesthetics, and its combination. Keys to Ancient Chinese Dress Makeup  The eyebrows of classical Chinese beauty are thin and curved. There are some ancient Chinese dress and styling out that require more powerful eyebrows can also be drawn with a slight upward adjustment at the end or a more straight, sharp eyebrow. The eyebrows should be overly natural from light to dark to the end of the eyebrow. For those who have rough and messy eyebrows, use an eyebrow scraper to trim the shape of your eyebrows beforehand, and then use an eyebrow pencil to fine-tune the shape of your eyebrows with a natural curve. Not all girls are suitable for pink peach makeup, and some girls with single eyelids or a lot of fat on their eyelids are not suitable for a large area of pink eyeshadow on their eyelids. Try hitting the pink on the…...

This summer, the most anticipated film is undoubtedly "Creation of The Gods Ⅰ: Kingdom of Storms". Originally scheduled for release in the summer of 2020, this mythological blockbuster will finally meet audiences on July 20th. Although some industry insiders are cautiously optimistic about its box office performance, it cannot be denied that it has already raised audience expectations to their fullest. With the announcement of this large-scale investment movie's release date, another phenomenon is emerging: a resurgence of ancient costume films. Of course, "Creation of The Gods" is not alone in this trend. During the Shanghai International Film Festival, Beijing Baination released their film lineup which includes three costume films: Cao Dun's directed and Ma Boyong's scripted "Heroes of Dunhuang", Wu Youyin's self-written and directed "Sha Hai Zhi Men (沙海之门)," and “Su Wu”. Also during the same festival was when Bona Film Group Co announced twenty new films with historical themes including costume dramas such as “Fighting for Love”, “The Story of the Stone” & “The Legend”. If we include movies like last month’s poster-released "The Legend of the Condor Heroes: The Great Hero" and other films that have been rumored since last year such as"Zheng He Xia Xi Yang:…...

At various Chinese festive events, the beautiful and elegant Chinese knots often appear as important decorations. As a traditional Chinese handicraft, it originated from knotting for record-keeping and has been widely used in daily life since then. To know more about Chinese knots, one must understand Basic Knots, which are the smallest units that can be combined and varied to create complex knot patterns, and they are the basic knotting method used in making Chinese knot art. Complex variations and combinations of these basic knots can be created through the use of these fundamental knots. This article will primarily focus on the forms and meanings of 12 basic Chinese knots.   Flat Knot The flat knot is an ancient and simple knot that can be made by winding one end of a line around the other line, with the later one being the axle. This knot can also be made with only one line by winding around an object to form a knot. Flat knots, while simple in appearance, are flat and easy to undo, which makes them widely used in daily life. They can be used to tie things together or to make bracelets, hanging chains, and other decorations,…...

Do you like to dress up and transport yourself back in time to another era? Well now you're in luck because the "Hanfu" fashion is coming back with a bang. The Hanfu - Han Ethnic Dress The Hanfu (汉服, hànfú) is the name given to the traditional Chinese clothing worn long before the 17th century by the Han (汉族, hànzú). In fact, it literally means "clothing of the Han" who are the majority ethnic group in China. The hanfu, has influenced different traditional dresses in Asia, such as the kimono in Japan, the hanbok in Korea, or the áo tú thân in Vietnam. It appeared in China more than 3,000 years ago and it is said that it was the Yellow Emperor (黄帝, Huáng dì), an important character in Chinese mythology and legends, who began to wear it as his regular garment. During the Western Zhou Dynasty (c.1046 - 771 BC) it began to be used as a social class differentiator. Status and prestige could be seen in the degree of decoration of the dress, the length of the skirt, the width of the sleeves, and the patterns. When the Qing Dynasty (1644-1911) came, which was founded not by Han…...

In the process of evolution, there are dozens or even hundreds of styles of Chinese clothes. This article mainly introduces the most classical styles of Chinese Hanfu clothes. Women's clothing Suit Ruqun(襦裙) Ruqun is a kind of hanfu, also call: Shanqun (衫裙), short clothes worn on the upper body, call "Ru", and the dress of the lower body, call "Qun", together call "Ruqun". It is a typical "Shangyi Xiachang(top clothes and underdress) " form. Ruqun has an obvious feature: short top and long dress. The Ruqun appeared in the Warring States Period, Ruqun was worn by ordinary people(female) until the end of the Ming and Qing Dynasties. Jiaoling Ruqun/ Shanqun(交领襦裙/衫裙) Jiaoling Ruqun is a kind of Ruqun, the main feature is: the top collar is cross. It is quite common in the Song Dynasty. Wearing method: First: Wear top clothes, Align the collar of the top clothes; Tie a knot in right Jin(襟, the chest part of the top); Tie a knot in left Jin. Second: tie up the dress, Put the dress in front of you, wrap the skirt behind you; Two sides of the dress overlap behind; Folding outwards the pressing on the inner layer of dress; Adjust…...

Silk is undoubtedly the driving force behind the prosperity of the Silk Road, and Dunhuang is the richest and most concentrated Silk Road town in terms of unearthed silk objects. For historical reasons, these surviving "treasures" scattered around the world have not been systematically organized and studied. Zhao Feng (赵丰), professor at Donghua University and director of the China Silk Museum, led a team of Dunhuang silk researchers in collaboration with experts and scholars from cultural and museum institutions around the world. It took 15 years to systematically organize and study the Dunhuang silk relics scattered around the world, resulting in TEXTILES FROM DUNHUANG (敦煌丝绸艺术全集), a magnum opus. The complete collection was launched at the "Silk Road and Silk Art" forum at Donghua University on October 15, 2021, includes IN UK COLLECTIONS, IN FRENCH COLLECTIONS, IN RUSSIAN COLLECTIONS, IN THE LUSHUN MUSEUM, IN THE DUNHUANG ACADEMY, with millions of words and more than a thousand pictures. The release of "TEXTILES FROM DUNHUANG" fills a gap in the study of silk in Dunhuang, providing important support for research on the Silk Road and the history of textile and costume art. The vast amount of first-ever physical remains plus documentary comparative studies…...

In the early Tang Dynasty, with the unification of society and the revival of the economy, the Tang Dynasty exhibited a confident and open cultural atmosphere. This spirit was reflected not only in politics and economics but also deeply influenced the clothing and social customs of the time. The Tang Dynasty women’s clothing, in particular, showcased an unprecedented elegance and confidence. Clothing In the early Tang Dynasty, women’s clothing primarily featured slender garments. Narrow-sleeved tops paired with high-waisted long dresses were the mainstream. The high-waisted design of the dresses appeared elegant and dignified. This design not only accentuated the women’s body curves but also added a touch of grace. Makeup The makeup of early Tang Dynasty women was relatively simple, inheriting the style of the previous era, but gradually evolving towards a brighter look. The women’s eyebrow shapes were diverse, ranging from thin willow-leaf eyebrows to bold moth eyebrows, with various styles being popular. Flower ornaments and rouge spots were still favored decorations, these small and delicate facial ornaments not only added charm to their faces but also reflected the sophistication of makeup art at the time. Hairstyles Hairstyles played a significant role in the attire of early Tang Dynasty…...

Hanfu sleeve types include many classic styles, such as wide sleeves, chuihu sleeves, and drooping beard sleeves. Each sleeve type has its unique historical background and design characteristics. These gorgeous sleeve shapes have undergone a long process of development, forming an important part of the Han costume culture, and have been loved and inherited by many Han costume enthusiasts in modern times. The sleeve types of Hanfu clothing are very diverse, with different sleeve designs for different periods, social status, and occasions. The following are some common Hanfu sleeve types. Straight Sleeves Its characteristic is that the sleeve is straight and tubular, with no too many wrinkles and folds from the shoulder to the cuff, which is relatively simple. During the Han Dynasty, straight sleeves were one of the formal clothes worn by officials, literati, and other upper-class men, usually worn in combination with long shirts, mandarin coats, and other lower clothing. There are generally two types of straight sleeves: long sleeves and short sleeves. Long sleeves generally reach to the wrist and are suitable for wearing in cold weather, while short sleeves are suitable for wearing in warm seasons. The straight sleeve design is simple and straightforward, and is…...