China is home to some of the world's most magnificent palaces, many of which have been converted into museums. The five Palace Museums (Gu Gong, 故宫) in China are a treasure trove of ancient artifacts and cultural heritage from different dynasties. These museums showcase China's rich history, revealing the grandeur of its past emperors and imperial courts. Each museum offers unique insights into Chinese culture and history, from the majestic Palace Museum in Beijing to the lesser-known Mukden Palace in Shenyang. Whether you're a history buff or just looking for an unforgettable travel experience, these five Palace Museums should be on your must-visit list.   Ming Palace The Nanjing Ming Palace (Nan Jing Gu Gong, 南京故宫) was built during the Ming Dynasty in 1368 when Zhu Yuanzhang established the Ming Dynasty and set the capital in Nanjing. The construction of the palace began on a large scale, and by 1392, this magnificent palace was finally completed. The palace set a precedent for the integration of the palace and the city axis, covering an area of over 1.0125 million square meters, making it the largest palace complex in the world at that time. Restoration of the Ming Palace The Ming Palace…

The oldest Chinese embroideries found date back to the Zhou dynasty (1027-221 B.C.) and may well be the earliest that ever existed. However, very early embroideries have also been found in Egypt and Northern Europe, so it is not clear in which part of the world the art of embroidery actually originated - it may also have appeared in several parts of the world at about the same time. It is, however, accepted that the Chinese invented sericulture and mastered the art of reeling the cocoons of the bombyx and spinning the silk from very early times. It is therefore not surprising that the ancient Chinese embroideries were made of silk. Strangely enough, embroidery in China was at first reserved for men, before they entrusted this task to the more delicate fingers of their women. The earliest surviving example of Chinese silk embroidery is a ritual garment found in a tomb in Mashan, now Hubei Province, in the fourth century BC, during the early Taoism period (before the appearance of Buddhism in China). However, if we are to believe the patterns drawn on this garment, it could just as well have been used to perform the rituals of a religion…

The Dragon Boat Festival (Duan Wu Festival, 端午节) is considered one of the oldest traditional folk festivals in China, alongside the Spring Festival, Qingming Festival, and Mid-Autumn Festival. According to records, the Dragon Boat Festival originated from the worship of celestial phenomena and evolved from ancient dragon rituals. The Dragon Boat Festival is an auspicious day associated with this imagery of a soaring dragon; thus, both dragons and dragon boat culture have always been an integral part of its historical legacy. The term "Duan Wu" itself first appeared in Fengtu Ji during the Jin Dynasty. However, nowadays when most people mention the Dragon Boat Festival, they often associate it with Qu Yuan's legend. Legend has it that on the fifth day of the fifth month of the lunar calendar, Qu Yuan tragically sacrificed himself by plunging into Miluo River out of loyalty to his country. Upon hearing this news, local villagers rushed to their boats to rescue him. Worried about their speed not being fast enough, they vigorously rowed while also fearing that fish would devour Qu Yuan's body, hence throwing rice dumplings into the river. Later on, people designated the fifth day of the fifth month of the lunar…

Silk is one of the symbols of Chinese civilization, China due to the abundance of silk, has been named the "Silk Country" known, the use of silk is also with the development of the times are also changing, from the initial production of clothing, to later become a popular commodity and to some extent, instead of currency, all of these changes have highlighted its unique status. Today begins through a precious Chinese silk robe, discover how the Han dynasty textile industry developed in ancient China. Precious Chinese silk robe: Sucha Danyi In the winter of 1951, while conducting archaeological work in Changsha, archaeologists discovered two connected grave at Wulipai in the eastern suburbs of Changsha. After several difficult excavations until 1974, the Mawangdui Han tombs, which had been dormant for thousands of years, was unveiled. Among the many precious artifacts unearthed, the most notable is the Zhiju Susha Danyi (直裾素纱襌衣, plain yarn garment). "Thin as a cicada's wing, light as floating smoke", this Chinese silk robe was especially valuable because it was 128cm long, with 190cm sleeves, but weighed a mere 49 grams and could even fit in a matchbox when folded. It was hailed by archaeologists as a milestone…

Have you ever wondered about the animal motifs on your hanfu and what they stand for? Why are there so many dragons in traditional Chinese art? And what’s up with the monkey statues everywhere? Let's delve into the symbolism of animal motifs. It will only take about 5 minutes of your time, and hopefully, you'll learn something new or revise what you already know! Each hanfu garment is unique. It has various styles and designs, that reflects different historical periods and regional influences. Although the differences are significant, many of them include similar animal embroidery and motifs. Animals that have been deeply intertwined with Chinese culture from its earliest days. Animals in Chinese culture are thought to be symbolic representations of various aspects of life. Understanding the symbolic meaning of an animal will lead to grasping the hidden message of the art. It is not only an important decorative element but also adds meaning, symbolism, and cultural significance to the art, particularly in the context of Hanfu garments.   Most commonly used animal motifs are: Birds: Birds are often associated with the sun and allegorical folk-tales. Each bird carries its own unique symbolism, though most are connected to happiness and…

Cheongsam, as one of the traditional Chinese dresses, can be seen as one of the tags of oriental women. It is like an ink-scented rice paper, which writes the history of Chinese dress, and like an inscription of the ancient time, even the folds of which contain the scent of ancient culture. It is not only a garment, but also a carrier of traditional Chinese culture. As one of the key elements of the composition of cheongsam, the collar shape has a very important influence on the style of cheongsam. Traditional cheongsam collar, often with a stand collar design, formed an elegant effect, with good effect in highlighting the lines of the female neck and body. The details of the cheongsam collar, show the workmanship, also the soul of the cheongsam. The right collar type can fit perfectly with the body, but also with the cheongsam as a whole, to the overall style of cheongsam into more exquisite aesthetic temperament, from the fundamental focus on temperament.   The origin of the cheongsam collar The relationship between modern cheongsam and Qing dynasty Manchu robe is still controversial, but it is undeniable that there is an inextricable relationship between cheongsam and Qi…

During the Ming dynasty, the categories and styles of gold and silver ornaments had greater innovation and development based on the Song and Yuan dynasties, showing different visual aesthetic experiences and artistic styles. Among the various types of gold and silver in the Ming dynasty ornaments, "San Sher (三事儿, sān shèr, three things)" is a unique example. Unlike other ornaments, the "San Sher" are daily life tools, used for repairing and cleaning, and their main components include hooks, chains, connectors, pendants, etc. Some of them also have storage tubes, and the pendant objects are usually toothpicks, ear picks, and tweezers, which can be worn by both men and women. The "San Sher" is a common name in the Ming Dynasty, but in fact, the number of pendants can be increased or decreased, and the types are also different. The Ming Dynasty gold and silver "San Sher" are exquisite and unique, reflecting the high design aesthetic appeal, and also have a rich cultural connotation.   Design aesthetics of Ming dynasty Ornaments - San Sher   01 Small and applicable: the form of pendant design The gold and silver "San Sher" of the Ming Dynasty pursued unity in form, and the pendant…

Cheongsams or Modern Qipao are a kind of figure-flattering Chinese dress perfect for showcasing a lady’s features gracefully. It is no wonder they’re becoming ever more prevalent to wear, particularly for special occasions like your wedding. But the modern qipao can be worn anytime for any event. Although there are nearly too many choices when shopping for the Western wedding outfit, purchasing Chinese wedding clothing or Modern Qipao (cheongsam) can be a maddening experience if you don’t know what to look for in a Modern Qipao dress. How will you get the best Cheongsams or Modern Qipao if you don’t know them well? Fortunately, we have reviewed a complete list of 5 vital things to check before you buy a cheongsam or modern qipao dress in this article below. It will certainly help you to get the best qipao China dress from anywhere in the world!   What Is a Modern Qipao or Cheongsam Chinese Dress? As a type of Chinese dress, qipao is at all times a classic option for women. Cheongsams or qipao originated almost a century ago in Shanghai in China as a contemporary take on the Chinese Manchu dress, and then it remained among the most…

Taoist clothing, which refers to the costume worn by Taoists, belongs to the Han traditional dress system. It is also known as "Fa Fu (法服)", "Taoist uniform", "Taoist dress", etc. The Taoist clothing is the traditional costume of the Chinese nation, and the social costume has changed with the development of the times, but within the Taoist religion is largely unchanged. Daoism attaches great importance to its own traditions and has always been steadfast in adhering to all the beliefs and systems that have been formed. Its dress is just that. Early Taoist clothing, which was not strictly regulated, began to form systems after Lu Xiujing (陆修静) in the Southern Dynasty. Taoism is quite cautious about its dress, both in the Quanzhen (全真派) and the Zhengyi (正一派) Taoism. By the end of the North-South Dynasty, a complete dress system was basically formed. That is to say, according to the years of Taoist initiation and the depth of Taoism, the Taoist is divided into several levels, and specific provisions are made for each level of Taoist clothing, crown, and boots, the fabrics to be used, the colors to be taken, the style to be taken, etc. Each rank of Taoist must…

Unlike the noble and elegant clothes of women in the Tang Dynasty, when it comes to Song Dynasty women costumes, maybe we are thinking of a graceful and restrained and a plain and neat feeling. The Song Dynasty was the dynasty with the most prosperous literati temperament in Chinese history. Women’s clothing in the Song Dynasty not only inherited the women's clothing system in the Tang Dynasty, moreover, combined with the characteristics of the times, created a dressing mode that belongs to the Song Dynasty. Its aesthetic standard is skinny beauty with fresh and elegant. It advocates slenderness and fit, exquisite material processing, soft tone, lightness, softness, elegance, and it has a strong atmosphere of life. So what kind of clothes did the women wear in the Song Dynasty thousands of years ago? In this article, ArtMoment will introduce 11 classic Song Dynasty women costumes to you.   1-Top In the Song Dynasty, women’s clothing was basically still coat and dress shape, divided into different forms. Tops mainly have Moxiong, Shan, Ru & Ao, Pao, Beizi, Banxiu, and so on. Moxiong Moxiong (抹胸, bandeau) is the most close-fitting clothing for women in the Song Dynasty. Its function is like today’s…

Weddings are important ceremonies across the globe and one of the most fascinating aspects is the attire worn by the bride and groom. China, in particular, boasts a rich history of traditional wedding clothing that has evolved over thousands of years. From the hanfu of the ancient dynasties to the modern qipao, each style holds significant cultural and symbolic meaning. In this article, we will delve into the captivating history of Chinese wedding attire and explore the significance behind some of the most iconic designs.   Black Wedding Attire in Zhou Dynasty The Zhou Dynasty was known for its emphasis on ritual and its marriage system also highlighted this. The wedding ceremony in the Zhou Dynasty was called the "Hun Ceremony". As the name suggests, "Hun" means dusk, and the ceremony was held at dusk, with a solemn and dignified atmosphere. "The Book of Rites - The Ceremony of the Marriage of a Scholar" is the earliest record of Chinese wedding ceremony, and of course, it is not only applicable to the scholar class. According to "The Book of Rites", the wedding attire of the Zhou Dynasty was mainly black with red as a complementary color. In the eyes of…

Decorative patterns are the wisdom creation of mankind into civilized society. In order to perfect oneself and beautify one's life, human beings need not only the satisfaction of material life, but also the communication of spiritual life. Decorative patterns, through the beautification of practical objects of clothing, food, housing and transportation, make aesthetic ideals reflected in the practical life and play a subtle role, thus further promoting the improvement and development of human civilization. -- Chinese Decorative Patterns Through the Ages Today, let's follow the Modern Hanfu and learn about the history and modern application of the classic Tang Dynasty patterns.   History of Traditional Patterns As early as the Neolithic era, patterns appeared, and the ancestors painted their inner desires and aesthetic interests into various patterns, which were entrusted with good luck and good wishes, and incorporated them into their lives. These patterns can be found on pottery and stone carvings, and probably on costumes as well, but unfortunately we do not have many costume artifacts yet. The culture of costume is closely related to the development of society, as early as before the Han Dynasty, dyed fabrics have been printed (with) traditional Chinese patterns, with the opening and…

Su embroidery (苏绣, Suzhou Silk Hand Embroidery Art) is the general name of embroidery products in Suzhou, the traditional folk arts. It is one of the four famous embroideries in China and was listed as one of the national intangible cultural heritages in 2006. Su embroidery (苏绣, Suzhou Silk Hand Embroidery Art) is the general name of embroidery products in Suzhou, the traditional folk arts. It is one of the four famous embroideries in China and was listed as one of the national intangible cultural heritages in 2006. The origin of Suzhou embroidery is in the area of Wu County, Suzhou, and now it has been widely distributed in Wuxi and Changzhou. Embroidery is inseparable from silk reeling, so it is also called silk embroidery. The Qing Dynasty was the heyday of Suzhou embroidery, with many different styles and famous embroiderers emerging. Su embroidery has a unique style with beautiful patterns, exquisite ideas, meticulous embroidery, lively stitching and elegant colors, and strong local characteristics. The most famous Su embroidery is from Zhenhu town, and about 80% of the Su embroidery products come from Zhenhu.   History of Su Embroidery Su embroidery is an art of intertwining and blending between cloth…

Since the Chinoiserie style became very popular, Dunhuang culture has naturally become one of the focuses. Many Chinese actresses and hanfu models have tried the Dunhuang flying apsaras. Dunhuang flying apsaras, as the top popular exotic culture, how is it possible to combine grandeur and ebullience in such an ingenious way? It all starts with the Dunhuang murals.   The Origin of Dunhuang Frescoes During the Northern and Southern Dynasties, the divisive political situation made people’s lives turbulent. The concept of Buddhism’s compassion and salvation provided comfort to suffering people and developed rapidly. There was a monk on way to the west, passing through Dunhuang and encountered a golden light spectacle, identified as a holy place. He hired the craftsman to dig caves here and carve Buddha statues. Over time, not only the princes and nobles, and even the common people have come to Dunhuang to excavate Buddhist caves, then the scale of the grottoes gradually expanded. Gradually, Dunhuang, located at the west end of the Hexi Corridor, has become a true fertile land for the spread of Buddhism, forged a rich treasure house of art and culture. Grand, magnificent, and surpassingly beautiful, Dunhuang has an unparalleled aesthetic background, known…

As a symbol of good fortune, Ruyi (如意, scepter) is a traditional handicraft unique to China that emerged during the Warring States period and has evolved in form and cultural connotation through the Han, Wei, and Jin dynasties, Tang, Song, and even Ming and Qing dynasties. Interestingly, the initial function of the Ruyi is the same as the backscratcher we use today. Only later did it evolve from a practical tool to a beautiful display at a later stage. Origin of Ruyi According to the National Palace Museum, Ruyi originated from the "Sao Zhang (搔杖)" (now called backscratcher) used by the ancients to scratch an itch. The earliest Ruyi, the end of the handle in the shape of a finger, to reach that the hand can not reach, so that can follow heart to relieve the itch, so-called Ruyi. Later, the "Sao Zhang" was combined with "Hu (笏, referring to the hand board used by courtiers to record their business at court)", and the shape gradually evolved into a curved head, and the end of the handle changed from straight to small Lingzhi-shaped, cloud-shaped and other shapes. The head and tail echo each other, the main body is streamlined, the…

In history, there have been many beautiful clothing styles in every period, such as the Chinese cheongsam, which has formed a unique clothing culture, and the Pan Kou, which was born in response, has gradually developed from an ancient sash to a cheongsam accessory that is both practical and decorative, thus forming a unique handcrafted skill.   01 Origin of Pan Kou The button of the cheongsam is called Pan Kou (盘扣, Chinese frog closures) or Pan Niu (盘钮), which is a kind of button used in traditional Chinese clothing, used to fasten the lapel or decoration, it is developed from the ancient Chinese knot. The Bei Zi (褙子) unearthed in the Southern Song tomb in De'an, Jiangxi, was tied with Pan Kou. This shows that as early as the Song Dynasty in China, people used Pan Kou to fasten loose clothes. The role of Pan Kou in the evolution of Chinese clothing has changed, it not only has the function of connecting the lapels, but is also known as the finishing touch to decorate clothing. It vividly expresses the decorative interest of Chinese costumes that emphasize meaning, connotation, and theme.   02 The production and types of cheongsam button…

The ancient armor is to some extent equivalent to the present military uniforms, which is the image of an army and therefore must be decorated. The decoration actually works in two ways, on the one hand, it is to show the good image of the mighty and on the other hand, it is to protect the armor from erosion. Leather armor is easy to rot and iron armor is easy to rust, both need to be protected by some decorative methods. The main methods of Chinese armor decoration are as follows.   Paint, coloring Before Han and Wei either the leather armor or the iron armor, the armor pieces are painted, and repeatedly painted with multi-layer paint. Most of the Warring States' leather armors was black, according to the painted traces of terracotta warriors and horses, and the armor of the Qin Dynasty was mostly black. Many written records of the Han Dynasty armor are called Xuanjia (玄甲, black armor), and the armors of painted warrior figurines are also painted black. The color of black is a bit monotonous, so there is the idea of applying gold and silver pieces on the armor for decoration and painting at the same…

Chinese Intangible cultural heritage is no longer just stay in the museum for the public today. As of November 2021, the number of Chinese intangible cultural heritage projects is 1,557. In addition to the old traditional folk crafts to be guarded by the old generation, the most important thing is to combine innovative elements with the deep-rooted intangible cultural heritage. Tencent Video has crossed over with Chinese traditional craftsmen from different fields to create new peripheral works using traditional cultural elements and skills for a number of popular cdramas, documentaries and variety show IPs. This is not only the heritage of traditional Chinese culture, but also new ideas for Chinoiserie gifts. Let's see what wonderful artworks they bring together.   NO.1 Rong Hua: Tradition, Ultimate Romance Rong Hua (绒花) was first introduced as a tribute to the royal family in the Tang Dynasty, and was also known as "Palace Flower", which means good luck and blessing. Most of them use a combination of harmonics and artistic images to express. After "Story of Yanxi Palace" became a big hit, the female character of the costume drama "Court Lady", which was broadcasted this year, wore snowflakes on her head, which again brought…

We have mentioned Henan_TV several times in our articles, as it has surprised us several times on traditional Chinese festivals. Of course, as one of the most important traditional festivals in China, the Mid-Autumn Festival, they naturally won't be absent. From "Tang Palace Night Banquet (唐宫夜宴)", to "Luo Shen Shui Fu (洛神水赋)", Henan TV has always recreated a classic image with traditional Chinese elements, which has left a deep impression on everyone. In "The Mid Autumn Wonderful Tour (中秋奇妙夜)", Tang Xiao Yue (唐小月), the daughter of a Tang Dynasty court musician, travels through parallel time and space to collect tokens through multiple tests and finally achieve a father-daughter reunion. A total of six different scenes are experienced, divided into six chapters, showing the six beautiful spiritual pursuits of Chinese civilization: heritage, diligence, warmth, self-confidence, loyalty and courage, and kinship. At the same time, the program shows a lot of "intangible cultural heritage" elements from the picture, plot, to character portrayal. Here, let's explore "The Mid-Autumn Wonderful Tour" together. In the atmosphere of the Mid-Autumn Festival in the early Tang Dynasty, the opening program scenario performance "Preface · Cereals in Autumn (序 ·秋月稷)" incorporates several themes such as "Sacrificing to the…

In the annals of Chinese history, the Qing Dynasty stands as the final imperial dynasty, ruled by the Manchu ethnic group from 1644 to 1912. Emerging from the northeastern regions between the White Mountains and Black Water, the Manchu people forged a remarkable dynasty that left an indelible mark on Chinese culture and society for nearly three centuries. The roots of the Manchu people trace back to the ancient Jurchen tribes who inhabited the northeastern territories over two millennia ago. Evolving through centuries of interaction and assimilation, they eventually formed distinct identities such as the Jianzhou Jurchens and later, the Manchus. Their cultural evolution was profoundly influenced by interactions with neighboring civilizations, particularly the Han Chinese, leading to the adoption and adaptation of various political, economic, and cultural systems. Central to Manchu identity were their unique customs and traditions, manifesting prominently in their daily lives, attire, and architecture. One of the most iconic features was the traditional male hairstyle known as "Shaving the Front and Braiding the Back." This practice symbolized allegiance to Manchu traditions and was mandatory for men across all societal strata during the Qing Dynasty. Similarly, women adhered to modest dress codes, notably seen in the elegant…