01 The cheongsam loved by women Eileen Chang once said, "Clothes are a language", and every heroine in her novels would use the style of cheongsam to interpret the sorrow and happiness of love, and the prosperity of silk to lament the impermanence of fate. And Eileen Chang's love for cheongsam can be described as close to crazy. Cheongsam is not only an important prop in her novels, but also an indispensable costume in her life, and it is an expression of her views on life, aesthetics and women. The cheongsam maker who made her cheongsam recalled that he couldn't remember how many pieces of cheongsam he made for Eileen Chang, but he remembered that each piece of cheongsam was made "according to the drawing", and the design came from Eileen Chang herself. Not only Eileen Chang, but also Chinese women in the 1930s and 1940s seemed to be very fond of cheongsams. Soong Mei-ling was no less fond of cheongsams than Eileen Chang, and she had hundreds of cheongsams in her closet. Film and television stars such as Hu Die, Ruan Lingyu, and Zhou Xuan are also fans of cheongsam, they not only wear cheongsam out of their own…

Armor was an important war material in the cold weapon era, and its quality and quantity were crucial to the combat power of ancient armies and the rule of feudal dynasties. The Chinese emperors paid attention to improving the ability and quality of armor manufacturing, but also strictly controlled the private possession of armor by strict penalties and laws. During the Song and Yuan dynasties, this restriction was even stricter, and those who hid the whole set of armor privately would be regarded as having conspiracy to commit rebellion to be executed. The armor could only be handed out during the war and collected into the national treasury after the war. These military treasures were eventually destroyed and lost during the war between the dynasties, so except for a few surviving artifacts from the late Qing Dynasty that have been preserved as cultural relics, the rest of the dynasties have rarely survived to this day. However, after the death of the royal family and the senior military class, armor could be buried in the burial chamber as burial goods. For example, the Qin Dynasty, the images of armor portrayed on the terracotta warriors and the stone armor excavated from the…

Gods, ghosts, demons. These are terms we’ve all heard before, of course. When it comes to gods, you might think of the eclectic pantheons of Greek, Norse, or Egyptian tradition, or the capital “G” God of many huge, organized religions; for ghosts, you might think of translucent, ethereal, figures; for demons, horned and fork-tailed monsters. Chinese mythological traditions have these supernatural beings too—but in China, these beings are assigned very different traits and come from very different cultural roots. The problem stems from the fact that the Chinese names of these beings are often translated using English counterparts that already have pre-established, similar meanings (yet terms that are also just different enough that they can cause confusion and misunderstandings). So to those unfamiliar with Chinese mythology or Chinese folkloric tradition, here is a compiled list of the main supernatural beings of Chinese mythology, as well as there etymological roots, their interrelationships, their similarities, and their differences. I hope this will help you prevent accidental conflation of terms and mythologies, and I hope you have fun learning something from the guide below!   Gods（神） Let’s start at the very top: Gods, or 神/shen. Chinese folkloric tradition is home to innumerable thousands…

As we all know, the Tang Dynasty had unprecedented national power, strong economic strength, people lived in peace and happiness, and the people's pursuit of fashion is also increasing. Today for you to introduce the women fashion items in the Tang Dynasty, let's take a look at Chinese historical fashion together.   The Essential Diexie Belt (蹀躞带) for Tang Dynasty Women The movie "The Assassin" released in 2015, in which the female protagonist Nie Yinniang is dressed in a black robe, wearing a very fashionable belt at the waist, which is a popular "Diexie belt" in the Tang Dynasty. Diexie belt was originally a kind of waist belt of the Hu people, since the Wei and Jin Dynasty, introduced into the Central Plains, to the Tang Dynasty was once set as civil and military officials must wear something. An antique Tang dynasty Diexie belt, now in the Shaanxi Provincial Institute of Archaeology. It is 1.5 meters long and 1.2 centimeters thick and is made of white jade, some of which is light green. The jade belt is made of using traditional decorative techniques, inlaid gold in Hetian white jade, and the quality of the jade is warm, luxurious, and beautiful.…

Chinese clothing is the epitome of Chinese civilization. Traditional clothing colors are influenced by the "Theory of the Five Elements" and are divided into five colors: green, red, black, white, and yellow. The different colors revered by different dynasties reflect the characteristics of their dynasties. Court Ladies Adorning Their Hair With Flowers In this article, the most representative six dynasties of ancient China are selected: Han, Tang, Song, Yuan, Ming, and Qing, and their popular colors are analyzed.   Chinese Colours in Han Dynasty Characteristics: Simple and naturalPopular colors: Xuan (玄, smoky black), Chi (赤, upsdell red), White (白), Green (绿) Eastern Han Dynasty Murals In 206 B.C., the Han Dynasty was founded. Influenced by the Taoist art of Huanglao and Confucianism, Han Dynasty costumes pursued the essential beauty. The color of Han Dynasty clothing was mainly monochromatic, and it was a respect for the dark and light colors, which made it look dignified, simple and natural. Carried the idea of "ritual rule and Taoism", and fabric dyeing of Han Dynasty clothing followed the beliefs of the five elements of yin and yang, with dark colors representing dignity. Fuxi-Mural Color Xuan in Han Dynasty clothing After the Han Dynasty destroyed…

Ancient China attaches great importance to silk production. Shang Dynasty, silk weaving, and utilization has been quite popular, and has a certain scale of production, mastering a higher degree of weaving technology. By the Qin and Han dynasties, silk weaving handicraft production flourished, and the industry has reached a more mature scale, the Tang and Song dynasties are more prosperous. As for the Yuan, Ming and Qing dynasties, the ancient silk weaving technology reached the highest level, it is not difficult to imagine the prevailing situation. Today, let's learn about the whole process of Chinese silk production through the Qing dynasty Jiao Bingzhen's paintings: "Geng Zhi Tu Ce (耕织图册)". Hanfu and Chinese silk you may like:

Dunhuang's artistic heritage is the result of the collective creative labor of the ancient Chinese people, spanning nearly a thousand years from the Wei and Jin dynasties (c. 4th century AD) to its gradual decline during the Song dynasty (c. 11th century AD). Through the three forms of plastic arts: architecture, sculpture, and painting, they are interrelated and reflect each other. Pattern art, on the other hand, is a kind of decorative art between the three, with a harmonious and strong artistic style. Let's follow the footsteps of Modern Hanfu and learn about the colors and patterns of Dunhuang murals and how they are used in Hanfu.   Introduction of Dunhuang Murals Dunhuang murals refer to the paintings on the inner walls of the Dunhuang Caves in China, a world cultural heritage and a treasure of human culture and art. Dunhuang murals are a major part of Dunhuang art, and are large in scale, exquisite in skill, and colorful in content. Like other religious art, it is an art that depicts images of gods, their havoc, their relationship with each other, and their relationship with people in order to support their good intentions and soothe their hearts. Therefore, it has…

Introduction of Chinese Lanterns Chinese lanterns (Deng Long, 灯笼), also known collectively as Deng Cai (灯彩), an ancient Han Chinese traditional craft. Through thousands of years of development, Chinese lanterns have developed different regional styles, each with a unique artistic expression. Every year, around the Lantern Festival on the 15th day of the first month of the lunar calendar, people hang up red lanterns, which symbolize the meaning of reunion, to create a festive atmosphere. Lanterns are closely related to the life of Chinese people and have become a symbol of joy and celebration. Through the succession and development of lantern artists in the past generations, a colorful variety and high level of craftsmanship have been formed. There are various types of lanterns: palace lanterns, sarong lanterns, and so on. The outer layer is mostly made of thin bamboo or wire skeleton, and covered with transparent materials such as paper or yarn, and the candles are burned inside for lighting and decoration. The origin of the Chinese lantern has a variety of sayings, one of the more widely circulated is: during the Eastern Han Dynasty, the emperor Liu Zhuang advocated Buddhism, heard that Buddhism has the practice of the 15th…

Vocab “Step ban” or “walking ban” - Jin Bu (禁步, jìn bù) - an accessory often matches with hanfu. It is an accessory that is threaded together with jade stones and hung over a hanfu dress.  Jade pendant - Yu Pei (玉佩, yù pèi) - also an accessory made of silk threads, beads, and jade stone that hung at the waist. But yùpèi are much simpler than Jin Bu, oftentimes it is just a jade with one or two beads tied together with thread. Oftentimes there will be no silk or bead tassels at the bottom like Jin Bu.   Materials Jin Bu are usually made up of colored silk threads, jade beads, and jade pendants combined together. There may or not have tassels made up of silk thread at the end of the accessory. If not, the tassels may also be made up of threaded beads.  Jin Bu in the past were made up of precious stones, and since they are threaded, they will clash together when walking making jade clash. If this is heard now people might not think much about it, but the etiquette and customs were stricter in ancient times, especially on feminine etiquette and how…

History has annihilated all the past prosperity, and we can no longer witness the traditional dress aesthetics, but can only get a glimpse from the scrolls and terracotta figurines. But the search for Chinese traditional costume culture never stops, looking back at the lost costumes of the years, restoring them and recreating the glory of today. In the first issue, Modern Hanfu collated the styles that directly applied ancient paintings to Hanfu, while in the second issue, the restored Hanfu styles that will be presented to you are those that appear in ancient paintings and ceramic figurines.   The Night Revels of Han Xizai "The Night Revels of Han Xizai" is a painting by Gu Hongzhong, a painter of the Southern Tang Dynasty during the Five Dynasties and Ten Kingdoms period. Depicting the scene of Han Xizai, an official, holding a night banquet at his home, with songs and music. There are five scenes in the scroll, and each scene is cleverly separated by a screen. This set of restored hanfu is based on the costume of the musician girl in "Han Xizai's Night Banquet", with a dark pattern on the top, a flower pattern on the skirt, and an…

The Tang Dynasty was the heyday of China's feudal society, especially during the years of Zhenguan (贞观) and Kaiyuan (开元) when the political climate was relaxed and people lived and worked in peace. The typical styles of the Tang Dynasty Hanfu are Gongfu (公服, official uniform), round-necked robe, Banbi (半臂), Pei (帔, large-sleeved formal dress), and so on. From the Sui to the Tang (618-907), the development of ancient Chinese Hanfu clothing reached its heyday, political stability, economic development, advances in production and textile technology, frequent foreign exchanges, etc. contributed to the unprecedented prosperity of clothing, clothing styles, colors, patterns, etc. were the unprecedented new situation. The women's costumes of this period are one of the most exciting chapters of Hans costume, with their rich beauty and splendor, and their exotic decorations are breathtaking. Chang'an in the Tang Dynasty was the political, economic, and cultural center of the time and, at the same time, the center of East-West cultural exchange. There were more than three hundred countries that had friendly relations with the government of the Tang Dynasty. The splendid Chinese culture, spreads to the world. To this day, some countries in East Asia still use the Tang Dynasty dress…

Hanfu vs Qipao, both are excellent representatives of traditional Chinese costumes. Hanfu (汉服), Han national traditional costume. Qipao (旗袍, cheongsam), the women's clothing of the Republican era. Whenever traditional Chinese clothing is mentioned, the cheongsam is usually the first thing that comes to mind. But with the expanding influence of Hanfu, a costume that better represents Chinese history is being preferred by more and more people. What exactly are the differences between the two costumes?   1. Hanfu vs Qipao in Different Origins Origin of Hanfu Ancient hanfu was the traditional clothing and accessory system of the Han Chinese from the time of the Yellow Emperor to the middle of the 17th century AD (late Ming and early Qing dynasties). Tang Dynasty Hanfu Origin of cheongsam Cheongsam was formed in the 1920s and later became the most common women's clothing at that time, being one of the most splendid phenomena and forms in China's long-standing dress culture. The controversy of the origin of cheongsam There are still many controversies about the definition of cheongsam and the time of its production, focusing on the following. 1. It is believed that cheongsam is developed directly from the robe of Qing Dynasty. 2.…

From the Spring and Autumn period to the prosperous Tang Dynasty, from idealism to realism, the first two seasons of the epic documentary "China" made a strong entry into the realm of high-scoring documentaries, receiving unanimous acclaim. Unexpectedly, the "China Season 3" took a different approach, starting from mythology and embarking on a reverse journey through time: from early myths to ancient history, from primitive society to agrarian civilization, the establishment of the state, and the development of rites, allowing us to glimpse the civilization codes shimmering in the galaxy of history. What is even more noteworthy, the "China Season 3" incorporated a large number of the latest archaeological discoveries and invited 183 outstanding young artists to create 443 Chinese paintings. Through special effects, the paintings came to life, combining storytelling and aesthetics to provide us with an artistic feast.   Unique realm of romantic imagination Every civilization has its own creator god. Just like a prelude to life, in Chinese mythology, Pangu is the god who broke the chaos, bringing light to the world, creating the first mountain and the first river. Nuwa, with a human head and a snake body, represents the gods of eternal life and reproduction,…

Previously we have discussed the Ming Dynasty men's clothing: Zhiduo (直裰), Zhishen (直身), and Taoist robe (道袍). And today we are going to discuss the Daofu. Daofu (道服, Dào fú) has two meanings in Chinese: refers to Taoist clothing, the robes worn outside by Taoists; one of the Chinese traditional costume Hanfu styles: Ming Dynasty costume for males. Obviously, they are different kinds of clothes, today, let's learn about the traditional sense of "Daofu" through the Hanfu Culture Society!   [Structure and History] Daofu, Jiaoling Youren (交领右衽, wrapping the right side before the left), wide sleeves, with dark edging at the collar edge, sleeve edge, and placket, sometimes with a Huling (护领, collar protector) in collar edge. Daofu: Jiaoling Youren (交领右衽, wrapping the right side before the left); wide sleeves; with dark edging at the collar edge, sleeve edge, and placket; sometimes with a Huling (护领, collar protector) in collar edge; the slit is embellished with an inner hem; both inner and outer have the strap; In simple terms, it can be seen as a "Taoist robe" with edges added. In fact, the similarity between Daofu and Shenyi can be seen through its appearance, it is a style inherited from…

Chinese fashion has had an independent, complete, and comprehensive cutting system since ancient times. However, since modern society, it has gradually been replaced by Western cutting techniques. Even traditional and ethnic clothing has to use Western cutting structures in order to survive. This state persisted until the revival of Hanfu. As one of China's traditional clothing, Hanfu not only has considerable influence but also has a different cutting method from Western fashion. However, this did not stop Hanfu from exploring fashion. For the past 20 years, there have been roughly four stages of exploration.   Traditional Shape · Daily Style - The First Exploration of Hanfu Fashionization In the 20 years since the revival of Hanfu, the road to fashionization has been difficult and challenging, but it has never given up moving forward. The audience of Hanfu continues to update, but there are always a group of people who are keen to explore the styles that are more suitable for modern daily life among the historical Hanfu styles. They make subtle adjustments to the size or structure based on the aspects where the wearing experience is not very good through daily wearing practice, making these styles more suitable for daily…

When was the traditional Chinese fan born and what did it first look like? These are no longer available in kind. According to the speculation of Mr. Shen Congwen, the traditional Chinese fan was used at least not later than after the appearance of pottery in the Neolithic period.   Pre Qin Dynasty In ancient times, human beings picked a leaf of a plant or a feather of a bird in the hot summer, and simply processed it to fan the wind and take shade from the sun, which is the prototype of the original fan. In the initial era, the fan was called "箑(shà)" or "萐(shà)", and also "翣(shà)”", and only in the later development was it unified and called "扇(shàn)". The above-mentioned different fan of the ancient name, but also reflects the material of the fan at that time are bulrush, feathers, bamboo, and so on. Bian Mian The oldest fan excavation artifact at present is a short-handled bamboo fan, also known as Bian Mian (便面), unearthed from an ancient tomb of the Eastern Zhou Dynasty in Jing'an County, Jiangxi. As the earliest image of a fan, it appears on a bronze pot unearthed in Chengdu, which belongs…

The Xia Dynasty, believed to be the first dynasty in Chinese history, lasted from around 2070 BCE to 1600 BCE. Despite its importance, little is known about the Xia Dynasty's customs and traditions. One area that has captured the interest of historians and anthropologists is the clothing and makeup worn by the people during this period. In this article, we will take a brief look into the fascinating world of Xia Dynasty costumes and makeup, exploring their styles, materials, and cultural significance.   The Clothing of the Xia Dynasty After successfully controlling the floods, Yu the Great was spontaneously supported by the people and established the Xia Dynasty. The system of succession was changed from abdication to hereditary. There were a total of fourteen generations in the Xia Dynasty, which lasted for about 471 years. This dynasty marked the formation of China's slave society, and the clothing system developed during this period, known as the "Guanfu" system, was one of the earliest forms of dress code in Chinese history. In ancient primitive times, clothing was primarily a result of aesthetic and sexual competition needs, followed by the requirement for warmth. During the periods of the Yellow Emperor, Yao, Shun, and…

The ancient Chinese were designed the clothing and crown system with distinct rank differences, to conform to the social order. Women's clothing is the same as men's, was constrained by system and etiquette. This article, centered around Ming Hua Tang's hanfu, introduce you to the detail of royal hanfu dress for noblewoman (Ming Fu, 命妇) in the late Ming Dynasty.   The Definition of Ming Fu According to Ming Dynasty regulations, officials from the first to fifth ranks are eligible for the "Gao Ming" (诰命). The title "Gao Ming" is mandated by the imperial court. It is the "sacred decree" commonly known as folklore, like the exhortation came from The emperor himself. The "Gao Ming" is all vouchers for the court to grant officials and their relatives. According to the rank of officials, obtaining a "Gao Ming" sometimes requires considerable effort. For example, have made achievements in politics or the military. Women follow the rank of their husband or son. A woman who is granted a "Gao Ming" is called a "Ming Fu" (women with imperial exhortation). According to the rank from high to low, there are titles such as Fu Ren(夫人, the Honorary), Shu Ren(淑人, the Kindness), Gong Ren…

Vocab Palace Belt - 宫绦, gōng tāo, is an accessory worn around the waist to prevent dresses from flowing in the wind. It is commonly paired with hanfu for a simplistic look and referred to as such in modern times. Silk Belt - 丝绦, sī tāo. An accessory that ancient Chinese people used to refer to. However, it was not only used as a fashion accessory but also on fans or flutes. Zhiduo - 直裰, zhídāo. A traditional Chinese robe worn by scholars and officials during the Ming and Qing dynasties. It has a straight-cut Mandarin collar without openings and is a formal attire reserved for special occasions. It is worn over long shirts and wide trousers. Tassels - 流苏, liúsū. In ancient China it had different names, such as 穗子 (suìzi), 缨旒 (yīng liú), and 流苏 (liúsū). Nowadays, 流苏 (liúsū) is the most commonly used name for tassels. Silk ribbon- 绶, shòu - the ribbon with a jade or officials seals at the end.   History of Gong Tao The Palace Belt, known as 宫绦 (gōng tāo), is an accessory that dates back to the Warring States Period. It is a long woven rope with tassels attached on both…

A complete hanfu look is certainly not complete without fine jewelry to match. In the course of ancient history, traditional Chinese jewelry naturally evolved, graceful and luxurious, or refined and small. In this article, we will reveal through the order of dynasties, the fashion secrets in ancient traditional Chinese jewelry boxes. Let's see those periods of "China-Chic" how fashionable.   Wei, Jin and North and South Dynasties: A Fashion Trend from Abroad? The poem "Ballad of Mulan" contains the line: "She combs her hair by the window and, before the mirror, fastens golden yellow flowers." This "yellow flowers (Hua Hunag, 花黄)" refers to the makeup of women in the Wei and Jin dynasties, which was inspired by Buddhism. Stills from "Mulan" Due to the popularity of Buddhism, the Buddha-nature of gold brought inspiration to women, so although the "flower yellow" in makeup may have been a little exaggerated, but it does reflect the characteristics of Buddhism at the time, as well as the pursuit of exoticism. Stills from "Mulan" Of course, the rise of the introduction of Buddhism to the fashion circle brought not only makeup, with the matching jewelry also with a clear Buddhist style. In terms of production…