If you are a traditional Chinese culture and clothing fan, then the 1987 version of Dream of the Red Chamber is a drama you can’t miss. Although it was a drama 35 years ago, relying on the strong support of the original work and high-quality clothing, makeup and props, it is still the top Chinese costume drama in many people’s minds. A blogger that is introduced to everyone today, she is obviously also a loyal audience of The Dream of Red Mansions. She has successfully imitated several characters in Dream of the Red Chamber and won the love of netizens. She is @Wo Shi Ba Pi Ya (我是扒皮呀). Let's take a look at her interpretation of the characters in Dream of the Red Chamber.   Wang Xifeng Wang Xifeng, one of the heroines in Dream of the Red Chamber. She is beautiful, with a pair of phoenix triangular eyes and two slender and long eyebrows, slim and good-looking. Appearing dressed in colorful embroidery splendor, laughter first gets, like a divine concubine fairy. Because of her beautiful appearance and charming bearing, Jia Rui was fascinated by her. The left picture is the 87th version of "Dream of the Red Chamber" Wang…

"War of Faith" continues to ferment in reputation and heat, breaking theratings record on the eve of the grand finale. The series has put great effort into character development, from the meticulous portrayal of characters like Arwen, who pulls a cart in Qibao Street, to the profound and restrained senior consultant Shen Tunan. The multi-dimensional conflicts make the characters full of tension, well-rounded in their portrayal, logically sound, and build a rich and diverse ensemble of characters. Recently, "War of Faith" reached its grand finale, where we witness Wei Ruolai (played by Wang Yibo) transforming from a naive newcomer in the workplace to a resolute revolutionary, after realizing the Nationalist Party's pursuit of interests disregarding the suffering of the people. Wei Ruolai undergoes a long process of reshaping after a collapse of faith, which proves to be an exceptionally challenging journey. Fortunately, after the agony, Wei Ruolai is reborn. Two pivotal figures in Wei Ruolai's life are his mentor who introduced him to this world, and a comrade who helped reshape his beliefs. Essentially guided by his mentor Shen Tunan to form his initial understanding of society, Shen Tunan provides him a glimmer of hope in his darkest moments, disregarding…

Nanjing Cloud Brocade (云锦, Yunjin) is a traditional Chinese silk craft that dates back to 417 and has a history of 1,600 years, known as "inch of brocade, inch of gold". Today, the traditional characteristics and unique skills of cloud brocade are still maintained, and the traditional jacquard wooden machine weaving has been retained. This traditional hand weaving technique, which relies on human memory to weave, still cannot be replaced by modern machines. In the ancient silk fabric, "brocade (Jin, 锦)" is the fabric representing the highest level of technology. The three famous Chinese brocades are cloud brocade, Shu brocade (蜀锦), and Song brocade (宋锦), and Nanjing cloud brocade is a collection of the art of weaving silk craft of all generations, ranking the first, represents the highest achievement of Chinese silk weaving, and is the brilliant crystallization of Chinese silk culture. This article will share the history, characteristics of Chinese silk crafts: the Nanjing Yun brocade.   History of Nanjing Cloud Brocade At the end of the Eastern Jin Dynasty, Liu Yu destroyed the Later Qin and moved the craftsmen workers to Nanjing, where advanced production techniques were brought to the south from Xi'an and the silk weaving industry…

Recently, a Dunhuang costume show was grand opening in the desert, giving us an extravagant visual feast. This article will take you to enjoy this beautiful Dunhuang style Chinese costume and teach you to easily match a Dunhuang style.   The Aesthetic Value of the Dunhuang Style Costume Dunhuang is unique in China's cultural context, as its geographic location and traces of religious fusion have allowed it to absorb a more diverse range of cultures. As a result, Dunhuang's architecture, frescoes, and color and costume art have all shone through over thousand years. The Dunhuang style costume is different from the traditional hanfu. In terms of overall style, it is close to a product of the interweaving of Chinese and Western regions cultures, and there is a great deal of religious mythology attached to the costumes. For example, the familiar "Feitian (飞天)", "Bodhisattva leading the way (菩萨引路)", "Rebounding pipa (反弹琵琶)", "Nine colored deer (九色鹿)", etc. If these cultural elements are incorporated into the design of traditional hanfu, it will be a stunning work.   Tips for Wearing Dunhuang Style Costume Choose a classical color scheme with a strong traditional flavor The color scheme in the Dunhuang Grottoes is very recognizable,…

The Eve of Chinese New Year, also known as the Lunar New Year's Eve, is celebrated on the last night of the lunar calendar year, marking the end of the year. It is one of the most important traditional festivals for the Han Chinese people. The term "Chuxi" translates to "getting rid of the old and welcoming the new," symbolizing a fresh start and the renewal of all things. According to historical records in the "Lüshi Chunqiu," an ancient Chinese text, the custom of Chuxi originated from the practice of driving away evil spirits by beating drums on the day before the New Year. Customs on Chinese New Year's Eve are deeply rooted in tradition and have been passed down for generations. Families stay up all night on this occasion, a practice known as "shousui" or "keeping vigil," to welcome the arrival of the new year. One of the most significant customs on Chinese New Year's Eve is the reunion dinner, known as "nián yè fàn." Families gather to enjoy a sumptuous feast, featuring traditional dishes that carry symbolic meanings. For example, eating fish symbolizes abundance and prosperity, while dumplings represent wealth and good fortune. In northern China, it is…

The 2024 World Artificial Intelligence Conference and Global Governance Summit, held in Shanghai from July 4th to 6th, gathered scientists and entrepreneurs from around the world. Together, they envisioned a future where AI advancements foster collaborative governance and innovation across industries. The rapid evolution of AI technologies showcased at the 2024 World Artificial Intelligence Conference highlights not only their technological prowess but also their profound implications for global governance and societal integration. As AI continues to advance, its transformative potential extends beyond industrial applications to encompass broader societal benefits and ethical considerations. Forging New Frontiers in AI The conference showcased remarkable advancements, exemplified by the debut of innovative technologies like the global landmark steel factory from CITIC Tai Fung Special Steel. Here, intricate displays revealed the transparency of blast furnace operations, illustrating efficiency gains such as a 56.6% increase in R&D effectiveness and a 47.3% decrease in defect rates. These advancements underscore how AI-powered insights are revolutionizing industries, enhancing precision and productivity on a global scale. "Two global landmark factories have already been established by CITIC," remarked Zhang Wenwu, Deputy Secretary of the Party Committee and General Manager of CITIC Group. These AI applications span across 29 manufacturing bases worldwide,…

The ancient historical series "The Long River (天下长河)" released on November 11, 2022, tells the story of the Kangxi Emperor unconditionally promoting Chen Huang (陈潢) and Jin Fu (靳辅) to take control of the flood in Yellow River flooding. After working despite winds and rains, and dealing with countless turmoils from the court for almost half a century, the emperor and the ministers gradually pacified the flood, leaving the future generations a legacy to be praised for the great achievements of the true historical story. The three main actors are Luo Jin, Yin Fang, and Huang Zhizhong. And the six supporting actors are Xi Meijuan, Liang Guanhua, Su Ke, Lu Siyu, Gong Lei, and Zhao Qi, all of them have their own strengths. Every character in the series has distinctive character traits, and each actor's grasp and interpretation of the characters is perfect. The Long River puts emphasis on the interpretation of history and flood management strategies. Unlike most of the costume dramas today, which are dressed like historical stories but with a core of loving stories, the Long River focuses on the flood in the Yellow River and values the tradition of historical dramas, telling the legendary story of…

Have you mesmerized by the makeup of "A Journey to Love"? The beauty level is comparable to the grand award of Huadian in ancient costume dramas. BAZAAR brings you a look at the use of the Huadian in recent Chinese TV dramas and its history. As the chosen one of ancient times, Liu Shi Shi made a graceful appearance with a transcendent snow dance, dressed in a flowing red gown, with a graceful figure. The red of the Huadian between her eyebrows and the white of the snow complemented each other, making her as beautiful as a painting. After entering the palace, she abandoned her fierce killer aura and her presence became gentle and hazy. Her usual elegant attire, paired with the Huadian, exuded a cool and charming aura. The costume and makeup of other characters are also praiseworthy. He Lan Dou, who plays Princess Yang Ying, went from being overlooked to becoming the empress, and the appearance of the Huadian perfectly corresponded to her growth trajectory. Chen Xiao Yun's Huadian makeup in the role of noble consort Chu emanated a pure and captivating charm, making her beauty irresistible. Chen Du Ling, who caused a stir with her appearance, portrayed…

The "Under the Microscope" series began airing on February 9, 2023, and stars Zhang Ruo Yun, Wang Yang, Qi Wei, and a host of veteran actors with excellent reputations, such as Wu Gang, Gao Ya Lin, and Hou Yan Song, in key roles in the series. This drama is adapted from Ma Boyong's work: Xian Wei Jing Xia De Da Ming (显微镜下的大明, Under the Microscope: Ming Dynasty)". In a series of rare folk archives of the Ming Dynasty, the author discovered six long-lost grassroots political events of the Ming Dynasty. Focusing on a particular province, county, or even village, these six events record the real political life of the lowest commoners in the Ming Dynasty. When encountering tax injustice, how the common people rose up to fight; when the rights and interests of the family were undermined, how the clan members initiated lawsuits; when political interests conflicted with commercial interests, how the people fought with the government; when the imperial court demanded the rectification of the household register, how they falsified it for profit. From countless real details, an extremely vivid picture of ancient political ecology is shown. The drama "Under the Microscope" has 14 episodes, focusing on the first…

With the rise of ancient Chinese costume "Hanfu culture" among young people, the China-chic has become an unstoppable trend. The September issue of Harper's BAZAAR e-magazine features a stylish restoration of hanfu, and a closer look at these "trendy elements" from a thousand years ago that are still stunning today.   HAN DYNASTY The restored hanfu shot by Harper's BAZAAR During the Han Dynasty, large-sleeved clothes were popular, called "Zhu Yu (诸于)". The characteristic of large-sleeved clothes is the use of the slanting cutting method, which makes the clothes look wide at the top and narrow at the bottom. This set of hanfu designs in "Harper's BAZAAR" uses this typical slanting cutting method, which makes the model look taller and slimmer, so it can be said to be a "slimming secret". During the Han Dynasty, common women wore Ru upper and Qun underneath, which shows that women in the Han Dynasty wore a skirt and a dress as their daily wear. Han Dynasty costumes in the drama The Han Dynasty was a feudal period with a strict hierarchy, which was also reflected in women's clothing, which could be basically divided into two different dress systems for nobles and commoners. Hairstyle…

Beizi is a kind of Hanfu, which began in Sui Dynasty and was popular in song and Ming Dynasties. Most of Beizi are straight collar, the sides are not sewn from the armpits. They are usually worn over other clothes. Although the Song Dynasty established a unified dynasty, it was different from the Tang Dynasty in terms of comprehensive national strength and military strength. In the face of the huge military pressure, the government of the Song Dynasty was unable to resist. Instead, they just gave in and gave up their territory in exchange for peace. At the same time, they took the feudal thought to control the people and imprison people’s thought. This historical background and social trend of thought directly affected people’s attitude towards life and aesthetic taste. The overall artistic style of Song Dynasty emphasized the restraint of individual personality and desire, with a strong color of abstinence. The fashion of paying attention to moral cultivation greatly affected the dress. Therefore, the dress of Song Dynasty returned to the traditional and simple style, revealing the beauty of modesty and elegance. Style In Song Dynasty, Beizi’s collars were divided into three types, namely, straight collar, oblique collar and…

The Han Chinese attire stands out as a vibrant mosaic of styles, contrasting with the more regimented Manchu dress code. Han Chinese Women of the Qing era embraced a rich variety in their daily clothing, crafting a panorama of styles that celebrated individuality and heritage despite their socio-political background. Everyday Han attire was an elegant blend of comfort and grace. This ensemble typically included a short jacket, skirt, and either a vest or cloak. The small coat featured a sizable right lapel, distinguishing it from the longer robes favored by the Manchu elite. Complementing this were sleeveless vests and long open-sleeved cloaks, encapsulating the everyday charm of Han Chinese femininity. Literary Echoes of Qing Dynasty Fashion The Qing Dynasty's literary works provide a vivid window into the world of Han Chinese fashion. Rich descriptions paint a picture of women adorned in ornate hairstyles and layered outfits of brilliant hues and luxurious fabrics. Gold accessories often featured prominently, highlighting the intricate detailing that defined Han women's daily fashion and underscoring attire's role in expressing identity and social status. Ceremonial Attire of the Qing Dynasty Ceremonial attire during the Qing Dynasty was a grand spectacle, marrying sophistication with tradition. This ensemble, replete with iconic…

Is there a limit to the imagination? For young Chinese style painting painters, the answer is no.   Wu Junda All the living things are in a commotion between the empty valley. The scene of the divine beast standing proudly between heaven and earth facing the tiny human brings a great impact of confrontation to the audience. Wu Junda (吴俊达) once participated in the Global Game Art Contest (GGAC) and took the Grand Prize in the global 2D art category. The award-winning work that Wu Junda made a name for himself was "Shan Hai You Ling (山海有灵, Mountains and Oceans with Great Spirit)". The four beasts suppressing the mountains and rivers with a stroke that is strong enough to dominate the world tear a crack of time in the intersection of reality and illusion. The details, moreover, are breathtaking. The four beasts with moving hair sweep the bewildered crowd with their fierce eyes which are gradually revealing. Lazy but very oppressive limbs are waving between heaven and earth. Not even a tiny detail should be ignored although the picture is dominated by the divine beasts. The tiny human and the huge divine beast are making a great visual impact. The complex…

The elegance of the Han and Jin dynasties, the grace of the Tang dynasty, the refinement of the Song dynasty, and the magnificence of the Ming and Qing dynasties – throughout China’s five thousand years of history, each era has its unique charm in beauty and fashion. This article will take you on a journey through various dynasties, allowing you to appreciate the distinctive allure of ancient Chinese women’s hairstyles. The Han Dynasty and Wei-Jin Period During the Han Dynasty, the elegant and dignified hair bun showcased the noble and graceful temperament of women. Hairstyles of this period emphasized smooth and harmonious lines, with meticulous attention to detail, presenting a refined and classical charm. In the Wei-Jin Period, women’s hairstyles embraced a sense of simplicity and freshness. The hair buns became more straightforward, emphasizing natural charm, often adorned with headbands or hairpins to highlight a playful and lovely aspect. During this time, hairstyles focused on comfort and naturalness, reflecting the openness and diversity of Wei-Jin culture. The Southern and Northern Dynasties and Sui Dynasty During the period of the Southern and Northern Dynasties, China experienced political divisions and turmoil, leading to the blending of diverse regional cultures, which also influenced…

Ancient China is called “Huaxia”, with “Hua” referring to the elegance of costume and “Xia” the greatness of etiquette. Following the development through the Zhou, Han, Tang and Song dynasties, the costume in the Ming dynasty had distinct Chinese cultural characteristics and was the epitome of Chinese apparel, which had a wide and profound impact on the costume and aesthetics of later dynasties and neighboring countries.  The Ming Dynasty had fully restored the costume tradition, which had been inherited for thousands of years. Being magnificent and elegant, the Ming costume is the epitome of Chinese costume culture. Ceremonial court dress was usually worn by civil and military officials at formal and grand occasions such as court meetings. It consisted of court hat, red silk robe, white silk gauze shirt, knee-covering，silk belt, leather belt, etc. Normal court dress, well-known to all, was a symbol of the Ming Dynasty costume, for example, the red silk gauze round-collar robe with subtle pattern and square patches embroidered with cloud and crane design, black silk gauze hat and so on. Festive dress was worn by officials on various festive occasions and in some ceremonial activities. The yellowish-brown linen pleated robe with Feiyu design, woman’s…