The 4th Chinese Hua Fu Day (中国华服日) · Hai Jing Yun Chang, will be held in Macau, China from April 14 - April 17.

Recently, the launch of “a dream of splendor” has set off a Chinese upsurge in pursuing drama. As an ancient costume work, “a dream of splendor” stands out in many film and television dramas updated at the same time. Whether it is word-of-mouth or broadcast volume, popularity, and topic degree, all occupy absolute advantage. So what is the reason why this show has such a good audience rating? 1. Theme Plot “A dream of splendor” has quite a say in terms of subject matter. The play is adapted from the drama “Zhao Pan’er saves the wind and the moon” by Guanhanqing, a dramatist of the Yuan Dynasty. Guanhanqing is one of the most accomplished writers in the history of Chinese drama. His life-long drama works are very rich, and they all have the significance of reflecting the social reality. The theme of his works is profound, the structure is rigorous, and the image is lively and vivid. The story of “a dream of splendor”, which took place in the Song Dynasty, mainly tells the story of Zaopan’er, Songyinzhang, and Sun Sanniang, who went through all kinds of hardships in Bianjing and finally worked together to turn the small tea shop…

Han Fu culture: a fashion and lifestyle Wearing a beautiful hairpin, Song Nan wore a scarlet standing collar long Ao (长袄) and a woven gold and blue Mamian skirt (马面裙), resembling a woman who had crossed over from ancient times to modern times. "What I'm wearing is Ming Dynasty clothing, long Ao and Mamian skirt are very popular," Song Nan said. Song Nan, 37, paid attention to Hanfu as early as 20 years ago. "I'm wearing Hanfu 24 hours a day. There are hundreds of Hanfu in my wardrobe. In the past, when I was on the street in a Hanfu, I was always looked at by people. Some people came to me and asked, "is it filming?" now, no one would think it strange. Everyone has accepted Hanfu very well. " Miss Tourism World 2019 global finalists, wearing Hanfu, walk into the Langyatai Scenic Area in Qingdao on Oct. 3, 2019. As a practitioner of Chinese Han Fu culture, Hu Tingzhou's favorite piece is a 70-pound set of replica Tang Dynasty armor. This set of armor is made almost exactly according to ancient techniques. More than a decade ago, this set of armor would have been impossible to produce…

The history of traditional Chinese eyebrows makeup can be traced back to the Spring and Autumn Period(770 to 476 B.C.). There is a verse in "Chu Ci" that says "Black-painted eyebrows and white-powdered cheeks(粉白黛黑，施芳泽之).", which means that women were wearing powder, drawing eyebrows and rouge at that time.   Traditional Chinese Eyebows Tools Eyebrow tools are crucial. Unlike modern eyebrow pencils, eyebrow powders, eyebrow cream, etc., there are a wide variety of tools to choose from. But the ancients were still creative with their limited tools. Before there was a specific material for eyebrow painting, Dai (黛), it was mainly used to draw eyebrows with burnt willow sticks, which women used to burn and apply to their eyebrows. The earliest material used to paint eyebrows was Dai, a black mineral also known as "Shi Dai (石黛)". Stone inkstones for grinding stone Dai are found in Han tombs, which means that this cosmetic was already in use in the Han Dynasty. Before paint eyebrows, stone Dai had to be ground on the stone inkstone to make it into powder, and then water was added to mix it. In addition to black color, there is also a dark gray material for painting…

In ancient China, women's headwear was very gorgeous, and in addition to gold and silver jewelry, beautiful flowers were often worn as accessories. In the Song Dynasty, from the court down to the folk, both men and women loved flower hairpins. In this article, let's explore the history of traditional Chinese flower hairpins.   Origin of Flower hairpins The earliest record of the custom of flower pinning is from the period of Emperor Gaozu of Han, in which Lu Jia wrote in his "Nan Yue Xing Ji" that women in the Lingnan region liked to wear jasmine flowers as hairpins. During the Sui, Tang, and Five Dynasties period, flower hairpin was very popular among the Central Plains. At this time, society was open, people pursued fashion and novelty, and there was a wide variety of clothing and accessories, including flower pins. In the painting "Court Ladies Adorning Their Hair with Flowers", we can see that the ladies are wearing peonies, lotus, hydrangea, and other flowers in their hair, which has a unique flavor. The Tang Dynasty also featured men wearing flower hairpins, and the emperor often rewarded officials and scholars with flowers. In the Song Dynasty, the custom of flower…

Qing Dynasty was the last stage of the highly developed feudal society in China. With the evolution of the dynasty, the Qing dynasty Manchu women's headdress is rich and diverse. Inheritance of headdress in the past generations, but also according to the national dressing characteristics, create jewelry corresponding to it. One of the most ancient Chinese headdress representatives is the Bian Fang (扁方). 01 What is Bian Fang? Bian Fang is one of the traditional hair ornaments in ancient China, which was mainly popular in the Ming and Qing Dynasty, used to fix hair. The shape of its head is generally curvy and its body is often 1-shaped. They have different shapes, large, small, wide, or narrow. The large one can reach more than 30cm. The small one, also known as double-tip, can be used as hair fixing or decoration. The large one is used to fix "two buns head (两把头)". A white jade inlaid lotus pattern Bian Fang of the Qing dynasty - Collection of the National Palace Museum, Beijing Let's take a look at the evolution of women's hairstyles in the Qing Dynasty! Before the Qing Dynasty, Manchu people originally lived in the northern region, influenced by the…

Recently, a friend was chatting with Keke and mentioned that during a trip to Chengdu, she saw a lady wearing traditional Han clothing. She thought the lady's outfit was particularly beautiful, so she took a second look and politely asked what kind of clothing it was. Someone in the crowd nearby said "traditional costume," which led to the lady in Han clothing berating them, saying, "What do you mean by 'traditional costume'? Do you understand that this is traditional Han clothing? If you don't even understand your own ethnic clothing, are you even Chinese?" "Do you understand Han clothing culture? Can you afford Han clothing?" The rest were just insults. I believe there is a distinction between traditional costumes and Han clothing. Some might say that Han clothing is ancient clothing, thus it is traditional costume. However, I disagree because traditional costumes are like those seen in TV dramas, designed for aesthetic appeal, making the clothes somewhat see-through, featuring short sleeves, and generally transparent, which would not have been possible in ancient times when average temperatures were around ten degrees Celsius. It would be impossible to wear see-through clothing, and ancient women were mostly conservative, so short sleeves were out…

This article is a supplemental part of Hanfu Making(2) - Aoqun Cutting & Sewing Patterns. Together with a series of pictures on making a Ma Mian Qun (马面裙, horse face skirt), it will analyze the structure of Ma Mian Qun and mainly explain how to calculate the pleat width of a Ma Mian Qun. All dimensions are in centimeters (cm). "The data in this article does not take into account the seam allowance, you need to leave 1cm+ space in the seam allowance when you are actually making the dress."   1. About fabric prepare 6 identical pieces of fabric with a width of 60cm and a length that combines your actual needs. Sew 3 pieces together into one piece of fabric with a width of 180cm. Since the most fabric used for making Hanfu is about 150cm wide. So it needs to be pieced together to achieve a longer width. Please note the distinction between the horizontal and vertical directions of the fabric. You can choose a fabric with a nice print for your skirt and it is easier to confirm if it is in the right direction.   2. Structure of the Ma Mian Qun Ma Mian (马面,…

In recent years, Chinese documentaries have brought us many surprises, such as "Once Upon a Bite," "Masters in The Forbidden City," and "The Flavor of History." These documentaries present various aspects of Chinese culture, including food, traditions, and customs. In this article, we will introduce a documentary series that explores ancient Chinese figures called "Qian Gu Feng Liu Ren Wu (千古风流人物, Eminent Figures Through the Ages)," with a focus on the latest season featuring the renowned figure Su Shi.   Introducing of Eminent Figures Through the Ages The term "eminent figures" refers to individuals who have had significant influence during their time. Su Shi, Li Bai, Tao Yuanming, Bai Juyi, Ouyang Xiu, these great historical figures not only left behind monumental literary works but also provided guidance for generations of disheartened and confused individuals through their enlightened philosophies of life. Amidst the hardships and twists of fate in life's journey, we should learn from their attitudes, using broad-mindedness to transcend suffering and seizing beauty in our remaining days. These familiar names are given concrete depictions in this documentary series. They experienced joys and sorrows like ordinary people; they endured pain and disappointment just like anyone else. However, the challenges they…

Shu embroidery, as the longest-standing embroidery in China, is one of the four famous Chinese embroidery, along with Su embroidery, Xiang embroidery, and Yue embroidery. The hands of Shu embroidery weavers not only hold a precious craft, but also carry thousands of years of reproduction and imagination of flowers, birds, trees, rivers, and nature. Take a look at the history of Shu embroidery and its exquisiteness with Cosmopolitan's interview with Wang Xia, the inheritor of Shu embroidery.   The treasure of Shu embroidery begins at the tip of a needle The art of Shu embroidery, which began with a needlepoint, is a luxury for modern people, it is a craft that has been passed down for over two thousand years. Shu embroidery, with its bright and delicate colors and exquisite needlework, has formed its own unique charm, and its richness ranks first among the four famous embroideries. In fact, the history of Shu embroidery dates back to the Western Han Dynasty. "The industry of female workers, covering the world in clothes," was recorded in the "Book of the Later Han". At that time, the literary writer Yang Xiong described the scene of embroidering silk that could be seen everywhere in…

This article focuses on the changes in the popularity of traditional Chinese men's clothing from the Ming and Qing dynasties to the early Republic of China. The early Ming dynasty clothing continued the style of the Yuan dynasty, men's clothing in addition to Zhishen (直身), but also have Changshan (长衫) style. At this time the Daopao (道袍) has not yet formed, because the Changshan pleated structure on both sides, inferred that may be the Daopao predecessor. The prototype of the Yisan (曳撒) came from the Yuan Dynasty, and the sleeve shape and silhouette gradually changed in the Ming Dynasty, and developed an outer hem structure, which was one of the common styles of Bianfu (便服)/army clothing or Jifu (吉服) in the Ming Dynasty. The more significant change in the mid-Ming men's clothing is the gradual widening of the sleeve type, the structure of the outer hem is also different from the initial period. Late Ming dynasty men's clothing popular with the Daopao, the initial sleeve type for the bias to straight sleeves, with the structure of the Shoumei (收袂). At the end of the Ming Dynasty, the robe has developed into wide sleeves, and the structure of the inner and…

Fantastic creatures, beasts, and ghosts, people fear, or fascinated, but no one has ever seen the real face. However, there is a post-90s painter, Shan Ze, in his brush, those only appear in the legends and ancient books of the creatures and ghosts are presented one by one. Since ancient times, Chinese people have been full of unknown and respect for fantastic creatures and spirits, but under the brush of painter Shan Ze, they are completely overturned, with kind of new appearances. His paintings were nominated for the "Golden Dragon Award" for best illustration, and he has captured a large number of fans by transforming the thoughts of the millennium into paintings. Shan Ze, his real name is Li Yifan, a young man from Chengdu, graduated from Sichuan University College of Arts. Inheriting the heritage of Chinese style, he dares to challenge the traditional way of painting, forming a unique style that is beautiful and not losing its atmosphere. Shan Ze's paintings seem to transport the viewer to a whole new world of creatures, which is mesmerizing. In Shan Ze's imagination, the majestic and fearsome door gods of mythology are dressed in splendid battle armor and have a heroic posture.…

The earthly lights and the moon in the sky, the most beautiful thing is reunion. As the Mid-Autumn Festival approaches once again, mooncakes are an indispensable part. A box of mooncakes is not only a delicious pastry that delights the taste buds, but also carries heartfelt wishes and folk stories. Museums across China have also presented creative mooncakes, incorporating the cultural treasures of Chinese heritage, adding a touch of romantic national aesthetics to the Mid-Autumn Festival.   The Palace Museum In the collection of the Palace Museum, there is an imperial seal of Emperor Qianlong: "The moon is depicted with colors, water has sound". The brushwork is exquisite, capturing the scenery of the moon in the mountains and lakes. This year, the Palace Museum's mooncake gift box is inspired by this theme, combining traditional Chinese colors and dyeing techniques to appreciate the beauty of the country amidst mountains, rivers, and the moon. "Only the clear wind on the river and the bright moon in the mountains, the sound is heard in the ears, and the color is seen in the eyes." Take a bite of the Palace Museum mooncake, and the clear wind and bright moon will be in your…

The historical drama market of 2024 is set to be a battleground of top-tier productions, with many new series poised for release. Here, we have a list of 15 must-watch historical dramas, each featuring top stars. Which one are you most excited about?1. Follow Your Heart (颜心记)Starring: Luo Yunxi, Song Yi, Cheng Lei, Chen Yao This drama follows the story of the proud and cunning chief constable Jiang Xinbai, who meets the quirky traveling doctor Yan Nanxing while investigating a case. Both carry their own secrets, navigating through a romance of "three unions and three separations" as they uncover the mastermind behind the "Wu Xiang Disaster." The collaboration between Luo Yunxi and Song Yi is highly anticipated for its potential chemistry.2. Hero Legends (英雄志)Starring: Cheng Yi, Li Yitong, Xiao Shunyao, Zheng Yecheng The series tells the tale of the young scholar Lu Yun, who, amidst the turbulence of the times, undergoes a transformation through trials of love and hate, evolving into a hero with a strong sense of justice. The reunion of Li Lianhua and Di Feisheng promises another gripping narrative.3. Moonlight Mystique (白月梵星 )Starring: Bai Lu, Ao Ruipeng Adapted from Xing Ling's novel "Bai Shuo Shang Shen," it follows the story…

On November 14, the 8th Chinese Li Yue Conference (中华礼乐大会) was held in Hengdian Film and TV City, China. More than a thousand Hanfu enthusiasts dressed in gorgeous Hanfu gathered at the magnificent "Royal Palace" to share the beauty of Chinese Hanfu costumes and the culture of Chinese Rituals. The Chinese Li Yue Conference is a traditional Chinese cultural event initiated and organized by Fujian Hanfu Tianxia (福建汉服天下). The Chinese Li Yue Conference has been held in November every year since 2013, in order to inherit and develop the Chinese Li & Yue civilization and promote Chinese traditional culture. Li & Yue (礼乐) form content includes ritual, music. Chinese culture attaches great importance to Li and Yue. Li refers to the various forms of etiquette, while Yue includes music and dance. Li and Yue have had a significant and far-reaching impact on the development of Chinese civilization over thousands of years. The Chinese Li Yue Conference takes the Chinese Li & Yue civilization as the main content of the exhibition, combining various traditional exhibitions, activities focusing on culture in each city, showing the local history and cultural connotation. The number of participants at the Chinese Li Yue Conference has been…

As you may know, the Ming-style Hanfu is perfect for the winter, because it's wide enough to fit a lot of warm clothes. So, what other Chinese winter clothing can you think of for winter wear besides the Ming-style? Maybe Changyi is a good choice, follow along with Hanfu Culture Society to learn more about this Hanfu style that will bring you warmth in the cold winter. [Structure and History] Changyi (氅衣, chǎng yī), also known as Hechang (鹤氅) or Dachang (大氅). Straight collar, parallel opening, large sleeves, a pair of laces on the front lapel to tie the knot, the length of the coat is up to the calf or ankle. The body is mostly light in color, but can be decorated with ornate patterns, with dark edges on the collar and sleeve edges, and usually with no slits on the sides, but can be made with slits or pleats. As one of the categories of traditional Chinese winter clothing for male, Changyi has appeared in traditional Chinese literature with high frequency since the Eastern Jin Dynasty. However, the actual form of the Changyi varies greatly from one period to another. The earliest recorded appearance of the Changyi as…

Leaf painting, also known as leaf carving, originated in the Zhou Dynasty and flourished during the Tang and Song Dynasties. It uses the natural form of leaves and cleverly utilizes their natural veins to create stunning works of art. The work is delicate like a cicada's wings, with natural colors that transform decay into magical beauty. However, due to its difficulty in preservation, many exquisite pieces have been lost over time causing this craft to nearly fall into oblivion. Last August though Ding Li's leaf painting artwork series depicting "Along the River During the Qingming Festival" went viral bringing this ancient yet captivating technique back into public view. Ding Li hails from Xianyang City in Hubei Province and has loved painting since he was five years old experimenting with sketching, watercolor painting, and oil paintings while also dabbling in woodcarving, bamboo-carving, stone-carving, nuclear carving etc., all out of pure interest for these different forms of artistry. At thirteen years old he attended an art exhibition where he saw an elderly man using small knives to carve on leaves; fascinated by what seemed like magic he watched him work for almost two hours before being asked if he wanted to learn…