The caves with undulating heights and depths are truly spectacular; the exquisitely crafted statues are vivid and lifelike; the colorful and dazzling murals. For a thousand years, time has silently passed over this desert, proclaiming to the world the former prosperity and bustle of this place. Among them, murals are the most widespread and deeply ingrained art in Dunhuang. Dunhuang, known as the "Great Gallery in the Desert," has 735 caves, more than 2,400 colored sculptures, and over 45,000 square meters of murals. These precious works of human civilization include portraits of Buddha, stories of Buddha's life, myths and legends, Buddhist historical events, and Buddhist scriptures. Despite enduring wind and frost, these brightly colored murals still radiate their brilliance. To appreciate the beauty of Dunhuang, one must learn to understand the rich world within the murals. The following introductory guide to Dunhuang murals from "Art Culture China" will present the most beautiful side of Dunhuang to you.   In the Dunhuang murals, there is a group of people who believe in Buddhism and funded the excavation of the caves. They not only funded the painting of Buddhist themes but also depicted their own popular ideas and life portraits in the…

01 The cheongsam loved by women Eileen Chang once said, "Clothes are a language", and every heroine in her novels would use the style of cheongsam to interpret the sorrow and happiness of love, and the prosperity of silk to lament the impermanence of fate. And Eileen Chang's love for cheongsam can be described as close to crazy. Cheongsam is not only an important prop in her novels, but also an indispensable costume in her life, and it is an expression of her views on life, aesthetics and women. The cheongsam maker who made her cheongsam recalled that he couldn't remember how many pieces of cheongsam he made for Eileen Chang, but he remembered that each piece of cheongsam was made "according to the drawing", and the design came from Eileen Chang herself. Not only Eileen Chang, but also Chinese women in the 1930s and 1940s seemed to be very fond of cheongsams. Soong Mei-ling was no less fond of cheongsams than Eileen Chang, and she had hundreds of cheongsams in her closet. Film and television stars such as Hu Die, Ruan Lingyu, and Zhou Xuan are also fans of cheongsam, they not only wear cheongsam out of their own…

Some people once said that putting on a cheongsam seems to be revisiting the thousands-of-years-old traditional virtues of Chinese women. And when Zhang Man Yu wears a cheongsam, it is precisely to interpret this virtue to the fullest: dignified and intellectual, gentle and generous, implicit and moderate. Every expression and gesture reveals the unique charm and quietness of women. As a representative of traditional Chinese women's clothing, with its unique design and elegant charm, the cheongsam showcases the traditional virtues of Chinese women for thousands of years. However, for the same wearing of a cheongsam, some people can be out of the ordinary, while some are plain and unremarkable, and the key lies in the temperament and self-cultivation of the wearer. The appeal of the cheongsam lies in its peculiar oriental charm, and the perfect presentation of this charm requires inner cultivation and bearing. Zhang Man Yu is a good example. Her unique oriental feminine charm allows her to interpret it to the fullest when wearing a cheongsam. Her eyes are graceful, and her steps are elegant, and every expression and gesture reveals the unique charm and quietness of women. Compared with Zhang Man Yu, some young female stars had…

Chinese clothing is the epitome of Chinese civilization. Traditional clothing colors are influenced by the "Theory of the Five Elements" and are divided into five colors: green, red, black, white, and yellow. The different colors revered by different dynasties reflect the characteristics of their dynasties. Court Ladies Adorning Their Hair With Flowers In this article, the most representative six dynasties of ancient China are selected: Han, Tang, Song, Yuan, Ming, and Qing, and their popular colors are analyzed.   Chinese Colours in Han Dynasty Characteristics: Simple and naturalPopular colors: Xuan (玄, smoky black), Chi (赤, upsdell red), White (白), Green (绿) Eastern Han Dynasty Murals In 206 B.C., the Han Dynasty was founded. Influenced by the Taoist art of Huanglao and Confucianism, Han Dynasty costumes pursued the essential beauty. The color of Han Dynasty clothing was mainly monochromatic, and it was a respect for the dark and light colors, which made it look dignified, simple and natural. Carried the idea of "ritual rule and Taoism", and fabric dyeing of Han Dynasty clothing followed the beliefs of the five elements of yin and yang, with dark colors representing dignity. Fuxi-Mural Color Xuan in Han Dynasty clothing After the Han Dynasty destroyed…

The emperor is the most powerful person in ancient China. This article introduces the emperor hat and the Guanmian system in ancient China. History of Chinese ancient hat system -- Guanmian China is known as "the country of etiquette". The system of dress etiquette has a long history, and it has a very rich connotation and a complete system. In ancient China, hats were called "Yuanfu (元服)" and "Shoufu (首服)". As the "highest" and "first" part of the whole body dress, Shoufu occupies an important position. It is not only an important symbol to distinguish officials and people in ancient China, but also a necessary means to mark the official rank of rulers. It is said that the hat ornament was invented by the Yellow Emperor. In the beginning, it was not used to prevent cold and summer, but to mark the ruling power and noble status, so it was widely used by the bureaucratic ruling class. At this time, the headdress should be called "Guan (冠)" and "Mian (冕)". After that, with the establishment of the hierarchical order of ethics, a whole set of clothing system has gradually formed. Guan, in ancient times generally refers to the hat worn…

In the subways of the city, a group of grandmas wearing cheongsams have become a unique landscape. Though they are over fifty years old, they show the everlasting charm with their confident and elegant postures. These "subway cheongsam grandmas" use their dressing and temperament to interpret for people what true fashion and beauty are. The Charm of Cheongsam: Inheritance and Innovation As a traditional female costume in China, the cheongsam has a long history and profound cultural heritage. With its unique cutting and design, it shows the elegance and graceful figure of women. However, with the change of times, the cheongsam is also constantly innovating and developing. Modern cheongsams retain traditional elements, and incorporate fashionable designs and elements, making them more suitable for modern women to wear. These subway cheongsam grandmas choose the cheongsam as their daily dress, which is not only the inheritance and promotion of traditional culture, but also the display of their own beauty and confidence. They use their own ways to put on the traditional costume with a new style and charm. Tips for Selecting Cheongsam For the grandmas who are older, it is not easy to choose a suitable cheongsam. The following are some tips…

We often see in Chinese TV dramas or movies scenes of the emperor and his ministers discussing political affairs together (called Shangchao, 上朝), with the ministers standing or kneeling opposite the emperor in order of rank, dressed in tidy clothes (Chaofu). So, what is so special about the ministers' clothing? And are the different eras of Chaofu the same? What is the Chaofu? Name: Chaofu (朝服, cháo fú) Alias: Jufu (具服) Function: used at major ceremonies Succession and change: from Zhou to Ming dynasties Before the Zhou Dynasty, Chinese clothing was mainly made in one form, the upper Yi (衣) and the lower Chang (裳) system. The Book of Rites - Yuzao (礼记·玉藻, a chapter describing the ritual) recorded that "Chao Xuanduan (玄端), Xi Shenyi (深衣)", meaning that ministers were required to wear Xuanduan in the morning to attend the Shangchao, while worn Shenyi at home in the evening. The style and development of Chaofu in different dynasties The earliest Chaofu - Pibian Fu Judging from the literature, there were Chaofu as early as in the Zhou Dynasty. The first Chaofu was the Pibian Fu (皮弁服, pí biàn fú), which was made of fine white cloth, and the Yi and…

From the Spring and Autumn period to the prosperous Tang Dynasty, from idealism to realism, the first two seasons of the epic documentary "China" made a strong entry into the realm of high-scoring documentaries, receiving unanimous acclaim. Unexpectedly, the "China Season 3" took a different approach, starting from mythology and embarking on a reverse journey through time: from early myths to ancient history, from primitive society to agrarian civilization, the establishment of the state, and the development of rites, allowing us to glimpse the civilization codes shimmering in the galaxy of history. What is even more noteworthy, the "China Season 3" incorporated a large number of the latest archaeological discoveries and invited 183 outstanding young artists to create 443 Chinese paintings. Through special effects, the paintings came to life, combining storytelling and aesthetics to provide us with an artistic feast.   Unique realm of romantic imagination Every civilization has its own creator god. Just like a prelude to life, in Chinese mythology, Pangu is the god who broke the chaos, bringing light to the world, creating the first mountain and the first river. Nuwa, with a human head and a snake body, represents the gods of eternal life and reproduction,…

Previously we have discussed the Ming Dynasty men's clothing: Zhiduo (直裰), Zhishen (直身), and Taoist robe (道袍). And today we are going to discuss the Daofu. Daofu (道服, Dào fú) has two meanings in Chinese: refers to Taoist clothing, the robes worn outside by Taoists; one of the Chinese traditional costume Hanfu styles: Ming Dynasty costume for males. Obviously, they are different kinds of clothes, today, let's learn about the traditional sense of "Daofu" through the Hanfu Culture Society!   [Structure and History] Daofu, Jiaoling Youren (交领右衽, wrapping the right side before the left), wide sleeves, with dark edging at the collar edge, sleeve edge, and placket, sometimes with a Huling (护领, collar protector) in collar edge. Daofu: Jiaoling Youren (交领右衽, wrapping the right side before the left); wide sleeves; with dark edging at the collar edge, sleeve edge, and placket; sometimes with a Huling (护领, collar protector) in collar edge; the slit is embellished with an inner hem; both inner and outer have the strap; In simple terms, it can be seen as a "Taoist robe" with edges added. In fact, the similarity between Daofu and Shenyi can be seen through its appearance, it is a style inherited from…

The Xia Dynasty, believed to be the first dynasty in Chinese history, lasted from around 2070 BCE to 1600 BCE. Despite its importance, little is known about the Xia Dynasty's customs and traditions. One area that has captured the interest of historians and anthropologists is the clothing and makeup worn by the people during this period. In this article, we will take a brief look into the fascinating world of Xia Dynasty costumes and makeup, exploring their styles, materials, and cultural significance.   The Clothing of the Xia Dynasty After successfully controlling the floods, Yu the Great was spontaneously supported by the people and established the Xia Dynasty. The system of succession was changed from abdication to hereditary. There were a total of fourteen generations in the Xia Dynasty, which lasted for about 471 years. This dynasty marked the formation of China's slave society, and the clothing system developed during this period, known as the "Guanfu" system, was one of the earliest forms of dress code in Chinese history. In ancient primitive times, clothing was primarily a result of aesthetic and sexual competition needs, followed by the requirement for warmth. During the periods of the Yellow Emperor, Yao, Shun, and…

Unlock the aesthetics of the Song Dynasty and its people through this selection of elegant and inspiring paintings. "The Song, Painted" is a digital exhibition launched by CGTN, which comprehensively presents the living scenes of ancient people in Song Dynasty paintings. Several artists, scholars, and curators share their professional insights to analyze the historical and cultural elements hidden within the Song Dynasty paintings. In this article, let's follow the Hanfu Shidai and renowned designer Chu Yan into the world of Song Dynasty paintings to appreciate the beauty of Song Dynasty costumes and makeup in detail. Song Dynasty costumes were renowned for their refined and elegant beauty. -- Chu Yan During the Song Dynasty, there was a significant shift in female body aesthetics. While plumpness was considered beautiful in the Tang Dynasty, thinness became the beauty standard in the Song Dynasty. Simple and elegant clothing styles were widely popular during this time. In "Palace Concert Rehearsal," we can see characters dressed in simple and modest Beizi (long-sleeved garments) with straight collars and side slits. The loose fit and narrow skirt worn with a tight chest wrap fully showcased the slender and graceful physique of Song women. The painting "Enjoying the Moon…

In the vast ocean of fashion, there are always some classic elements that can stand the test of time and become eternal popularity. As a traditional dress for Chinese women, cheongsam has always attracted much attention with its unique charm and appeal. Nowadays, with the change of times and the update of aesthetic concepts, an improved new Chinese-style short cheongsam dress has emerged and become a new favorite in the fashion industry. This short cheongsam dress not only retains the classic elements of the cheongsam, but also incorporates modern fashion designs, which are quite eye-catching. Let's follow Yanran's footsteps to explore the unique charm of this short cheongsam dress! When classic and tradition meet modern elements, there will always be unexpected sparks. This improved new Chinese-style short cheongsam dress is one of the outstanding ones. The designer skillfully combines the classic elements of the cheongsam with modern aesthetics, making this short dress radiate a different kind of vitality and energy. The small standing collar design is elegant and generous, highlighting the noble temperament of women; the combination of the slanting opening and the button makes it not only retain the traditional charm of the cheongsam, but also add a sense…

What is Wanxiu Among traditional Chinese embroideries, there is a very unique type of embroidery: Wanxiu (挽袖), which is the detachable part at the end of the sleeve of a traditional Chinese Qing Dynasty woman's dress. It is about 66cm long and 13cm wide, and is embroidered in pairs; the motifs range from small bridges and flowing water, pavilions, plum, orchids, bamboo, and chrysanthemums, to Four arts (Qin, Qi, Shu, and Hua), talented men and women, etc. With exquisite patterns and workmanship. he Wanxiu is both decorative and functional, with thread sewn into the clothes when in use, and rolled out when worn, which is both beautiful and can adjust the length of the sleeves, and women in the Ming and Qing dynasties interpreted their personal understanding on the sleeve pattern, making it a rich and delicate emotional trust unique to women, reflecting the subtle connotation and profound meaning of women's art. Han style dress deeply influenced the Manchu court Manchu women's clothing style, the royal family in order to show the elegance, in the production of excellence, and the integration of the Manchu culture. To the early Republic of China, the influence of Western dress culture, coupled with the…

"Court Ladies Preparing Newly Woven Silk (Dao Lian Tu, 捣练图)" is a famous Chinese painting of the Tang Dynasty. It showing noble women ironing, sewing, and pounding the silk. It is an important custom painting of the Tang Dynasty, and is one of the more chic works among the paintings of ladies in the Tang Dynasty. It is the work of Zhang Xuan (张萱), a painter of the Tang Dynasty, and has had a great influence on the style of later paintings, and is also a great help to the study of modern Hanfu styles. Let's see the special details of this painting. Zhang Xuan of Tang Dynasty "Court Ladies Preparing Newly Woven Silk" was originally painted by Zhang Xuan in the Tang Dynasty, the painting "Lady Guoguo's Spring Outing (虢国夫人游春图)" is also a painting by him. Zhang Xuan mainly depicts the leisurely life scenes of royal and noble women, such as spring Outing, dressing up, drumming the qin, playing music, and enjoying the snow. flourishing Tang Dynasty Copied by Emperor Huizong Tang and Song history recorded dozens of Zhang Xuan's paintings, many also repeatedly copied by many painters, but out of Zhang Xuan's own handwriting of the original work,…

Ancient Chinese Costume Culture ExhibitionLaunch date: February 6, 2021Venue: North 18 Exhibition Hall, National Museum of China (Beijing) Clothing is not only a necessity for people's life, with the practical function of "sheltering from the cold and heat, protecting from the wind and rain, covering the body", but also an important carrier of ancient culture, with the cultural function of "distinguishing between superiority and inferiority, distinguishing between nobility and inferiority, and distinguishing between affinity and alienation". The development of Chinese clothing culture over the past thousands of years not only reflects the development trajectory of ancient material and spiritual civilization, but also outlines the continuous life of the Chinese people. On February 6, 2021, the "Ancient Chinese Costume Culture Exhibition" was officially opened at the National Museum of China. The exhibition is based on decades of academic research by Mr. Sun Ji and other scholars, divided into six sections according to historical periods, the exhibition features nearly 130 artifacts (sets) covering jade and stone, bone, pottery, costumes, gold and silver accessories, and calligraphy and paintings, with more than 40 auxiliary exhibits, about 170 pictures, and multimedia facilities, making it an extraordinary exhibition. If you are interested in ancient Chinese costumes,…

The short drama "Escape from the British Museum" has become popular. This three-episode short video series, co-created by online media personalities Jianbing Guozai and Xiatian Meimei, is the most anticipated work in the film and television industry recently. It not only generated a lot of buzz on major online platforms but also received recognition and encouragement from numerous media outlets. Using personification as a narrative technique, it tells a sophisticated story: a delicate Chinese jade pot escapes from the British Museum and encounters a Chinese journalist named Zhang Yong'an, who is working overseas. They then embark on a journey back home together, fulfilling the task entrusted to her by the Chinese artifacts in the British Museum. With a total duration of less than 20 minutes, despite the insufficient maturity of its production elements such as scenes and props, the storytelling logic is complete, the emotions are abundant and solid, and the conveyed values are positioned at a very high level. It serves as a low-cost, high-level Chinese short drama model. After the release of the final episode, it directly sparked an explosive wave of praise. Many netizens were deeply moved by the scene where overseas cultural relics read letters to…

The program of "Eight Masters of the Tang and Song" unveils the magnificent and dramatic life story of a generation of grandmasters through the mode of "immersive real-life performance + cinematic filming + XR innovative presentation", and explores the moments of the birth of "Tang and Song masterpieces". Immersive real-life performance: The "Cultural Exploration Team" personally experiences the plot, with scenes built on real-life settings. Cinematic filming: Through techniques such as plot rhythm and camera movement, the visuals are crafted to have a cinematic texture, enhancing the artistic and aesthetic qualities of the work. XR innovative presentation: By combining reality and virtuality through computers, it brings the participants a seamless immersion between the virtual world and the real world. Let us follow the "Cultural Exploration Team" of the program "Eight Masters of the Tang and Song" and step into the depths of history to take a look at the experience of Han Yu in the great Tang Dynasty. Han Yu lost his parents at a young age. At the age of 12, his older brother Han He passed away in Shaozhou, and Han Yu returned to Heyang with his sister-in-law to bury his brother. Since then, the burden of supporting…

Cheongsam, as one of the traditional Chinese dresses, can be seen as one of the tags of oriental women. It is like an ink-scented rice paper, which writes the history of Chinese dress, and like an inscription of the ancient time, even the folds of which contain the scent of ancient culture. It is not only a garment, but also a carrier of traditional Chinese culture. As one of the key elements of the composition of cheongsam, the collar shape has a very important influence on the style of cheongsam. Traditional cheongsam collar, often with a stand collar design, formed an elegant effect, with good effect in highlighting the lines of the female neck and body. The details of the cheongsam collar, show the workmanship, also the soul of the cheongsam. The right collar type can fit perfectly with the body, but also with the cheongsam as a whole, to the overall style of cheongsam into more exquisite aesthetic temperament, from the fundamental focus on temperament.   The origin of the cheongsam collar The relationship between modern cheongsam and Qing dynasty Manchu robe is still controversial, but it is undeniable that there is an inextricable relationship between cheongsam and Qi…

During the Ming dynasty, the categories and styles of gold and silver ornaments had greater innovation and development based on the Song and Yuan dynasties, showing different visual aesthetic experiences and artistic styles. Among the various types of gold and silver in the Ming dynasty ornaments, "San Sher (三事儿, sān shèr, three things)" is a unique example. Unlike other ornaments, the "San Sher" are daily life tools, used for repairing and cleaning, and their main components include hooks, chains, connectors, pendants, etc. Some of them also have storage tubes, and the pendant objects are usually toothpicks, ear picks, and tweezers, which can be worn by both men and women. The "San Sher" is a common name in the Ming Dynasty, but in fact, the number of pendants can be increased or decreased, and the types are also different. The Ming Dynasty gold and silver "San Sher" are exquisite and unique, reflecting the high design aesthetic appeal, and also have a rich cultural connotation.   Design aesthetics of Ming dynasty Ornaments - San Sher   01 Small and applicable: the form of pendant design The gold and silver "San Sher" of the Ming Dynasty pursued unity in form, and the pendant…

The Han Dynasty (206 BCE - 220 CE) is widely recognized as a golden age in Chinese history, marked by significant advances in science, technology, and arts. Among the many cultural treasures of this era, one item that stands out is the plain gauze robe. Despite its simple appearance, this garment played a crucial role in shaping the fashion and social etiquette of the Han Dynasty. In this article, we'll take a closer look at three points to understand anew this exquisite plain gauze dress. Plain gauze robe from the tomb of the Marquis of Dai at Mawangdui Over two thousand years ago, in the Western Han dynasty, the Chancellor of Changsha, Li Cang, and his wife stood on equal footing with one another. Mrs. Xinzhui, his wife, possessed remarkable beauty and wore light makeup that truly complemented her looks. The undyed raw silk was weaved into plain gauze without any lining, which paired perfectly with Xin Zhui's appearance. As moved, the sleeve would release a faint yet enchanting fragrance.   The Fashionable Style of Han Dynasty's Women "Thin as cicada wings, light as smoke," the plain gauze robe unearthed from Mawangdui Han tomb number one in Changsha, Hunan province,…