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9 Types of Cheongsam Sleeves: Exploring the Rich History of Design
In the early 1920s, when the popularity of upper coat and lower dresses was dwindling, qipao quietly emerged and underwent bold improvements. This can be considered a remarkable revolution in women's clothing, elevating qipao to become one of the world's distinctive Eastern female outfits. During the Republican era, qipao was a long robe-style one-piece garment that cinched at the waist and highlighted women's natural beauty while accentuating their curves and slender figures. Instead of wearing long pants underneath, silk stockings, thread stockings or underwear were worn. The thin and transparent material of the cheongsam should be worn with a white petticoat, which also has white lace. In this way, the slender legs and lines can also be shown in the slit of the cheongsam. In this article, we will introduce the basic 9 type of cheongsam sleeve for you. Sleeveless The sleeveless style is a universal design that can be worn by anyone regardless of body type or age. The most significant feature of this style is its coolness and comfort, showcasing one's entire arm, making it perfect for summer wear. Zhang Manyu wore many sleeveless qipaos in "In the Mood for Love", which complemented her tall and slender figure… -
Traditional Ancient Chinese Hairstyles History
Like Chinese Hanfu costumes, ancient Chinese hairstyles also have a long history. The hair is placed at the head of the body, and it is the key to showing the beauty of the human body. The ancient Chinese hairstyles culture is diverse and gorgeous, a special and wonderful part of Chinese culture, and likewise, it shows the unique aesthetics of China that has rich content. This article contains female ancient Chinese hairstyles and male ancient Chinese hairstyles, and introduces the traditional hairstyle characteristics of different historical periods through the order of dynasties. We hope that you can have a new understanding of Chinese hairstyles through the article. Let's get started! Female Ancient Chinese Hairstyles Although there are many styles of historical hair bun, depending on the person, the part of the bun is different and can be divided into two categories: one is the hanging bun located at the back of the neck, mainly in the Warring States and Qin and Han dynasties. The other is the high bun on the top of the head, popular in the Eastern Han Dynasty, Wei, and Jin Dynasty, and reached its peak in the Tang and Song Dynasties, with many variations that… -
Types and Wear Styles of Tang Dynasty Women’s Clothing
Ordinary Tang dynasty women's clothing we are all familiar with, a short blouse, a long skirt, and then shawls, which is often referred to as "Tang Ru", "high-waisted Ruqun" or "shawls Ruqun". And so on with this set of clothing. But what exactly were these garments called in ancient times, and what were the specific wearing sequence? Let's take a look. The basic equipment of daily women's clothing in the Tang Dynasty is: shirt, skirt, and shawls. In addition, depending on the situation, they also included a Beizi, Mofu (陌腹, underwear), shoes and socks, etc. The following is a description of the types of Tang Dynasty women's clothing for daily and the way to match in the four seasons. Restoration of the image of Tang dynasty women's clothing during the Wuzhou period Shanzi (衫子, shān zi, shirt) · Ru (襦,rú) Women in the Tang dynasty wore long-sleeved blouses with narrow sleeves and short bodies, now generally called "Ru (襦)", but according to Tang custom it should be called "Shanzi". Various Tang dynasty documents, unearthed clothing records and poetry novels in the costume vocabulary, mention of daily women's clothing, from the early to mid-to-late Tang dynasty, almost all the tops are… -
5 Kind of Beauty Traditional Chinese Clothing for Female
"Traditional Chinese Clothing" has been popular in the world through the Xia, Shang, and Zhou dynasties, the Spring and Autumn and the Warring States, the Qin and Han dynasties, the Wei, Jin, North and South dynasties, the Sui and Tang dynasties, the Song, Yuan, Ming and Qing dynasties, and in modern times, with distinctive features, mainly Chinese Hanfu. This article will show you the "beauty of traditional Chinese clothing" in five different periods. The Beauty of traditional Chinese clothing- Western Han Dynasty The most representative clothing of the Western Han Dynasty is the Su Sha Danyi (素纱襌衣), a very light garment: from the collar to the hem, are 1.28 meters long; the sleeves are 1.9 meters long; even so, this wide robes with large sleeves are only 49 grams, and when folded, can fit into a small matchbox. The Su Sha Danyi was unearthed in 1972 at the Mawangdui Han Tomb No. 1 in Changsha, and is now collected in the Hunan Provincial Museum. Su Sha Danyi is not just a piece of clothing, but the result of the cultivation and spinning industry of the early Western Han Dynasty. The Beauty of traditional Chinese clothing - Wei and Jin The… -
Gong Li – the Chinese Cheongsam Goddess
When it comes to eastern beauties, we often think of those beautiful ladies who seem to come out of the pictures. There is such a female star - Gong Li, this legendary female star in the Chinese film industry, has become an idol in the hearts of countless people with her exquisite acting skills and unique temperament. Her cheongsam style is even more deeply rooted in the hearts of the people. Whenever she appears in front of the camera in a cheongsam, it seems that time comes to a standstill. With her exquisite acting skills, she has shaped one classic role after another. And among them, her image in a cheongsam is even more unforgettable. Today, let's unveil the story behind Gong Li's cheongsam together and explore the source of the charm of this eastern goddess. As a representative of traditional Chinese clothing, the cheongsam and Gong Li's temperament complement each other. In "Farewell to My Concubine", the elaborate and delicate embroidery on the cheongsam that Gong Li played as Ju Xian wore, and the opponent scenes with Leslie Cheung and Zhang Fengyi can be called a classic. The embroidery on that cheongsam is exquisite and delicate, and it is… -
About Ruqun, You Should Know These
In the previous article, we introduced the Ruqun(襦裙), The Ruqun is composed of a short top and a long dress, that is, composed of a top and a lower dress. Song Suzhen's "Silkworm" poem: "I don't worry about the bread bait, I have fortunately had a Ruqun(Ru dress)." The style of the Ruqun has appeared in the Warring States period. The collar of the scorpion is divided into "Jiaoling Ruqun" and "Zhiling Ruqun". The waist of the dress is divided into"Zhongyao Ruqun", "Gaoyao Ruqun" and "Qixiong Ruqun". Ruqun is classified according to whether they are clipped or not. The Ruqun can be divided into single Ruqun and double Ruqun, single Ruqun close to the shirt, and double Ruqun are close to coat. Next to introduce is "Banbi (半臂, half arm)", it and the shawl constitute an important part of the Ruqun. "Banbi" classification:1.according to the collar type, which can be divided into : Duijin half-armed dress Jiaoling half-armed dress Tanling half-armed dress (Tang Dynasty). It is a short-sleeved top for summer use in ancient China. It was only popular in the private sector and was convenient for the daily life and labor of the working people. The length of the… -
The History and Usage of Traditional Panbo
Brief history on Chinese tool panbo and how it is different in the past when compared to Japanese tasuki. Vocab; Panbo 襻膊/攀膊 (pàn bó) - a long strip of cloth to tied up the sleeves for working conveniences. What it is being called nowadays. Bisheng 臂绳 (bì shéng) - "arm rope." Another way to call panbo (襻膊). Fubo 缚膊 (fù bó) - "bound." Another way to call it panbo. Gongtao 宫绦 (gōng tāo) - "norigae." Commonly a pendant worn by men with long ropes attached and wrapped around waist. Can be worn over hanfu belt or as a belt. It is a decorative accessory like a women's sachet. Tasuki - Japanese name for calling the same products and usages. History; According Shěncóngwén's (沈從文) "Research on Ancient Chinese Outfit (中國古代服飾研究·宋百馬圖中馬伕)", panbo is a type of clothing invented in the Song Dynasty by working people for conveniency. It is to secure the long sleeves in a bundle with the panbo so that it won’t get in the way of performing tasks such as farming, cooking, and washing. Besides being called panbo, it is also known as 臂绳 (bì shéng), "arm rope." Shěncóngwén wrote "宋 人記廚娘事,就提及當時見過大場面的廚娘,用銀索襻膊進行烹調。可知它是 宋 代勞動人民為便於操作而發明的通用工具。特種的才用銀練索,一般大致不外絲麻作成。" Roughly translated as; "Song… -
The Difference between Hanfu Kimono and Hanbok
Many friends who have just contacted Hanfu will find that Kimono and Hanbok (Korean clothes) are similar to Hanfu in many ways. This article takes you to know the differences between Hanfu, Kimono, and Hanbok. Hanfu vs Kimono During the Nara period in Japan, the period of China's prosperous Tang Dynasty, Japan sent a large number of sent envoys to China to study culture, art, and law systems, including the clothing system. In the early days, the kimono was a replica of the Tang suit. At that time, they also imitated the Tang system and issued a "clothing order". So far, Japan still refers to the kimono as "Wu suit", which means clothes from Wudi (now Jiangsu and Zhejiang) in China. Although the kimono came from the development of Hanfu, it has developed its own national characteristics after a long period of history. Waistband: Hanfu: Hanfu usually has a narrow waistband; Kimono: there is no tie on the kimono placket, and the waist is wide with a fabric. Neckline: Hanfu: Hanfu neckline clothing is close to the back of the head; Kimono: In the kimono, the neckline of an ordinary woman's neck wrapped her neck tightly, and the geisha… -
Chinese Traditional Clothing Accessories – Moe
Moe (抹额), a kind of Chinese traditional clothing accessories, was popular in the Ming Dynasty. Moe tied on the forehead, usually decorated with embroidery or pearl jade. The application of Moe in the ancient army In the Tang Dynasty, Moe often appeared on the warrior's forehead. On the murals of the tomb of Prince Zhang Huai in the Tang Dynasty, there are warriors wearing red Moe. In the written records at that time, the word "Moe" appeared. Li He, a poet in the Tang Dynasty, once wrote a poem describing the drill of the water army: "water splashes on the Moe, flags, and drums will greet the tide at night." In the Five Dynasties, there was a "military Moe" clause. At that time, different colors were used as marks in the military to distinguish different armies. Moe - the mystery of women's beauty In the Song Dynasty, it was more used by women who loved beauty. Women's Moe in Song Dynasty became more exquisite in production. Historical materials also recorded that "ordinary families can't decorate jewelry, clothes, earrings, Moe and so on with pearls". Although women of ordinary status are not allowed to decorate Moe with pearls, their Moe styles… -
Fashion Trends of Antique Chinese Clothing Through the Dynasties
Unlike modern clothing, which is updated so frequently, the development of antique Chinese clothing was not only accompanied by the change of dynasties, but also combined with the level of fabrics of the time. However, there is no doubt that different periods in ancient China had distinctive fashion items. 01 Shenyi in Han Dynasty In 1972, when the three-month archaeological excavation ended, the archaeologists of Tomb No. 1 of the Mawangdui Han Tomb in Changsha were still excited. During the subsequent work, they discovered a dozen pieces of well-preserved Western Han costumes, thus opening a window for later generations to peek into the aesthetics of the dress worn by ancient Chinese 2000 years ago. The relics of the tomb that the archaeologists cleaned were from the tomb of Xin Zhui, the wife of Li Cang, the prime minister of Changsha in the early Western Han Dynasty. Based on archaeological and textual records, we know that there were two main types of clothing for the ancient Chinese during the Qin and Han dynasties. Type Yichang (衣裳), in which the clothing of the upper body and the lower body were not connected; Type Shenyi (深衣) in which the upper garment and… -
Hanfu Accessory: Tuanshan History and Shapes
Vocabulary Moon-shaped fan; 团扇 (tuánshàn). Also called 宫扇(gōng shàn), 纨扇 (wánshàn), 合欢扇 (héhuān shàn), a fan that is made from silks, embroideries, golds, beads, etc. later on into the period. Barrier fan; 障扇 (zhàng shàn) - one of the earliest version of fan from ancestors. Made with pheasant’s feathers and has a long handle. Also known as 长扇 (Chǎng shàn)、掌扇 (zhǎng shàn)、五明扇 (wǔ míng shàn). It is under the category of moon-shaped fan (团扇). Imperial carriage; 辇 (niǎn). Also known as chariot. This is the earlier versions of traveling vehicles primarily used by prestigious people for ceremonial processes, imperial tours, and any other formal occasions. The usage of this is closely related to imperial court instead of public, such as for emperor, queen’s mother, empress, and imperial concubines. These types of carriage are still man-drawn, and are made of simple designs with either a cushion or a chair for the individual seating on it. History of Tuanshan The moon-shaped fan, also known as 团扇 (tuánshàn), is a traditional handicraft tool of the Han people from ancient China. It consists of four main components: the fan's frame, handles (usually short in length), the fan's surface (made of semi-transparent or opaque… -
A Brief History of the Lotus Pattern in Traditional Chinese Culture
History of Lotus Pattern The origin of the lotus pattern in China can be traced back to ancient times. During the Western Zhou period, bronze lamps were decorated with lotus patterns as ornaments. In the Spring and Autumn Period and the Warring States Period, lotus patterns remained an important decorative pattern for bronze vessels, with the Lotus and Crane Square Vessel being a representative example showcasing the skilled craftsmanship of the time. The vessel featured double-layered lotus petals as decoration on its lid, with intricately carved empty spaces between the layers, displaying exquisite artistry that seemed almost supernaturally created. In both ancient India and China, the symbolic meaning of the lotus was very similar, making it the ideal bridge for the spread of Buddhism. During the Wei, Jin, Southern, and Northern Dynasties, Buddhism was widely spread throughout the Central Plains of China, with lotus patterns becoming an important decorative design due to their high aesthetic and expressive value. This had a significant impact on the development of indigenous lotus patterns in China. During the Qin and Han dynasties, lotus patterns in China mostly took on a round flower shape, in keeping with traditional design concepts. However, as Buddhism continued to… -
Different Kinds of Sleeves in Hanfu
Sleeves in Hanfu The sleeves in Hanfu, also known as "Mei (袂)", its shape is quite unique in the history of the national costume of the whole world. Sleeves are usually called "narrow sleeves" and "large sleeves", also known as small sleeves and wide sleeves. The popular sleeves of different dynasties are different, but most of them are developed at the same time, only the shape is slightly different. So what's the difference between the sleeves in Hanfu? Straight sleeve (直袖) The straight sleeves of Hanfu can be simply divided into the narrow straight types and wide straight types. The former usually opens at about half of the upper body and extends horizontally outwards; the latter is wider and extends outwards from the waist opening. The square straight sleeve is open beside the belt, extending horizontally outwards, in a thin rectangle. Pipa sleeve (琵琶袖) Pipa sleeve is a kind of sleeve type of Hanfu, which is often seen in the Ming Dynasty. Pipa sleeve is used for Shenyi and other clothing. It is named Pipa sleeve for its large sleeve and smallmouth, narrow armpit and Pipa like shape. The sagging part of the sleeve is round and wide. The cuffs… -
Futou and Wu Sha Mao: The History of Ancient Chinese Official Hats
If you often watch Chinese historical dramas, certainly have an impression of the ancient Chinese official hats, especially the Wu Sha Mao, people are still accustomed to the "Wu Sha Mao" as a symbol of the official, "lost the Wu Sha Mao" means be dismissed from office. Today to introduce the history and characteristics of the Wu Sha Mao and other periods in the history of the Chinese official hats. Wu Sha Mao (乌纱帽, black gauze cap) is an ancient official hat, the original is a common civilian cap, the official wear Wu Sha Mao originated in the East Jin Dynasty, but as a component of the official uniform, began in the Sui dynasty, flourished in the Tang dynasty, to the Song dynasty, plus the "double wing", after the Ming dynasty, Wu Sha Mao only formally become a synonym for officials. The origin and shape of the Wu Sha Mao Wu Sha Mao is evolved from the Futou (幞头) in Sui and Tang Dynasty, and it is also directly called "Zhe Shang Jin (折上巾)" in the official literature of Song Dynasty. The Futou was originally a black square fabric with four corners, and after covering the top of the… -
Chinese Cheongsam Museum: A Journey through Time and Culture
In the magnificent long river of traditional Chinese culture, the cheongsam is like a wonderful flower, exuding eternal charm. Entering the Chinese Cheongsam Museum is like starting a journey through time and space, allowing people to appreciate the unique charm and profound cultural heritage of this classic dress. Here, not only the evolution process of the cheongsam is displayed, but also through one exquisite exhibit after another, we can get a glimpse of the social features and aesthetic changes in the Republic of China era. The Precipitation of History and the Inheritance of Beauty In the depths of the cheongsam museum, there are precious photos of famous ladies and stars in the Republic of China era wearing cheongsams. Their elegant postures and the magnificence of the cheongsams complement each other, forming a series of moving pictures that make visitors can't help but be intoxicated. The bright red satin round flower auspicious dress robe in the Qing Dynasty, with its luxury and solemnity, makes people respectful. As a formal dress for grand occasions under the conditions of the Qing Dynasty ritual system, women could not expose curves like in modern times, and the ingenious concealment of the female curves in its… -
What is the Wuxia Clothing Called in Martial Arts World?
Wuxia clothing is a fantasy martial arts garment, and also called as xianxia clothing in immortal wuxia novels. In most cases, Wuxia clothes are made specifically for filming movies and costume TV series, so there are many kinds. Martial arts clothing is based on the traditional Chinese Hanfu Version (loose fit design and is worn left over right), but it is not a simple copy. Because there are few strict textual research on historical clothes, and designers can freely design them, most of the martial arts clothes we see in the film do not exist in history. Strictly speaking, it is a kind of modern clothing. Many excellent wuxia films and ancient Chinese dramas have good appearance, kungfu movements, and dancing beauty design. They keep innovating in following the ancient culture, the background of the times, the character's personality, etc. Both fabric selection and color matching are carefully designed to ultimate beauty and strive for perfection. It can be said that wuxia clothing is exquisite modern art. So let's explore the fantastic martial arts world through these beautiful wuxia clothes. 1. Xianxia Clothing Taoist xianxia novel is a new kind of novel style in recent years. It grew out of… -
Gorgeous Zhaojia – Traditional Chinese Outfit for Males
Today, Hanfu Culture Society will introduce Zhaojia (罩甲) to you, a very handsome traditional Chinese outfit for males. [Structure and History] Zhaojia, square or round collar, lapels, metal or cloth buttons, sleeveless or short sleeves, slits on both sides. This structure is very convenient for horseback riding and movement, and it is mostly used as an outer garment on top of the Tieli (贴里) and Yisan (曳撒). Zhaojia first originated in the Hongwu period of the Ming Dynasty, and it can be found through ancient painting materials that Zhaojia was generally used as a military uniform in ancient times, and was very common during the emperor's hunting trips and in ceremonial processions. Most of the Zhaojia used by the royal family were decorated with patterns such as woven gold dragons in Yunjian (云肩) and Xilan (膝襕), the famous Asian Art Museum of San Francisco has a piece of Zhaojia (from the twenty-third year of the Wanli) in its collection, which is decorated with a dragon motif and a prominent gold "卍" pattern. The bottom of this Zhaojia is decorated with dragon, colorful clouds, and mountain and sea patterns, which is very gorgeous. In addition, Zhaojia still popular in the folk,… -
China’s Faded Holidays – Flower Festival
Introduction The Flower Festival (花朝节, huācháo jié), simplified as 花朝 (huācháo), is also known as the "Flower Goddess Festival (花神节, huāshén jié)," "Hundred Flowers’ Birthday (百花生日, bǎihuā shēngrì)," and "Flower Goddess’ Birthday (花神生日, huāshén shēngrì)." It is a festival where people can admire the blossoming flowers and show their respect for nature and the goddess of nature. The emergence of this flower festival has led to some confusions. Some claim it began during the Spring and Autumn Period, others during the Pre-Qin era, and some argue it emerged during the Tang Dynasty. The exact historical origins of this festival are not well-documented from the artifacts unearthed. Even with some historical records, it is still a challenge to pinpoint the exact dynasty for this festival. Perhaps they were called by a different name or a different festival slowly evolved into the flower festival known in the Tang Dynasty. What we can be certain of is that by the Tang Dynasty, the festival existed; whether it started before or during that period is still a matter of speculation. The earliest evidence of its existence dates back to the Spring and Autumn Period in the work of "táozhū gōngshū (陶朱公书)." Ancient Chinese society… -
Chinese Banquets: A Modern Narrative of Song Dynasty Culture
In the vast river of history, each dynasty has left its unique cultural imprint and artistic lifestyle. Among the many dynasties, the Song Dynasty, with its distinctive cultural charm and refined way of life, has become an indispensable chapter in Chinese history. Its delicacy, tolerance, and openness endowed this era with unparalleled artistic and cultural allure. Recently, Henan TV launched "Chinese Banquets." This cultural documentary takes us back to the Song Dynasty, a time filled with cultural atmosphere and artistic lifestyle, where the banquet rituals reconnect us with the ancient tranquility and elegance amidst the modern hustle and bustle. Background of "Chinese Banquets" From ancient times to the present, whether it is the noble emperors and nobles or the common people, on special holidays or significant occasions, banquets are hosted to entertain honored guests or close relatives and friends as a sign of respect. The Chinese banquet has become an etiquette of hospitality. "Chinese Banquets" extends the concept of Chinese festivals and, as a member of the cultural family, it reconstructs and reenacts Chinese dining rituals, exploring the Eastern sense of ritual, Eastern aesthetics, and Eastern wisdom associated with food. Features of "Chinese Banquets" While recreating the scenes of… -
History and Type of Chinese Nail Guards
Traditional Chinese nail guards (Zhi Jia Tao, 指甲套), also known as "Hu Zhi (护指, finger protection)". The ancient palace noblewomen used gold and silver to make nail guards to protect their nails and show their status, were extremely fine and gorgeous, with a wide variety. If you have watched the wonderful historical TV drama Ruyi's Royal Love in the Palace, you may have noticed that the concubines in the drama have long nails on their slender hands and wear nail guards on their end fingers, showing their nobility and elegance. Such luxurious Chinese nail guards, in addition to showing the identity status characteristics, what is its role, today let's explore it! History of keeping long fingernails Everyone has a love of beauty. Since ancient times, it has been every woman's wish to have a pair of delicate hands, and the ancient Chinese had three main aesthetic standards for women's fingers: pointed, long, and white. The direct purpose of keeping long nails for women in ancient times was to make the nails extend the fingers, making the hand shape look sharp and long. And in ancient times, both men and women pursued long nails for beauty, many noble families and literati,… -
Ancient Chinese Women’s Hanfu Attire Illustrations
The illustrations in this series of articles are from the work of Chinese illustrator Xiao Ling Chun (小鈴春) Xiao Ling Chun combines the features of Chinese historical relics and shows the characteristics of women's hanfu clothing in different periods of ancient China through illustrations. Han Dynasty The Han Dynasty was a great unification dynasty after the Qin Dynasty, divided into the Western Han and Eastern Han periods, with a total of 29 emperors and reigning for 405 years. The Han Dynasty was the first golden period in the history of China's development, and the Han Chinese were named during this period. Although the names of the dynasties have changed since the Han Dynasty, the status of the Han as the main ethnic group in China has remained unchanged. Western Han (202 BC – 8 AD) Xin dynasty (9–23 AD) Eastern Han (25–220 AD) Wei, Jin, the Southern and Northern Dynasties Wei, Jin, the Southern and Northern Dynasties were the most frequent period of regime change in Chinese history, mainly divided into the Three Kingdoms (Cao Wei, Shu Han, and Eastern Wu), Western Jin, Eastern Jin, Sixteen Kingdoms, Northern and Southern dynasties. The development of Chinese culture during this… -
Changes in Ancient Chinese Women’s Hanfu Clothing
In the New Year when everything is reviving. There is nothing better than a wedding banquet to bring people joy. It is undoubtedly the dream of many Hanfu lovers to hold a Hanfu wedding. In a traditional Hanfu wedding, the vintage costumes and rituals, the dreamlike wedding scenes, the unchanging love, and vows, are revisited again and again in the traditional ceremony, becoming more profound and ritualistic. The blogger "Jingzhishisui (静知时岁)" spent two years preparing a Ming-style wedding for herself, from etiquette, clothing, to the process, are very attentive, rich in detail and full of ritual are breathtaking, let's take a look. 01 Costumes for Chinese Hanfu Wedding Thousands of years ago, the old ancestors gave us the main color of the Chinese wedding scene - red. In order to better prepare for this Chinese Hanfu wedding, the first thing that "Jingzhishisui" did was to choose and match the wedding costumes, the main wedding costume was a Mangpao (蟒袍) and a Dashan Xiapei (大衫霞帔) , while the groom's main wedding costume was a Douniu round neck robe (斗牛圆领袍). The headdress is also very elaborate, the bride's headdress is "Sanlongliangfengguan (three dragons and two phoenix crown)", using traditional techniques, the style… -
Na Ran: The Gorgeous Turn of The Classic Beauty
At the recent red carpet of the movie event, Na Ran became the focus of everyone's attention with her astonishing beauty and unique style. She was dressed in a black cheongsam and held a folding fan, transforming into a classic beauty, showing a kind of transcendent and refined classical charm, which made the whole place amazed. Na Ran's black cheongsam is undoubtedly the highlight of her entire look. This cheongsam perfectly outlines her figure curve, showing her elegance and sexiness. The black fabric exudes a mysterious atmosphere and complements Na Ran's temperament. The delicate embroidery and detailed processing on the cheongsam add a touch of nobility and magnificence, making people can't help but admire it. And the folding fan in Na Ran's hand adds a touch of agility and playfulness to her look. The folding fan has always been a symbol of women's elegance and wisdom in traditional Chinese culture, and Na Ran skillfully used this element to create a beautiful woman full of classical charm. She gently shakes the folding fan, sometimes showing a charming smile, and sometimes showing a sharp look, as if telling an ancient and touching story. Na Ran's skin is as smooth as jade, which… -
The Path of Traditional Velvet Flower Skills Inheritance
According to legend, in the Tang Dynasty, during spring, Emperor Li Xian would order his servants to take out "colored flowers" from the inner palace and give them to the concubines of the harem to welcome the new spring, and these "colored flowers" referred to the Rong Hua (绒花, velvet flower). Today, Rong Hua is often worn with traditional hanfu and has become one of the most popular accessories in Chinese traditional costumes. The flower hairpin was always one of the most popular decorative styles of the ancients. In the painting "Court Ladies Adorning Their Hair With Flowers" by the famous Tang Dynasty painter Zhou Fang, the woman is wearing a high bun and wearing a flower as a hairpin, which is as elegant and beautiful as a fairy in a fantasy world. But flowers are limited by the season and easily withered, and the petals often wither. So the ancient noble ladies wished to have flowers that would last forever as accessories, and that's when the handmade Rong Hua came into being. The Chinese word for velvet flower is similar to the pronunciation of "Rong Hua (荣华, prosperity)" and has been given a meaning of good luck and blessing. The…