Chinese opera (戏曲, xìqǔ) can be tracked to as far back as the Northern Qi Dynasty, and since then has grown into the instantly-recognizable spectacle of music, costumes, and drama it is today. Its characters are especially memorable as they sing, act, and fight across the stage. There are four main types of roles in opera: Dan, Sheng, Jing, and Chou. Dan Dan (旦) is a broad term that refers to all female roles in Chinese opera. Subtypes within the Dan role include Guimen Dan, young women whose parts focused on vocal performance, Zheng Dan (also known as Qingyi Dan), older higher-class women, and Wudan, who specialize in acrobatics and do not often sing. Up until the late Qing Dynasty, all roles, including the Dan, were played by men. Mei Lanfang, considered one of the “four great Dan,” was one such male Dan performer who pioneered an entire new subtype of Dan and was considered by some to be the greatest vocal artist in modern China. Mei also played a key role in popularizing Chinese opera outside of China over the course of a 50-year career. Male Dan roles were made obsolete during the Cultural Revolution, but the legacies of those…

As a symbol of good fortune, Ruyi (如意, scepter) is a traditional handicraft unique to China that emerged during the Warring States period and has evolved in form and cultural connotation through the Han, Wei, and Jin dynasties, Tang, Song, and even Ming and Qing dynasties. Interestingly, the initial function of the Ruyi is the same as the backscratcher we use today. Only later did it evolve from a practical tool to a beautiful display at a later stage. Origin of Ruyi According to the National Palace Museum, Ruyi originated from the "Sao Zhang (搔杖)" (now called backscratcher) used by the ancients to scratch an itch. The earliest Ruyi, the end of the handle in the shape of a finger, to reach that the hand can not reach, so that can follow heart to relieve the itch, so-called Ruyi. Later, the "Sao Zhang" was combined with "Hu (笏, referring to the hand board used by courtiers to record their business at court)", and the shape gradually evolved into a curved head, and the end of the handle changed from straight to small Lingzhi-shaped, cloud-shaped and other shapes. The head and tail echo each other, the main body is streamlined, the…

We have previously detailed a few ancient Chinese robes from the Ming Dynasty (Zhiduo/Taoist/Zhishen), most of which are suitable for scholars, but today we will introduce you to 2 more martial styles ancient Chinese robes for men: Tieli & Yisan. You may often find these two classic Chinese costumes at Hanfu festivals or events, they are very eye-catching and handsome. Tieli (贴里) [History and characteristics of Tieli] Tieli is usually worn under a round-necked robe and Dahu (褡护, a type of clothing that belongs to the Banbi), which makes the wide hem of the robe slightly outward and dignified. Tieli is the Mongolian word for the robe and is an import from the Yuan Dynasty. After being inherited by the Ming Dynasty, the garment was lengthened, and the overall structure closer to Shenyi system of the Hanfu, and integrated the Han "orthodox" rituals, and later became the most common ancient Chinese robes, and is a common style of the Ming Dynasty officials (up to the Feiyu suit, down to military uniforms). narrow sleeve Tieli, in the collection of the Shandong Museum of Art Features of the Tieli include: Jiaolingyouren (交领右衽), the front and back of the garment are cut separates…

The ancient armor is to some extent equivalent to the present military uniforms, which is the image of an army and therefore must be decorated. The decoration actually works in two ways, on the one hand, it is to show the good image of the mighty and on the other hand, it is to protect the armor from erosion. Leather armor is easy to rot and iron armor is easy to rust, both need to be protected by some decorative methods. The main methods of Chinese armor decoration are as follows.   Paint, coloring Before Han and Wei either the leather armor or the iron armor, the armor pieces are painted, and repeatedly painted with multi-layer paint. Most of the Warring States' leather armors was black, according to the painted traces of terracotta warriors and horses, and the armor of the Qin Dynasty was mostly black. Many written records of the Han Dynasty armor are called Xuanjia (玄甲, black armor), and the armors of painted warrior figurines are also painted black. The color of black is a bit monotonous, so there is the idea of applying gold and silver pieces on the armor for decoration and painting at the same…

Chinese silk dress has a history of thousands of years in China. Wearing a silk dress has become a symbol of wealth and status. Silk is a special product of China. The ancient Chinese working people invented and produced silk products on a large scale, which opened the first large-scale trade exchange between the East and the West in world history, known as the silk road. History of Silk In ancient times, silk was a kind of textile woven by silk. Due to the expansion of textile materials in modern times, all textiles woven with man-made or natural filament fibers can be called generalized silk. The silk made of pure silk is also called "real silk". Since the Western Han Dynasty, China's silk has been shipped abroad in large quantities, becoming a world-famous product. At that time, the road from China to the West was called the "Silk Road" by Europe, and China was also called the "Silk Country". In ancient times, China began to raise silkworms for silk. In 1925, an antique was unearthed in Shanxi Province. According to the research of archaeologists, is the cocoon shell, it is about 1.36cm long and 1.04cm wide, which provides the earliest…

Kesi (缂丝), the most traditional type of silk weaving in the Chinese silk industry, which is highly appreciated for its decorative qualities. Kesi is a kind of pattern with warp and weft, forming a pattern border, with the effect as if was carved, and rich two-sided three-dimensional sense of silk crafts. The knitting technique of Kesi is different from the embroidery and brocade. Suzhou Kesi painting is also known as the "Four Great Weavers" of China, along with Hangzhou silk painting, Yongchun paper painting and Sichuan bamboo curtain painting. The Kesi technique has appeared many times in the collection of ancient costume dramas, such as the delicate Kesi fans in the hands of the concubines of “Story of Yanxi Palace”, adding endless style to them. The another drama “Marvelous Women” which take the Qing Dynasty as the background, has restored the weaving scene of the Kesi.   The Uniqueness of Kesi Different from the weaving method of Song brocade, Shu brocade, cloud brocade which are woven through the warp and weft. Kesi with raw silk as the warp, a variety of colorful cooked silk threads for the weft, which are dug and woven by the method of passing through the…

Much of Chinese culture involves Chinese myths. To understand the many festivals and holidays of China, here are 3 popular Chinese myths that you might find interesting:     The New Year Legend The Chinese New Year legend begans in a small village thousands of years ago. Every winter, a monster with the body of a bull and a head of a lion would enter this village and attack the villagers. The monster is called a “Nian.” The villagers were scared and didn’t know what to do. Until a wise old man came up with an idea! The next time the Nian appeared to attack their village, the people would use fireworks and drums to scare of the monster! The plan worked perfectly and the monster fled into the hills. From today onwards, every year on the day they scared off the monster, they would light fireworks and celebrate their victory. This day was the start of the Chinese New Year and the Spring Festival.   Houyi and Chang’e - The Mid-Autumn Festival Houyi and Chang’e is an immortal couple living in heaven, according to the legends. One day, the ruler of all heavens, the Jade Emperor, orders Houyi for…

Chinese painting is the art of brush and ink applied on Xuan (paper) or silk. The basic tools are those of calligraphy, which has influenced painting in both style and theory. Characteristics and Categories of Chinese Painting A distinctive basic characteristic of this painting is that ideas and motifs are presented primarily in the form of lines and dots in ink, rather than in color, proportion, and perspective. These works are conceived with the aid of brushes composed of handle and head. The handle is usually made of bamboo or wood, while the head is made of animal hair, usually sheep or wolf. The heads are soft and flexible, and suitably fit the style of Chinese painting. Usually, only black ink is used, and silk and thin paper are used for the "canvases". Chinese painting falls into three main categories: portraits, landscapes, and flowers and birds. Of the three traditions, the oldest is portraiture, dominating the scene until the late Tang dynasty. In general, landscape paintings depicted mountains and water, influenced by the Taoist tradition of seeking solitude in nature. Landscape dominated in the 11th century, becoming a favorite motif of artists. Even today, when a Chinese says a place…

Among the many Tang Dynasty relics in the Xinjiang Museum's History Hall, two painted clay women figurines on horses are particularly attractive: "Horse and Female Rider". One is from Turpan Astana Tomb No. 187, excavated in 1972, showing a woman with dignified features, wearing a Wei Mao (帷帽), holding the reins in her left hand and sitting on top of a saddle, a typical image of a noblewoman riding a horse at that time. The other figurine was excavated in 1973 from Turpan Astana Tomb No. 216 and shows a woman riding a red horse with white skin and red lips, wearing a Wei Mao, which is quite charming. Looking at these two figurines of ladies, we can see a scene in our mind: in the city of Gaochang more than a thousand years ago, during the early spring, several fashionable Tang dynasty women wearing Wei Mao and riding their horses slowly, the ladies seem to be talking about something; and not far away, under the pavilion, a noblewoman with a graceful physique is concentrating on playing Go.   Mysterious underground history museum Astana is known as the "Underground Museum of Turpan", the ancient tombs are located in the northern suburbs…

  Vocabulary Velvet Flower - 绒花 (rónghuā) - a realistically made flower made artificially from silk threads and copper wire. Palace Flower - 宫花 (gōng huā) - another way to call ronghua with the rise in popularities of ronghua to females in the palace. Untwisted Silks - 无捻蚕丝 (wú niǎn cánsī) - when it comes to silk threads, depending on the type and material of the threads, one single thread can be made up of thinner threads twisted together. Untwisted silk thread means there are no smaller twisted threads. You can directly skip to the brushing steps in ronghua making process. Hunan Embroidery Thread - 湘绣线 (xiāngxiù xiàn) - another type of thread used in ronghua making. Suzhou Embroidery Thread - 苏绣线 (sūxiù xiàn) - another type of thread used in ronghua making.   History 绒花, rónghuā, an artificial handcraft head accessories made from materials such as silks and coppers. It existed since the Qin Dynasty. There are many known “brands” of ronghuas, such as Nanjing Ronghua. In the Tang era, Wu Zetian listed Nanjing Ronghua as a royal tribute to the Yangzhou area becoming a luxury only princes and princesses can use. Eventually, Nanjing Ronghua became something that represents Nanjing but also…

Wearing incense sachets in daily life, or burning the incense burner when reading or sipping tea, the pursuit of fragrance by the ancient Chinese surpassed even modern times. The combination of form and spirit is the ancients revered spiritual states. Clothing provided the form of the real state, while the flavor implied in the air gave the spirit part. The documentary "The Flavor of History" features a unique perspective that brings hanfu and flavor together again.   Tang Dynasty Ruilongnao (瑞龙脑) is produced in the country of Brahma (now Brunei). In addition to growing in hot places, it needs to be smoked to release its aroma. But its flavor is as cool and pure as its appearance, like a contradictory combination of noisy and silent, entwined and moving. In the clothing system of the Tang Dynasty, color was an important clue to distinguish the superior and inferior. According to the Book of Tang - Records of Yufu, the emperor's regular clothes are Chi Huang (赤黄, a color between yellow and red, #F8CE00) robes, Fu Tou (幞头), nine rings belt, and Liu He boots (六合靴)". At the time of Emperor Gaozu of the Tang Dynasty, it was officially stipulated that Chi Huang…

What is Da Hu? Da Hu(褡护, dā hù), also known as "搭护", which was a type of Bianfu(便服, casual wear) in the Ming Dynasty. The Tong Ya says: "Da Hu is a shirt with bald sleeves", which means sleeveless, indicating that the Da Hu was a long garment with short sleeves or no sleeves, and had a certain origin with the Banbi of the Tang and Song dynasties. The "Juyi Record" records that: "The name of the Da Hu, or along with the Yuan dynasty, its style is not the Yuan dynasty Da Hu, when it is a slightly longer than the Gua (褂), a short-sleeved clothes." The basic form of Da Hu is cross collar, wrapping the right side before the left (交领右衽), with white collar protector, short sleeves or no sleeves, slit on both sides of the body, and the slit is connected with the outer or inner hem. In the Ming Dynasty, the Da Hu was a kind of half-sleeved dress with a hem outside, which was part of the dres's system of Ming officials. How to wear the Da Hu? What to wear inside the Da Hu? Da Hu early is often used as a jacket,…

China has a long history of tea drinking, which emerged in the Tang Dynasty and became prosperous in the Song Dynasty. It is in this context that the story of A Dream of Splendor takes place. In the drama, Liu Yifei as Zhao Pan'er, together with two girlfriends, opened a tea store in Bian Jing, the capital of the Song Dynasty. With Zhao Pan'er's excellent marketing skills, Sun San Niang's delicious pastries, Song Yin Zhang's wonderful Pipa performance, and most importantly, Pan'er's extensive experience in Dian Cha, as well as Cha Bai Xi, their tea store has achieved initial success. Cha Bai Xi Dian Cha (点茶, whisking tea), as an important part of Chinese tea culture, is the main tea drinking method in the Song Dynasty, and also an important way of leisure and entertainment for the literati and ordinary people. Cha Bai Xi (茶百戏, tea painting art), also known as: Fen Cha (分茶), Shui Dan Qin (水丹青). Firstly, the finely ground tea powder is injected into the tea bowl with boiling water, while stirring with a tea whisk, the tea froth floats up and forms a suspension. Then use the teaspoon and water to draw words and patterns on the…

Hanfu & Traditional Chinese Dress for Kids Hanfu is becoming more and more popular among young people, and traditional clothing has also attracted more attention. And children have always been cute pronouns, but what kind of surprises will there be for children to wear traditional Chinese clothes. This issue brings traditional Chinese dress for kids, so that they can also wear Chinese clothes and feel the power of traditional culture together. What kind of clothes did children wear in ancient China? It is generally believed that children in the history of China do not have their own clothes, and children have been wearing a reduced version of adult clothes, but in fact, but it's not all that. Ancient Chinese Dress for Kids Qiangbao (襁褓, swaddling) The clothing of newborn babies is more common: Qiangbao. Qiangbao was widely used in ancient China from the court down to the people. According to the literature, Qiangbao as an ancient child care product has been widely used as early as the Shang and Zhou dynasties. The term "Qiangbao" was later used to refer to babies under the age of one year. Doudu (兜肚) Doudu, with naked back when wearing, has the function of heat…

  Tang Dynasty - Fei Qian Fei Qian (飞钱, flying cash) in the Tang Dynasty, the earliest prototype of Chinese paper money. The New Book of Tang – Recordings of foods and goods contains: “商贾至京师，委钱诸道进奏院及诸军诸使富家，以轻装趋四方，合券乃取之，号飞钱。” Fei Qian are also called "Bian Huan (便换, convenient exchange)" and "Bian Qian (便钱, convenient money)". In the middle of the Tang Dynasty, the production of copper coins could not meet the market demand, and there were many restrictions on the flow of copper coins. Besides, the carrying and transportation of large amounts of copper coins were also a problem. So, a new financial method was born. The merchants in the capital sent the money to the Jin Zou Yuan (进奏院, the official statutes of report) which is the office in the capital, and the Jin Zou Yuan issued a ticket for the merchants, with the amount, date, name and other items written on it. And this ticket would be divided into two halves, half sending to the merchant, and another half back to the local. The merchant returned with his half of the ticket to the designated department to exchange for the money, as long as the two halves of the ticket can be…

Have you ever noticed the motifs on a hanfu? They are diverse and can even be considered the finishing touch to a hanfu. Maybe it is some kind of animal from ancient times or different kinds of plants to match. Most of them have a special meaning, and some fantastical motifs even contain mythological stories.   Animal Motifs Qilin Motifs Although the production environment of the ancients was much less than the modern society, the ancients never skimped on their imagination when it came to creating sacred animals. For example, the Qilin (麒麟). With a dragon head, deer antlers, cow hooves, and lion's tail, the Qilin changed several times before the Tang Dynasty and had no fixed appearance. In the Song Dynasty, the body became a common lion-shaped scaly body, basically into the current form. In "Fantastic Beasts 3: The Mystery of Dumbledore", the Qilin appears as a new fantastic beast. This is the second Chinese mythical creature launched in the "Fantastic Beasts" series, Zouwu from the "Shan Hai Jing" appeared in "Fantastic Beasts 2: The Crimes of Grindelwald". Qilin is a symbol of auspiciousness and has a very high status in ancient times, and has been assigned with simple…

Chinese tea culture emerged in the Tang Dynasty. In the Song, Yuan, Ming, and Qing Dynasties, tea culture was deeply developed on the basis of inheriting the tradition, and tea-drinking customs with different characteristics and styles emerged successively, such as Jian Cha (煎茶, tea cooking), Dian Cha (点茶, tea whisking), Dou Cha (斗茶, tea tasting), and Pao Cha (泡茶, tea brewing ). With the progress of society, tea culture is developing continuously.   The rise of tea culture in the Tang Dynasty According to historical records, as early as the Western Han Dynasty, it was common to drink and grow tea in Sichuan, China, and tea have already become an important commodity at that time. After the Six Dynasties, the trend of tea drinking rose in the south, and tea drinkers gradually increased in society. The establishment of the unified country in the Tang Dynasty, made it possible to have regular economic and cultural exchanges between the north and the south, which laid the foundation for the further popularization of tea-drinking customs and the continued development of tea culture. Tea drinking in China has a history of more than 4,000 years, and it was not until the Tang Dynasty that…

The Tang Dynasty (from 618 to 907) was extremely important in the history of China. Many Chinese TV dramas and movies have been filmed with the Tang Dynasty as the background. We have introduced the costume culture of the Tang Dynasty before, today we will show you the beautiful makeup and the history of the rise and fall of the Tang Dynasty through the Hanfu drawing of illustrator @Yucha Guozi (御茶菓子) and the Hanfu model @Zhende Caicai (真的菜菜), present the stunning makeup and the history of the rise and fall of the Tang Dynasty, and feel the aesthetic spirit of the Tang Dynasty which is diverse, confident and inclusive.   Early Tang dynasty: the first year of Wude: 618 AD (武德元年) Narrow-sleeved short garments were popular in the early Tang dynasty. The picture shows a double-bun maid, wearing a shawl collar, a half-sleeved garment with a long skirt, and a skinny shape.   Gaozong period of the Tang Dynasty: 628-683 AD (高宗时期) Next is a "woman in men's clothing", during the Tang dynasty, women often wore men's clothing. This is because during the period of Gaozong, society gradually became more elegant and open, and the body shape that was favored…

In the annals of the internet's memory, Hanfu made its debut in the public eye in 2003 when a power worker strolled through the streets of Zhengzhou clad in Hanfu, sparking widespread intrigue. Back then, donning Hanfu in public would undoubtedly invite curious gazes and discussions from passersby. However, times have indeed changed. Nowadays, it is no longer a novelty to encounter boys and girls in Hanfu on the streets, let alone in the online, where exquisite Hanfu photoshoots, vintage makeup tutorials, and hairstyling guides are readily available. There is also a plethora of gatherings for Hanfu enthusiasts. While participation is easily accessible, delving deeper into the subject may surprise many, as Hanfu is far more than just a visually appealing garment. In this article, author Acheng (TOPYS) will share his perspective about hanfu. The Hanfu community has long been subjected to ridicule and prejudice, with many still holding the belief that most Hanfu enthusiasts are merely superficial admirers of beautiful clothing. Throughout history, Hanfu has been intricately intertwined with the development of Chinese culture, spanning numerous historical epochs and reflecting distinct characteristics alongside the evolution of societal ideologies and aesthetic standards. Dongjin Shangyu Dongjin Shangyu has been immersed in…

The rejuvenation of modern hanfu is inextricably linked to the redesign of many hanfu styles and the incorporation of modern elements. However, hanfu is still more based on traditional forms, and most Hanfu styles are currently restored based on books, cultural relics, murals, and collections. And speaking of hanfu collections, you may have heard of one place, the Kong Family Mansion (孔府). As the largest noble house in China, the Kong Family Mansion holds a large collection of heirloom clothing objects, which is unique in the world for its quantity, completeness of system, and orderly transmission, and is a masterpiece of traditional costume culture. Today, we will introduce you to the Kong Family Mansion and its Hanfu collection. Kong Family Mansion, also known as Yan Sheng Gong Mansion (衍圣公府), is the official and private residence of the descendants of Confucius, located in Qufu City, Jining, Shandong Province, China, and is a typical Chinese noble gateway house. It was built in 1377 and rebuilt in 1503, covering an area of 240 acres. The Kong Family Mansion, together with the Temple and Cemetery of Confucius, is known as the "Three Confuciuses", and was listed as one of the first major cultural relics…