Huaxia dresses brilliantly for thousands of years. How rich is the Chinese traditional wear? Follow the INSTITUTE FOR PLANETS to enjoy a journey through a thousand years of Chinese costumes.   Huaxia Dresses - Prehistory to Shang & Zhou Period Looking back tens of thousands of years ago, human beings learned to sewn clothes with Guzhen (骨针, bone needle). National Museum of China Collection Perhaps inspired by making ropes and bamboo baskets, around 7,000 B.C., Chinese ancestors began to weave fabrics with plant fibers. In order to improve the weaving efficiency, the Fanglun (纺轮, spinning wheel) was created that used pottery sheets to rotate inertial for twisted threads. Nanjing Museum Collection There is also the Yaoji (腰机, waist machine) that is used to bind lines and make them tight and easy to knit. Principle of Yaoji's operation In that era of extremely backward productivity, it was not easy to get fabric, so the shape of clothes was relatively simple. Two narrow pieces of cloth were directly combined and then tie a straw rope, which may be the daily dress. With the continuous development of society, the function of clothing has long been more than just covering up and keeping warm, it…

Ancient Chinese Costume Culture ExhibitionLaunch date: February 6, 2021Venue: North 18 Exhibition Hall, National Museum of China (Beijing) Clothing is not only a necessity for people's life, with the practical function of "sheltering from the cold and heat, protecting from the wind and rain, covering the body", but also an important carrier of ancient culture, with the cultural function of "distinguishing between superiority and inferiority, distinguishing between nobility and inferiority, and distinguishing between affinity and alienation". The development of Chinese clothing culture over the past thousands of years not only reflects the development trajectory of ancient material and spiritual civilization, but also outlines the continuous life of the Chinese people. On February 6, 2021, the "Ancient Chinese Costume Culture Exhibition" was officially opened at the National Museum of China. The exhibition is based on decades of academic research by Mr. Sun Ji and other scholars, divided into six sections according to historical periods, the exhibition features nearly 130 artifacts (sets) covering jade and stone, bone, pottery, costumes, gold and silver accessories, and calligraphy and paintings, with more than 40 auxiliary exhibits, about 170 pictures, and multimedia facilities, making it an extraordinary exhibition. If you are interested in ancient Chinese costumes,…

Thousands of years of Eastern civilization, aesthetics, anecdotes, and legends, as well as ingenuity and divine skills collected between the lines, have traveled through time and space and come before us. While artifacts have no voice, traditional motifs burst out with color: Floral, flying crane, white egret, dragon and phoenix, plum blossom, and persimmon calyx motifs. Unfortunately, due to limitations in craftsmanship and inheritance, many motifs are gradually disappearing or being ignored. The Team Wen Zang (纹藏) has long been dedicated to translating Chinese traditional motifs. With love and exploration, more than 60 team members have designed and recreated thousands of motif data texts throughout more than 1000 days and nights, compiling them in the book, "The Motifs of The Imperial Palace", to allow more people to see and remember the motifs of the Forbidden City. Selected from among millions of cultural relics, classified into five major mediums -- woven embroidery, porcelain, tapestries, enamelware, and architecture -- the book selects and features 117 of the most classic and beautiful motifs, providing a 5000-year visual feast. The Team Wen Zang has long been dedicated to translating traditional Chinese motifs. With love and exploration, more than 60 team members have designed and…

The short drama "Escape from the British Museum" has become popular. This three-episode short video series, co-created by online media personalities Jianbing Guozai and Xiatian Meimei, is the most anticipated work in the film and television industry recently. It not only generated a lot of buzz on major online platforms but also received recognition and encouragement from numerous media outlets. Using personification as a narrative technique, it tells a sophisticated story: a delicate Chinese jade pot escapes from the British Museum and encounters a Chinese journalist named Zhang Yong'an, who is working overseas. They then embark on a journey back home together, fulfilling the task entrusted to her by the Chinese artifacts in the British Museum. With a total duration of less than 20 minutes, despite the insufficient maturity of its production elements such as scenes and props, the storytelling logic is complete, the emotions are abundant and solid, and the conveyed values are positioned at a very high level. It serves as a low-cost, high-level Chinese short drama model. After the release of the final episode, it directly sparked an explosive wave of praise. Many netizens were deeply moved by the scene where overseas cultural relics read letters to…

China is home to some of the world's most magnificent palaces, many of which have been converted into museums. The five Palace Museums (Gu Gong, 故宫) in China are a treasure trove of ancient artifacts and cultural heritage from different dynasties. These museums showcase China's rich history, revealing the grandeur of its past emperors and imperial courts. Each museum offers unique insights into Chinese culture and history, from the majestic Palace Museum in Beijing to the lesser-known Mukden Palace in Shenyang. Whether you're a history buff or just looking for an unforgettable travel experience, these five Palace Museums should be on your must-visit list.   Ming Palace The Nanjing Ming Palace (Nan Jing Gu Gong, 南京故宫) was built during the Ming Dynasty in 1368 when Zhu Yuanzhang established the Ming Dynasty and set the capital in Nanjing. The construction of the palace began on a large scale, and by 1392, this magnificent palace was finally completed. The palace set a precedent for the integration of the palace and the city axis, covering an area of over 1.0125 million square meters, making it the largest palace complex in the world at that time. Restoration of the Ming Palace The Ming Palace…

History of Winter Clothing Festival Winter Clothing Festival (寒衣节,  hányī jié), also known as "十月朝, shí yuè cháo," "祭祖节, jì zǔ jié," "冥阴节, míng yīn jié," "鬼头日, guǐ tóu rì," and "秋祭, qiū jì" is a holiday that occurred on October 1st on the lunar calendar. It emerged in the Zhou Dynasty but does not have any physical written records of it until the Song Dynasty.  Winter Clothing Festival goes along with "Qīngmíng Festival (清明节)" and "Zhōng yuán Festival (中元节)" and get categorized as the top three "Ghost Festivals" in China. The reason is because the three festivals all focused on the living paying their respects and providing their sacrifice offerings to their ancestors on that day. While Winter Clothing Festival Is grouped under the top three Ghost Festival, it is the festival among the others that have the least presence. The other two have a strong focus on people going grave sweeping or doing something unique for this festival, but Winter Clothing Festival it’s more about people expressing the idea of; "The weather is cooling. Winter is approaching soon. We need to start sewing up warm and thick outfits for winter." If you look at China’s cultural belief development,…

The oldest Chinese embroideries found date back to the Zhou dynasty (1027-221 B.C.) and may well be the earliest that ever existed. However, very early embroideries have also been found in Egypt and Northern Europe, so it is not clear in which part of the world the art of embroidery actually originated - it may also have appeared in several parts of the world at about the same time. It is, however, accepted that the Chinese invented sericulture and mastered the art of reeling the cocoons of the bombyx and spinning the silk from very early times. It is therefore not surprising that the ancient Chinese embroideries were made of silk. Strangely enough, embroidery in China was at first reserved for men, before they entrusted this task to the more delicate fingers of their women. The earliest surviving example of Chinese silk embroidery is a ritual garment found in a tomb in Mashan, now Hubei Province, in the fourth century BC, during the early Taoism period (before the appearance of Buddhism in China). However, if we are to believe the patterns drawn on this garment, it could just as well have been used to perform the rituals of a religion…

The Dragon Boat Festival (Duan Wu Festival, 端午节) is considered one of the oldest traditional folk festivals in China, alongside the Spring Festival, Qingming Festival, and Mid-Autumn Festival. According to records, the Dragon Boat Festival originated from the worship of celestial phenomena and evolved from ancient dragon rituals. The Dragon Boat Festival is an auspicious day associated with this imagery of a soaring dragon; thus, both dragons and dragon boat culture have always been an integral part of its historical legacy. The term "Duan Wu" itself first appeared in Fengtu Ji during the Jin Dynasty. However, nowadays when most people mention the Dragon Boat Festival, they often associate it with Qu Yuan's legend. Legend has it that on the fifth day of the fifth month of the lunar calendar, Qu Yuan tragically sacrificed himself by plunging into Miluo River out of loyalty to his country. Upon hearing this news, local villagers rushed to their boats to rescue him. Worried about their speed not being fast enough, they vigorously rowed while also fearing that fish would devour Qu Yuan's body, hence throwing rice dumplings into the river. Later on, people designated the fifth day of the fifth month of the lunar…

Recently, the female characters in the historical drama "The Double" have sparked much discussion with their pearl makeup. Not only do their hair accessories feature pearls, but their faces are adorned with numerous pearls, too, placed on their foreheads, cheeks, and corners of their mouths. Attentive viewers have counted up to 25 pearls on one face, with the least adorned having 8 pearls. This leads to the question: why do they put pearls on their faces? The Trend of Pearl Makeup The practice of applying pearls on the face dates back to the Song Dynasty and was quite popular at that time. Ancient women used rouge and other pigments to decorate their faces or created various patterns with materials like gold, jade, pearls, and colored paper, which they adhered to their cheeks. This practice was known as "Mian Ye (面靥)," with pearl makeup specifically called "Zhenzhu Mianye." Pearl makeup was actually a form of the ornate makeup from the Tang Dynasty, which became fashionable in the Song Dynasty. This trend persisted partly because the Song Dynasty carried on the traditions of the Tang and Five Dynasties periods, where facial decorations were highly regarded. Additionally, influenced by Zhu Xi's Neo-Confucianism, which…

In recent years, the trend of female-centric dramas, including ensemble cast dramas and strong female lead dramas, has become prominent. This trend has extended into historical dramas, leading to new narratives where female protagonists build their fortunes and conquer the business world through their own efforts. For instance, "Blossoms in Adversity," which concluded in early May, tells the story of the noblewoman Huazhi who, along with her family, overcomes adversity by starting a business. This wave of female protagonists navigating the business world in historical dramas shows no signs of slowing down. Numerous dramas wrapped filming from last year to this year, featuring female leads as businesswomen. According to official synopses, the female lead in "Liu Zhou Story," Liu Miantang, opens a porcelain shop; the protagonist in "Brocade Odyssey," Ji Yingying, is involved in the Shu brocade business; and the lead in "The Story of Pearl Girl," Duanwu, deals in jewelry. Moreover, the ongoing production "Flourished Peony" will narrate the story of He Weifang, who starts a flower business. Adding to this, "A Dream of Splendor," which aired last year, centers on the tea house owner Zhao Pan'er, who expands her small tea house into the largest restaurant in Dongjing.…

Silk is one of the symbols of Chinese civilization, China due to the abundance of silk, has been named the "Silk Country" known, the use of silk is also with the development of the times are also changing, from the initial production of clothing, to later become a popular commodity and to some extent, instead of currency, all of these changes have highlighted its unique status. Today begins through a precious Chinese silk robe, discover how the Han dynasty textile industry developed in ancient China. Precious Chinese silk robe: Sucha Danyi In the winter of 1951, while conducting archaeological work in Changsha, archaeologists discovered two connected grave at Wulipai in the eastern suburbs of Changsha. After several difficult excavations until 1974, the Mawangdui Han tombs, which had been dormant for thousands of years, was unveiled. Among the many precious artifacts unearthed, the most notable is the Zhiju Susha Danyi (直裾素纱襌衣, plain yarn garment). "Thin as a cicada's wing, light as floating smoke", this Chinese silk robe was especially valuable because it was 128cm long, with 190cm sleeves, but weighed a mere 49 grams and could even fit in a matchbox when folded. It was hailed by archaeologists as a milestone…

As the chill of winter melts away, spring brings with it a sense of rejuvenation and new beginnings. In ancient China, this feeling was often celebrated through the tradition of spring excursions. For many, the new season signaled a time for renewal, rejuvenation, and adventure. While modern-day excursions may look vastly different, there are still traces of ancient springtime traditions that can be observed throughout China. From blossoming gardens to vibrant festivals, join us on a journey through the rich cultural history of spring in ancient China. Spring excursion in the pre-Qin period was romantic and charming. There are many love poems in the "Classic of Poetry", all of which took place during spring excursions. 《郑风·出其东门》：出其东门，有女如云。It means that the people of Zheng like to spring excursions, and when they leave the east gate of the city, they can see many girls on their spring trips, which is a good opportunity for the men of Zheng to meet love. 《郑风·溱洧》：士与女, 殷其盈矣。It means that at the River Zhen and the River Wei, the men and women of Zheng were seen everywhere on their spring excursions. Many men and women fell in love with each other during the spring excursions and became engaged…

Have you ever wondered about the animal motifs on your hanfu and what they stand for? Why are there so many dragons in traditional Chinese art? And what’s up with the monkey statues everywhere? Let's delve into the symbolism of animal motifs. It will only take about 5 minutes of your time, and hopefully, you'll learn something new or revise what you already know! Each hanfu garment is unique. It has various styles and designs, that reflects different historical periods and regional influences. Although the differences are significant, many of them include similar animal embroidery and motifs. Animals that have been deeply intertwined with Chinese culture from its earliest days. Animals in Chinese culture are thought to be symbolic representations of various aspects of life. Understanding the symbolic meaning of an animal will lead to grasping the hidden message of the art. It is not only an important decorative element but also adds meaning, symbolism, and cultural significance to the art, particularly in the context of Hanfu garments.   Most commonly used animal motifs are: Birds: Birds are often associated with the sun and allegorical folk-tales. Each bird carries its own unique symbolism, though most are connected to happiness and…

The program of "Eight Masters of the Tang and Song" unveils the magnificent and dramatic life story of a generation of grandmasters through the mode of "immersive real-life performance + cinematic filming + XR innovative presentation", and explores the moments of the birth of "Tang and Song masterpieces". Immersive real-life performance: The "Cultural Exploration Team" personally experiences the plot, with scenes built on real-life settings. Cinematic filming: Through techniques such as plot rhythm and camera movement, the visuals are crafted to have a cinematic texture, enhancing the artistic and aesthetic qualities of the work. XR innovative presentation: By combining reality and virtuality through computers, it brings the participants a seamless immersion between the virtual world and the real world. Let us follow the "Cultural Exploration Team" of the program "Eight Masters of the Tang and Song" and step into the depths of history to take a look at the experience of Han Yu in the great Tang Dynasty. Han Yu lost his parents at a young age. At the age of 12, his older brother Han He passed away in Shaozhou, and Han Yu returned to Heyang with his sister-in-law to bury his brother. Since then, the burden of supporting…

Music in Ancient Chinese society Music was always a part of chinese culture. It was used in many things such as dance, ceremonies, banquets, rituals, entertainment, and more. Music along with other things was molded into ancient society. Today, many people still play these instruments and dedicate their lives to study them. 1. Pipa 琵琶 The pipa (琵琶) is one of the most played Chinese instruments today. It is commonly described as a four stringed plucked lute shaped like a pear and played vertically. It is named by how it is played; pi (琵) meaning played forward, and pa (琶) meaning played backward. A lute that looked like the pipa was seen in the Indian Kusana scriptures in the first century ad. That is why it is likely that the pipa may have been introduced to China from India or Central Asia. The pipa has more than 2000 years of history in China. Because of its beauty, the pipa is used in many wuxia dramas and hanfu photo shoots. One of the historical four beauties of China is always drawn with a pipa. The pipa became known in China by the second century ad. Pipa is usually made of rosewood…

In the beginning, it was just a leaf, encountered by humans as a remedy for detoxification. Little did they know, millennia ago, this leaf would transform into a beloved beverage through the hands of the Chinese. Tea Rituals Enter the poetic realm of Tang Dynasty poets, where tea transcended its medicinal roots to become the elixir of life for nomadic tribes and a muse for scholars. Poems like Su Dongpo's famous verse "A playful poem, don't laugh, fine teas are as beautiful as fair ladies" elevated tea to a realm beyond mere refreshment. Su Dongpo, a polymath known for his mastery of the arts, immersed himself deeply in the art of tea. Beyond his renowned verses on food and wine, Dongpo's affinity for tea was a lesser-discussed facet of his life. For him, tea was not just a drink but a ritual—a blend of leaf, water, and vessel, each meticulously chosen. His poems reflect this intimacy with tea: "Snowy foam and milky swirls in the noon teacup, fragrant herbs steeped in spring dishes. The best of life's flavors are pure joy." His appreciation for freshly brewed tea after a satisfying nap showcases his nuanced approach to life's pleasures, where tea…

Cheongsam, as one of the traditional Chinese dresses, can be seen as one of the tags of oriental women. It is like an ink-scented rice paper, which writes the history of Chinese dress, and like an inscription of the ancient time, even the folds of which contain the scent of ancient culture. It is not only a garment, but also a carrier of traditional Chinese culture. As one of the key elements of the composition of cheongsam, the collar shape has a very important influence on the style of cheongsam. Traditional cheongsam collar, often with a stand collar design, formed an elegant effect, with good effect in highlighting the lines of the female neck and body. The details of the cheongsam collar, show the workmanship, also the soul of the cheongsam. The right collar type can fit perfectly with the body, but also with the cheongsam as a whole, to the overall style of cheongsam into more exquisite aesthetic temperament, from the fundamental focus on temperament.   The origin of the cheongsam collar The relationship between modern cheongsam and Qing dynasty Manchu robe is still controversial, but it is undeniable that there is an inextricable relationship between cheongsam and Qi…

During the Ming dynasty, the categories and styles of gold and silver ornaments had greater innovation and development based on the Song and Yuan dynasties, showing different visual aesthetic experiences and artistic styles. Among the various types of gold and silver in the Ming dynasty ornaments, "San Sher (三事儿, sān shèr, three things)" is a unique example. Unlike other ornaments, the "San Sher" are daily life tools, used for repairing and cleaning, and their main components include hooks, chains, connectors, pendants, etc. Some of them also have storage tubes, and the pendant objects are usually toothpicks, ear picks, and tweezers, which can be worn by both men and women. The "San Sher" is a common name in the Ming Dynasty, but in fact, the number of pendants can be increased or decreased, and the types are also different. The Ming Dynasty gold and silver "San Sher" are exquisite and unique, reflecting the high design aesthetic appeal, and also have a rich cultural connotation.   Design aesthetics of Ming dynasty Ornaments - San Sher   01 Small and applicable: the form of pendant design The gold and silver "San Sher" of the Ming Dynasty pursued unity in form, and the pendant…

The Han Dynasty (206 BCE - 220 CE) is widely recognized as a golden age in Chinese history, marked by significant advances in science, technology, and arts. Among the many cultural treasures of this era, one item that stands out is the plain gauze robe. Despite its simple appearance, this garment played a crucial role in shaping the fashion and social etiquette of the Han Dynasty. In this article, we'll take a closer look at three points to understand anew this exquisite plain gauze dress. Plain gauze robe from the tomb of the Marquis of Dai at Mawangdui Over two thousand years ago, in the Western Han dynasty, the Chancellor of Changsha, Li Cang, and his wife stood on equal footing with one another. Mrs. Xinzhui, his wife, possessed remarkable beauty and wore light makeup that truly complemented her looks. The undyed raw silk was weaved into plain gauze without any lining, which paired perfectly with Xin Zhui's appearance. As moved, the sleeve would release a faint yet enchanting fragrance.   The Fashionable Style of Han Dynasty's Women "Thin as cicada wings, light as smoke," the plain gauze robe unearthed from Mawangdui Han tomb number one in Changsha, Hunan province,…

Cheongsams or Modern Qipao are a kind of figure-flattering Chinese dress perfect for showcasing a lady’s features gracefully. It is no wonder they’re becoming ever more prevalent to wear, particularly for special occasions like your wedding. But the modern qipao can be worn anytime for any event. Although there are nearly too many choices when shopping for the Western wedding outfit, purchasing Chinese wedding clothing or Modern Qipao (cheongsam) can be a maddening experience if you don’t know what to look for in a Modern Qipao dress. How will you get the best Cheongsams or Modern Qipao if you don’t know them well? Fortunately, we have reviewed a complete list of 5 vital things to check before you buy a cheongsam or modern qipao dress in this article below. It will certainly help you to get the best qipao China dress from anywhere in the world!   What Is a Modern Qipao or Cheongsam Chinese Dress? As a type of Chinese dress, qipao is at all times a classic option for women. Cheongsams or qipao originated almost a century ago in Shanghai in China as a contemporary take on the Chinese Manchu dress, and then it remained among the most…