With the movement and innovation of Hanfu, more and more new styles of Hanfu have appeared in our eyes, but those who are new to Hanfu may not know much about its style, so they don't know where to start to understand Hanfu style. Today, we have collected some basic styles of Hanfu and their corresponding historical prototypes, so let's experience the ancient Chinese fashion together. The Hanfu costume "began in Huangdi (黄帝) and was perfected in Yao (尧) and Shun (舜) ", and was styled in the Zhou Dynasty, and through the Han Dynasty, a complete system of headwear and costume was formed based on the Four Books and Five Classics. Duijin Ruqun (对襟襦裙, parallel collar) Ruqun is a top garment and skirt in Chinese, it is one of the earliest and most basic forms of Hanfu. "Ru", is a short garment, with collar style with parallel collar, crossed collar, or shawl collar (U-shaped collar). "Qun", is a skirt, is usually a one-piece or two-piece. The term "Duijin" refers to the symmetry of the left and right lapels of the Ruqun, and need wearing of an inner Moxiong(camisole). Duijin Ruqun was mainly popular in the Song Dynasty. Compared to other…

The Definition of Auspicious Costume Ji Fu (吉服, auspicious costume) was a new classification of clothing formed in the Ming Dynasty, referring to the clothing used for various auspicious occasions such as seasonal festivals, weddings, birthdays, and banquets. In the Qing Dynasty, it became a specialized category within the clothing system. Traditional Ji Fu refers to the clothing used for auspicious ceremonies (major rituals, etc.). With the development of the times and the increase in festivals and celebrations, there was a need for a special auspicious costume for all kinds of festive occasions, so the Ming dynasty referred to a more formal dress than the everyday casual dress for rituals and all kinds of auspicious occasions as the auspicious costume. Although not found in the system, the term "Ji Fu" was repeatedly used in various political books and literary works. During the Ming dynasty, the auspicious costume was not a single standard style, but the same style as the regular and casual hanfu costumes, such as Yuan Ling Pao, Zhi Shen, Yi San, Tie Li, Dao Pao, Ao Qun, etc. The color was mostly in festive colors such as red, for example, the officials used to wear a red round…

Hanfu wedding, which is wearing traditional Chinese clothing: Hanfu, and taking the traditional Chinese wedding system as the prototype. Modern people restore the traditional Chinese wedding, they roughly sum it up as follows The Zhou Hanfu wedding (周制婚礼), represented by the pre-Qin and Han Dynasties. Tang Hanfu wedding (唐制婚礼) represented by Wei, Jin, and Tang Dynasties. Ming Hanfu wedding (明制婚礼) represented by song and Ming Dynasties. The traditional Chinese Hanfu wedding ceremony is generally divided into three parts: pre-wedding ceremony, formal wedding ceremony, and post-wedding ceremony. As we all know, culture is the life of a nation, and etiquette is one of the main signs of all civilized nations and an important window of national culture. As the Chinese nation with a long civilization of 5000 years, attach great importance to marriage. The book of Zhouyi said: Only when there are heaven and earth can there be everything. Only when there is everything can there be men and women. Only when there are men and women can there be couples. Only when there are couples can there be fathers and sons. Only when there are fathers and sons can there be princes and ministers. Only when there are princes and…

Daxiushan (大袖衫, big sleeves shirt) were originally men's clothing in the Wei and Jin dynasties, but in the Tang dynasty it referred to women's extra wide big sleeves outfits. The shape of the Daxiushan is straight collar, symmetrical lapels, long sleeves, large cuffs, mostly long clothing body and with splitting and lacing.   Daxiushan in Tang Dynasty During the Tang Dynasty, the society was open and Hu clothing was prevalent. Women were free-spirited and often wore men's or Hu clothing. After the flourishing Tang period, the style of women's clothing became wider and wider, and this feature became more obvious in the middle and late Tang period, with general women's clothing, the sleeve width was often more than four feet. Wide sleeve shirts, long skirts and Pibo were worn as the noble dresses at that time, and usually worn on important occasions, such as court meetings, ceremonial, and marriages. The Daxiushan costume is recorded in Zhou Fang's painting "Court Ladies Adorning Their Hair With Flowers" records the Daxiushan costume. The beauty in the painting wears a long dress with a large-sleeved sarong shirt draped directly. The artist's realistic approach not only portrays the delicate clothing materials of the Tang Dynasty,…

The hanfu culture is no longer just a celebration for a small group of people; an increasing number of ordinary individuals are now sharing their hanfu experiences through creative short videos, integrating hanfu into their daily lives. At the same time, the seemingly unrelated realms of hanfu and fashion have also begun to merge. Hanfu covers in fashion magazines have sparked discussions within the hanfu community, fashion circles, and academic circles alike. Among them, we can find replicas, traditional designs, and fusion styles of hanfu. Dongjin Shangyu has compiled a collection of fashionable magazine spreads featuring hanfu throughout the years for you.   Hanfu in 2013 "FHM" Ten years ago, social networks were not as active as they are today. However, even at that time these three photos broke through the aesthetic norms of the hanfu community and even attracted attention from the media industry. One of these works was used as a cover photo in Issue 112 of "CHINESE HERITAGE" magazine. At that time, Yu Lingyuan was responsible for this photoshoot and said: "The structure of Western suits is similar to Western sculpture - it is very complex in terms of craftsmanship and has a three-dimensional quality. However, what…

This article introduces you to the components of the Hanfu upper garment. Use the most common cross-collar shirt for demonstration. original picture This is a Ming Dynasty women's woven gold cross-collar short shirt currently in the Confucius Museum in Shandong. 1. Guard collar (Huling, 护领): added to the outside of the collar parts, shorter than the collar, made of plain cloth, can be used to prevent wear and tear dirty. 2. Lapel (Jin, 襟, jīn): it refers to the edge of the chest part of the clothes, which is the collar edge of the clothes with cross collar and straight collar. 3. Ren (衽, rèn): refers to the chest part of the clothes. The Ren of Hanfu is usually covered to the right (when viewed from the front, the right lapel covers the left lapel), which is called You Ren (右衽, right overlapping). 4. Du (裻, dú): refers to the middle seam of the clothes, due to the narrow width of the cloth in ancient times, will be seamed in the middle of the back, called the Zhong Feng (中缝, middle seam). 5. Lacing: The rope belt used to fix the clothes. 6. Ge (袼, gē): refers to the sleeve…

In the process of evolution, there are dozens or even hundreds of styles of Chinese clothes. This article mainly introduces the most classical styles of Chinese Hanfu clothes. Women's clothing Suit Ruqun(襦裙) Ruqun is a kind of hanfu, also call: Shanqun (衫裙), short clothes worn on the upper body, call "Ru", and the dress of the lower body, call "Qun", together call "Ruqun". It is a typical "Shangyi Xiachang(top clothes and underdress) " form. Ruqun has an obvious feature: short top and long dress. The Ruqun appeared in the Warring States Period, Ruqun was worn by ordinary people(female) until the end of the Ming and Qing Dynasties. Jiaoling Ruqun/ Shanqun(交领襦裙/衫裙) Jiaoling Ruqun is a kind of Ruqun, the main feature is: the top collar is cross. It is quite common in the Song Dynasty. Wearing method: First: Wear top clothes, Align the collar of the top clothes; Tie a knot in right Jin(襟, the chest part of the top); Tie a knot in left Jin. Second: tie up the dress, Put the dress in front of you, wrap the skirt behind you; Two sides of the dress overlap behind; Folding outwards the pressing on the inner layer of dress; Adjust…

So maybe you’ve been interested in hanfu for a while, and you’ve vaguely started to pick out the differences between Ming Dynasty aoqun and Tang Dynasty heziqun, but you still have no clue what the order of the time periods are or even what they were characterized by. Upon a quick sift through Wikipedia, there’s just wayyyyy too much information to process, and you don’t even know what information to look for—what matters to your understanding of hanfu culture. Fear not! Here’s a compendium of what you need to know about the historical context of hanfu. The Structure of Ancient Chinese History There’s a phenomenon in Chinese history that we call the Dynastic Cycle. Ancient China was ruled over by many different time periods called Dynasties, each with a family of rulers, and most of these follow the same general scheme: the central ruling power is established, the population goes up and the country flourishes, corruption starts affecting the political scheme, people revolt, and the country either dissolves into several warring states or gets conquered by another group of people. Then one state emerges victorious over the other ones or the invaders, the next dynasty is established, and the cycle…

Hey everyone, sorry for the hiatus! I’m back now with a new series of articles—Hanfu Unearthed, a series examining the more technical, historical origins of hanfu. This series of articles is going to focus on the archaeological side of hanfu research: the relics that we’ve uncovered from various dig sites and tombs. The way that hanfu is defined by most is that its shape and construction is designed off of these relics, so let’s take a look at the real historical references that we have. A quick disclaimer—this series of articles is a result of my own research. I’m not a trained historian or archaeologist, I’m an inexperienced student with an interest in hanfu and chinese history. I don’t have a works cited page for these (though I can point you towards some of the resources I used off the top of my head if you really want them), and I didn’t spend a long time verifying my sources beyond checking with multiple sources to make sure the information was consistent, because frankly I don’t have the time to do that. All articles will come with this disclaimer, so please, please understand that I’m doing my best with what I…

When we introduced the Xiapei during the Song and Ming dynasties, we mentioned that the Xiapei hangs flat in front of the chest. The creation of Hanfu ornament: "Peizhui (帔坠)" is to ensure that the Xiapei (霞帔) is flattened in front of women's chest and belly when they move, maintaining a dignified image. Nowadays, you can often see girls who like Ming-style Hanfu hanging their Peizhui pendant around their neck for decoration. As an important part of Song and Ming women's costumes, the historical Peizhui pendant is integrated with the Xiapei, which serves the function of beautifying decoration and distinguishing social hierarchy. In the excavated tombs of Song, Yuan, and Ming dynasties, the silk fabric of Xiapei is not easy to be preserved, but the gold, silver, and jade quality of Peizhui has been preserved. Today, let's learn more about Peizhui pendant, a precious Hanfu ornament! Peizhui is usually made of two patterned curved pieces that are fastened together and attached to the end of the Xiapei in front of the body. The patterns are mostly hollow, often mistaken for scented sachet when unearthed earlier. The Peizhui unearthed in Song, Yuan, and Ming tombs are mainly made of gold, silver,…

This section contains Aoqun (袄裙), which can be divided into: Duan Ao (短袄), Da Ao (大袄), Mamian Qun (马面裙). Size range: Duan Ao and Da Ao (155/80A to 175/96A),  Mamian Qun (155/80A to 175/80A). Please read the introduction of the topic and how to use this guide in advance.     Introduction In the Ming Dynasty, women's Hanfu clothing is very popular in the form of clothes cover skirt way of dress, the most common "Aoqun (袄裙)" is a Ming Dynasty women's clothing general term, that is, the upper Ao (袄, jacket) with the lower Qun (裙, skirt) with the way, and not a single piece of clothing. The "Ao" in this section refers to a cross-necked female top, and the "Qun" refers to a Mamian Qun (horse-face skirt). Early Hanfu tops were mostly called "Ru (襦)", and after the Wei and Jin Dynasties, they were also called "Ao" and "Shan (衫, shirt)". Nowadays, it is generally considered that the Aoqun is longer and covers the waist of the skirt, while the one that requires the clothes to be tucked into the waist of the skirt is the Ruqun (襦裙), but both belong to the Ruqun system. The Ming-style Aoqun…

Fabric and craftsmanship are both very important aspects of hanfu making. In this article, several common hanfu fabric processes will be briefly introduced to you.   Zhuang Hua Zhuang Hua (妆花) is the most complex variety of weaving technology in Nanjing cloud brocade, and also the representative jacquard silk weaving variety with the most local characteristics of Nanjing, was popular in the Ming and Qing Dynasties. Traditional Zhuang Hua is made of artificial weaving, and the Zhuang Hua on nowadays are all "imitation Zhuang Hua", which are made by machines. The Zhuang Hua fabric is characterized by many colors and is rich in color changes. In terms of the weaving method, the pattern on the fabric is partially painted by using a colored fleece weft bobbin. The color matching is very free and there are no restrictions. The main pattern of the design is usually expressed in two or three levels of color, and some patterns are expressed in simple color (such as pedicels, leaves, and buds). A piece of Zhuang Hua fabric with patterns and colors can be matched in more than a dozen or even 20 or 30 colors. Although there are many colors of Zhuang Hua, but…

Today, we'll be sharing a tutorial on Hanfu make, by Midnoonight: how to make a Tang dynasty shawl - Peizi. In the Tang Dynasty, Shan + Qun + Peizi is a classic three-piece set for girls. They can be worn in many ways and are very easy to match. Sketch Let's confirm the shape of the Peizi, by drawing a rectangle and curving the sides of the rectangle to form the shape of a boat. Some decorations can be added to the Peizi, such as a Yinluo (璎珞) pattern. The fabric used is narrow floral silk. Cut & Sew up Align the ends, draw a curve according to the paper pattern, and cut it out. As the fabric is narrow, the edges do not need to be hemmed, just hemmed where the ends have been cut. Sew and iron smooth. Decorative Now it's time for Yingluo decorative stitching, let's call it a 1Y1 formation. Calculate the approximate amount of material to be used. Mark each cycle 2.5cm apart on the fabric. Make the "1" first, noting that the last bead is used to block the garnet, and the thread is threaded this way. Then make "Y", where the Y's are…

Hanfu has grown very popular today. In fact, the hanfu industry is now worth over 1 billion and has kept increasing over the years. Even today, it is still increasing. Many young and old people alike wear hanfu daily: in the streets, at school, casual wear, etc. The wearers also say that hanfu gives them a sense of national identity. However, how exactly are the intricate pieces made? There are several steps to it. First, silks and fabrics must be made. Second, embroidery and decorations must be done on the cloth. Then, tailors and hanfu makers buy the cloth and sew it. After much work, beautiful hanfu are made but let's get into detail... 01. Silk making 1. In Chinese mythology, silk is said to be invented by Lady Hsi Ling Shih, the wife of the yellow emperor who ruled from about 3000 BC. However, written references of silk was found at the Shang dynasty site in Anyang. Silk was first discovered and created in China. Real silk is very valuable and is one of the most expensive fabrics in the world. There are several types of silk but the most common type is silk made from the cocoons of…

The Colors of the Four Seasons | Chinese Dressing Aesthetics Color, is an important factor that constitutes the beauty of the art of dress. The ancients naturally did not ignore it. Classical Chinese dress colors originated from ancient times, as early as 18,000 years ago when the Beijing Cavemanused stone powder red to dye jewelry. For a long time, Chinese colors learned from the bright nature of birds' feathers, flowers, and so on, imitated the dyeing, and gradually became a system of its own, following the rules to use, expressing the transformation of seasons. Rites of Zhou has recorded: "For painting, the five colors are mixed. The symbol of the east is called cyan, the symbol of the south is called red, the symbol of the west is called white, the symbol of the north is called black, the symbol of the sky is called Xuan (dark black), and the symbol of the earth is called yellow." The center is also yellow. The colors of the Wuxing (五行, Five Elements) are yellow (earth, 土), white (metal, 金), cyan (wood, 木), red (fire, 火), black (water, 水), the colors of the four seasons are spring green, summer red, autumn white, winter…

The 馬王堆漢墓/马王堆汉墓/ma3 wang2 dui1/Mawangdui Han tomb is one of the most famous Han dynasty archaeological sites in China. Located in Mawangdui, Changsha, this elaborate tomb was found in 1968 and excavated in 1972 to reveal the remains of an incredibly well-preserved noblewoman that we now know was the wife to the Marquis of Dai in the Han Dynasty Kingdom of Changsha, Li Dai. A multilayered burial site containing furniture, food, art, accessories, and other belongings, the tomb contained her personal seal, which was found with the name 辛追/辛追/xin1 zhui1/Xin Zhui engraved in it; thus we know her as 辛追夫人/新追夫人/xin1 zhui1 fu1 ren2/Lady Xinzhui.  wax reconstruction of what Lady Xinzhui would've looked like in her youth (A quick disclaimer—this series of articles is a result of my own research. I’m not a trained historian or archaeologist, I’m an inexperienced student with an interest in hanfu and chinese history. I don’t have a works cited page for these (though I can point you towards some of the resources I used off the top of my head if you really want them), and I didn’t spend a long time verifying my sources beyond checking with multiple sources to make sure the information was…

Unlike the Han, Tang, Song, and Ming dynasties, the Wei, Jin, Northern and Southern dynasties, were the most frequent period of regime change in Chinese history, mainly divided into the Three Kingdoms: Cao Wei (曹魏), Shu Han (蜀汉) and Dong Wu (东吴); Western Jin (西晋); Eastern Jin (东晋); the Northern and Southern Dynasties periods (南北朝时期). The development of Chinese culture during this period was particularly affected by the long period of feudalism and continuous wars. As a result of the interplay of many new cultural factors, the Northern and Southern Dynasties became a tumultuous but poetic era, with the amorous style of a flamboyant gentleman and the leisurely thoughts of a gentle girl. In a simple and bright move under the skirt, there is a unique "Northern and Southern Dynasties" hanfu flavor, and the poetry of the oriental landscape is linked in the softness and simplicity. In this article, let's take a closer look at the unique aesthetic of this era and teach you how easy it will be to match the "Northern and Southern Dynasties Hanfu" with a classical flavor.   The style trend of hanfu in the "Northern and Southern Dynasties" During the Northern and Southern Dynasties, hanfu…

An increasing number of young people are beginning to experiment with wearing hanfu, these clothing styles, which were widely used in different historical dynasties in ancient China, are now being reintegrated into contemporary life and have become an important part of youth culture.   The Origin of Hanfu Culture: From Niche to Popular Typically, the origin of the modern Hanfu culture is traced back to 2003. On November 22nd of that year, a power worker named Wang Letian from Zhengzhou, Henan, walked into a downtown commercial street wearing hanfu. This event was reported by Singapore's Lianhe Zaobao, making Wang Letian the first modern Chinese person wearing hanfu to appear in public. Wang Letian was introduced to hanfu culture through forums Han Wang, and around 2003, the first hanfu enthusiasts gathered around Han Wang and other online hanfu forums, gradually forming the Hanfu circle. At the same time, some offline Hanfu culture communities began to be established. Around 2011, the subculture of adolescent internet culture rapidly developed. With the successive rise of the Lolita and the JK uniform fashion subculture, as well as the development of the cosplay community, hanfu has found its place among various clothing subcultures and has gained…

Ming Dynasty Hanfu clothing refers to the clothing system in the Ming Dynasty (1368-1644). At the beginning of the Ming Dynasty, Zhu Yuanzhang, the founder of the Ming Dynasty, inherited the costume style of Zhou, Han, Tang, and Song Dynasties and re-established the costume system in order to rebuild the national pride and etiquette and remove the influence of ethnic minorities. In the middle and later period of the Ming Dynasty, there were some new styles, such as stand collar, and a large number of buttons were used in the conspicuous part of a garment. It was gradually banned during the Qing Dynasty, but there are still a few styles and features that have been handed down to this day.   The characteristics of Hanfu in the Ming dynasty In the Ming Dynasty, a series of measures were taken to develop production, which made the industry and commerce develop continuously, and the production technology of each industry has improved. After the rise of the citizen class, the aesthetic interest has become the aesthetic orientation of the general dress in the Ming Dynasty. "Secularization" of the aesthetic and cultural sources and a relatively general, casual, and loose historical and cultural environment.…

Among the many Tang Dynasty relics in the Xinjiang Museum's History Hall, two painted clay women figurines on horses are particularly attractive: "Horse and Female Rider". One is from Turpan Astana Tomb No. 187, excavated in 1972, showing a woman with dignified features, wearing a Wei Mao (帷帽), holding the reins in her left hand and sitting on top of a saddle, a typical image of a noblewoman riding a horse at that time. The other figurine was excavated in 1973 from Turpan Astana Tomb No. 216 and shows a woman riding a red horse with white skin and red lips, wearing a Wei Mao, which is quite charming. Looking at these two figurines of ladies, we can see a scene in our mind: in the city of Gaochang more than a thousand years ago, during the early spring, several fashionable Tang dynasty women wearing Wei Mao and riding their horses slowly, the ladies seem to be talking about something; and not far away, under the pavilion, a noblewoman with a graceful physique is concentrating on playing Go.   Mysterious underground history museum Astana is known as the "Underground Museum of Turpan", the ancient tombs are located in the northern suburbs…