History & Culture

01 The cheongsam loved by women Eileen Chang once said, "Clothes are a language", and every heroine in her novels would use the style of cheongsam to interpret the sorrow and happiness of love, and the prosperity of silk to lament the impermanence of fate. And Eileen Chang's love for cheongsam can be described as close to crazy. Cheongsam is not only an important prop in her novels, but also an indispensable costume in her life, and it is an expression of her views on life, aesthetics and women. The cheongsam maker who made her cheongsam recalled that he couldn't remember how many pieces of cheongsam he made for Eileen Chang, but he remembered that each piece of cheongsam was made "according to the drawing", and the design came from Eileen Chang herself. Not only Eileen Chang, but also Chinese women in the 1930s and 1940s seemed to be very fond of cheongsams. Soong Mei-ling was no less fond of cheongsams than Eileen Chang, and she had hundreds of cheongsams in her closet. Film and television stars such as Hu Die, Ruan Lingyu, and Zhou Xuan are also fans of cheongsam, they not only wear cheongsam out of their own…

One-third of life is spent on sleeping, and beds play an important role in people's lives. So, what did the bed look like in ancient China? Ancient humans often lived in caves. In order to keep warm, weeds, leaves, and animal skins were spread on the ground, which was roughly the earliest bed. During the Banpo cultural period of the matrilineal society, the prototype of the bed appeared, that is, the Tutai (土台), which is similar to today's kang bed-stove. In "Guangbo Wuzhi", there is such a record: "Shennong invented the bed, and Shaohao made the Kui (篑), and Lu Wang made the Ta (榻)." During the Shang and Zhou dynasties, the prototype of the bed was slowly determined. Compared with our modern beds, the ancient traditional beds had many functions. At night, the ancients slept on the bed, but during the day, they also needed to sit or lie down to rest, so the "Ta (榻, couch)" was invented. The earliest prototype of the couch is the mat. In other words, putting a mat on the ground can sit and lie down. In ancient times, people in northern China generally used grass to make mats, while southerners generally used…

Armor was an important war material in the cold weapon era, and its quality and quantity were crucial to the combat power of ancient armies and the rule of feudal dynasties. The Chinese emperors paid attention to improving the ability and quality of armor manufacturing, but also strictly controlled the private possession of armor by strict penalties and laws. During the Song and Yuan dynasties, this restriction was even stricter, and those who hid the whole set of armor privately would be regarded as having conspiracy to commit rebellion to be executed. The armor could only be handed out during the war and collected into the national treasury after the war. These military treasures were eventually destroyed and lost during the war between the dynasties, so except for a few surviving artifacts from the late Qing Dynasty that have been preserved as cultural relics, the rest of the dynasties have rarely survived to this day. However, after the death of the royal family and the senior military class, armor could be buried in the burial chamber as burial goods. For example, the Qin Dynasty, the images of armor portrayed on the terracotta warriors and the stone armor excavated from the…

The Wuxia drama "Mysterious Lotus Casebook" has attracted a large number of viewers since its premiere with its innovative martial arts format. The seemingly outdated elements of the martial arts world such as martial heroes, inns, and sects have broken through the traditional boundaries in the drama. However, when it comes to martial arts, one cannot ignore the concept of the Jianghu (江湖, rivers and lakes) in Chinese culture. What exactly is the Jianghu?   How can we define the Jianghu culture? The term Jianghu seems to be a vague concept. People admire and yearn for the Jianghu, but it always seems difficult to define and is not considered highbrow. The earliest appearance of the term Jianghu can be found in the book "Zhuangzi": “相濡以沫，不如相忘于江湖。(Rather than leave them to moisten each other with their damp and spittle, it would be far better to let them forget themselves in their native rivers and lakes)” This phrase evokes a sense of imagination, encompassing the vast territories of the Central Plains, the four corners of the world, the rivers and lakes that crisscross the land. Gradually, the Jianghu has evolved into a metaphor for the world. The beauty brought forth by nature, the…

Some people once said that putting on a cheongsam seems to be revisiting the thousands-of-years-old traditional virtues of Chinese women. And when Zhang Man Yu wears a cheongsam, it is precisely to interpret this virtue to the fullest: dignified and intellectual, gentle and generous, implicit and moderate. Every expression and gesture reveals the unique charm and quietness of women. As a representative of traditional Chinese women's clothing, with its unique design and elegant charm, the cheongsam showcases the traditional virtues of Chinese women for thousands of years. However, for the same wearing of a cheongsam, some people can be out of the ordinary, while some are plain and unremarkable, and the key lies in the temperament and self-cultivation of the wearer. The appeal of the cheongsam lies in its peculiar oriental charm, and the perfect presentation of this charm requires inner cultivation and bearing. Zhang Man Yu is a good example. Her unique oriental feminine charm allows her to interpret it to the fullest when wearing a cheongsam. Her eyes are graceful, and her steps are elegant, and every expression and gesture reveals the unique charm and quietness of women. Compared with Zhang Man Yu, some young female stars had…

Gods, ghosts, demons. These are terms we’ve all heard before, of course. When it comes to gods, you might think of the eclectic pantheons of Greek, Norse, or Egyptian tradition, or the capital “G” God of many huge, organized religions; for ghosts, you might think of translucent, ethereal, figures; for demons, horned and fork-tailed monsters. Chinese mythological traditions have these supernatural beings too—but in China, these beings are assigned very different traits and come from very different cultural roots. The problem stems from the fact that the Chinese names of these beings are often translated using English counterparts that already have pre-established, similar meanings (yet terms that are also just different enough that they can cause confusion and misunderstandings). So to those unfamiliar with Chinese mythology or Chinese folkloric tradition, here is a compiled list of the main supernatural beings of Chinese mythology, as well as there etymological roots, their interrelationships, their similarities, and their differences. I hope this will help you prevent accidental conflation of terms and mythologies, and I hope you have fun learning something from the guide below!   Gods（神） Let’s start at the very top: Gods, or 神/shen. Chinese folkloric tradition is home to innumerable thousands…

As we all know, the Tang Dynasty had unprecedented national power, strong economic strength, people lived in peace and happiness, and the people's pursuit of fashion is also increasing. Today for you to introduce the women fashion items in the Tang Dynasty, let's take a look at Chinese historical fashion together.   The Essential Diexie Belt (蹀躞带) for Tang Dynasty Women The movie "The Assassin" released in 2015, in which the female protagonist Nie Yinniang is dressed in a black robe, wearing a very fashionable belt at the waist, which is a popular "Diexie belt" in the Tang Dynasty. Diexie belt was originally a kind of waist belt of the Hu people, since the Wei and Jin Dynasty, introduced into the Central Plains, to the Tang Dynasty was once set as civil and military officials must wear something. An antique Tang dynasty Diexie belt, now in the Shaanxi Provincial Institute of Archaeology. It is 1.5 meters long and 1.2 centimeters thick and is made of white jade, some of which is light green. The jade belt is made of using traditional decorative techniques, inlaid gold in Hetian white jade, and the quality of the jade is warm, luxurious, and beautiful.…

Let’s talk about Han purple and Han blue, distant relatives of Han Solo. Or perhaps not.  What are they then? As you may have guessed, these are artificial pigments, synthetic colors, created by the Chinese over 2,500 years ago. They were widely used in ancient artworks - such as wall paintings, for decorating ceramics, metalware, jewelry, clothes, and even the famed Terracotta warriors are painted blue... or purple. Han purple and Han blue are actually misnamed, as both colors have been found well before the Han dynasty in China, perhaps as early as the Western Zhou dynasty (1045-771 BCE). Therefore, they are often called Chinese purple and Chinese blue instead. Another misnomer is that Han purple, in its pure form, is actually a dark blue, so perhaps Han indigo would be more accurate. But let's go back in time to ancient China. Colors were obtained through what people could find in nature. Fun fact: Pigments are made from inorganic materials such as powdered minerals, and are far more durable than dyes. Dyes, on the other hand, are organic compounds traditionally made from plants or animals and are shorter-lasting. So here they were, using dyes and the same old pigments -…

Chinese clothing is the epitome of Chinese civilization. Traditional clothing colors are influenced by the "Theory of the Five Elements" and are divided into five colors: green, red, black, white, and yellow. The different colors revered by different dynasties reflect the characteristics of their dynasties. Court Ladies Adorning Their Hair With Flowers In this article, the most representative six dynasties of ancient China are selected: Han, Tang, Song, Yuan, Ming, and Qing, and their popular colors are analyzed.   Chinese Colours in Han Dynasty Characteristics: Simple and naturalPopular colors: Xuan (玄, smoky black), Chi (赤, upsdell red), White (白), Green (绿) Eastern Han Dynasty Murals In 206 B.C., the Han Dynasty was founded. Influenced by the Taoist art of Huanglao and Confucianism, Han Dynasty costumes pursued the essential beauty. The color of Han Dynasty clothing was mainly monochromatic, and it was a respect for the dark and light colors, which made it look dignified, simple and natural. Carried the idea of "ritual rule and Taoism", and fabric dyeing of Han Dynasty clothing followed the beliefs of the five elements of yin and yang, with dark colors representing dignity. Fuxi-Mural Color Xuan in Han Dynasty clothing After the Han Dynasty destroyed…

In the New Year when everything is reviving. There is nothing better than a wedding banquet to bring people joy. It is undoubtedly the dream of many Hanfu lovers to hold a Hanfu wedding. In a traditional Hanfu wedding, the vintage costumes and rituals, the dreamlike wedding scenes, the unchanging love, and vows, are revisited again and again in the traditional ceremony, becoming more profound and ritualistic. The blogger "Jingzhishisui (静知时岁)" spent two years preparing a Ming-style wedding for herself, from etiquette, clothing, to the process, are very attentive, rich in detail and full of ritual are breathtaking, let's take a look. 01 Costumes for Chinese Hanfu Wedding Thousands of years ago, the old ancestors gave us the main color of the Chinese wedding scene - red. In order to better prepare for this Chinese Hanfu wedding, the first thing that "Jingzhishisui" did was to choose and match the wedding costumes, the main wedding costume was a Mangpao (蟒袍) and a Dashan Xiapei (大衫霞帔) , while the groom's main wedding costume was a Douniu round neck robe (斗牛圆领袍). The headdress is also very elaborate, the bride's headdress is "Sanlongliangfengguan (three dragons and two phoenix crown)", using traditional techniques, the style…

Ancient China attaches great importance to silk production. Shang Dynasty, silk weaving, and utilization has been quite popular, and has a certain scale of production, mastering a higher degree of weaving technology. By the Qin and Han dynasties, silk weaving handicraft production flourished, and the industry has reached a more mature scale, the Tang and Song dynasties are more prosperous. As for the Yuan, Ming and Qing dynasties, the ancient silk weaving technology reached the highest level, it is not difficult to imagine the prevailing situation. Today, let's learn about the whole process of Chinese silk production through the Qing dynasty Jiao Bingzhen's paintings: "Geng Zhi Tu Ce (耕织图册)". Hanfu and Chinese silk you may like:

The emperor is the most powerful person in ancient China. This article introduces the emperor hat and the Guanmian system in ancient China. History of Chinese ancient hat system -- Guanmian China is known as "the country of etiquette". The system of dress etiquette has a long history, and it has a very rich connotation and a complete system. In ancient China, hats were called "Yuanfu (元服)" and "Shoufu (首服)". As the "highest" and "first" part of the whole body dress, Shoufu occupies an important position. It is not only an important symbol to distinguish officials and people in ancient China, but also a necessary means to mark the official rank of rulers. It is said that the hat ornament was invented by the Yellow Emperor. In the beginning, it was not used to prevent cold and summer, but to mark the ruling power and noble status, so it was widely used by the bureaucratic ruling class. At this time, the headdress should be called "Guan (冠)" and "Mian (冕)". After that, with the establishment of the hierarchical order of ethics, a whole set of clothing system has gradually formed. Guan, in ancient times generally refers to the hat worn…

Dunhuang's artistic heritage is the result of the collective creative labor of the ancient Chinese people, spanning nearly a thousand years from the Wei and Jin dynasties (c. 4th century AD) to its gradual decline during the Song dynasty (c. 11th century AD). Through the three forms of plastic arts: architecture, sculpture, and painting, they are interrelated and reflect each other. Pattern art, on the other hand, is a kind of decorative art between the three, with a harmonious and strong artistic style. Let's follow the footsteps of Modern Hanfu and learn about the colors and patterns of Dunhuang murals and how they are used in Hanfu.   Introduction of Dunhuang Murals Dunhuang murals refer to the paintings on the inner walls of the Dunhuang Caves in China, a world cultural heritage and a treasure of human culture and art. Dunhuang murals are a major part of Dunhuang art, and are large in scale, exquisite in skill, and colorful in content. Like other religious art, it is an art that depicts images of gods, their havoc, their relationship with each other, and their relationship with people in order to support their good intentions and soothe their hearts. Therefore, it has…

As June arrives, we first welcome Children's Day on June 1st. Let us enjoy the joyful atmosphere of Children's Day with this painting from the Southern Song Dynasty called "Bai Zi Tu." In the painting, children are seen riding on wooden horses, wearing masks, playing drums and flutes, dancing and performing plays, all kinds of entertainment for their amusement. While we reminisce about how carefree childhood was during this time, the third solar term of summer, Mang Zhong, arrives punctually on June 6th. Every year when mantises are seen in fields and farms it is a sign that Mang Zhong has arrived. It is also known as the busiest farming season where wheat is harvested followed by sowing late millet crops such as sorghum and broomcorn. There can be no delays during this season. So what customs do people follow during Mang Zhong? In southern Anhui Province in China, after planting rice paddies people hold an Anmiao ceremony to pray for a good harvest in autumn. There are also many delicious foods to enjoy around Mang Zhong. In the south of China, Mei Zi (plums) have ripened and it's a great time to pick some during the rainy season and cook…

Introduction of Chinese Lanterns Chinese lanterns (Deng Long, 灯笼), also known collectively as Deng Cai (灯彩), an ancient Han Chinese traditional craft. Through thousands of years of development, Chinese lanterns have developed different regional styles, each with a unique artistic expression. Every year, around the Lantern Festival on the 15th day of the first month of the lunar calendar, people hang up red lanterns, which symbolize the meaning of reunion, to create a festive atmosphere. Lanterns are closely related to the life of Chinese people and have become a symbol of joy and celebration. Through the succession and development of lantern artists in the past generations, a colorful variety and high level of craftsmanship have been formed. There are various types of lanterns: palace lanterns, sarong lanterns, and so on. The outer layer is mostly made of thin bamboo or wire skeleton, and covered with transparent materials such as paper or yarn, and the candles are burned inside for lighting and decoration. The origin of the Chinese lantern has a variety of sayings, one of the more widely circulated is: during the Eastern Han Dynasty, the emperor Liu Zhuang advocated Buddhism, heard that Buddhism has the practice of the 15th…

The Zhou Dynasty, which lasted from 1046 to 256 BCE, was a period of great cultural and artistic achievements in China. One of the most notable aspects of this era was the fashion and beauty trends that emerged among the ruling class. From elaborate hairstyles to intricate makeup designs, the dress and appearance of the Zhou Dynasty were highly symbolic and reflected the social status and cultural values of the time. In this article, we will explore the fascinating history of dress and makeup during the Zhou Dynasty, revealing the intricate details and rich symbolism behind these ancient fashion trends.   The Clothing of the Zhou Dynasty During the Zhou Dynasty, which was the third slave society in Chinese history following the Shang Dynasty, there were a total of 32 monarchs and 37 kings who ruled for 790 years. The clothing system in ancient China was already well-established during the Zhou Dynasty. There were even official positions designated to manage the imperial clothing. The clothing style during the Zhou Dynasty era consisted of top and bottom – the upper part being called “Yi”, which was slightly looser than the clothing during the Shang Dynasty and had two types of sleeves…

In the rich cultural heritage, Hanfu and traditional Chinese instruments are not just symbols of China's long history; they are also bridges that combine modern aesthetics with traditional charm. This article will guide you through how to integrate nine typical Chinese traditional musical instruments into the art of Hanfu photography, showcasing their unique cultural significance and visual impact. From the tranquil elegance of the Guqin to the flutes, each musical instrument can add a unique charm to Hanfu.   1 - Guqin The Guqin, also known as the Yaoqin, Yujin, or Seven-stringed zither, is a traditional Chinese plucked string instrument with a history of over three thousand years. The Guqin has a wide range of tones, deep timbre, and lingering resonance. It is recorded in ancient texts that Fu Xi made the qin, and there are legends of Shennong, the Yellow Emperor, Tang Yao, among others, being involved in the creation of the instrument. Emperor Shun set the qin to have five strings, King Wen added one string, and King Wu defeated King Zhou and added another string to make it seven strings. This demonstrates the long-standing and profound cultural heritage of the ancient Chinese Guqin. There are over 3360…

Vocab “Step ban” or “walking ban” - Jin Bu (禁步, jìn bù) - an accessory often matches with hanfu. It is an accessory that is threaded together with jade stones and hung over a hanfu dress.  Jade pendant - Yu Pei (玉佩, yù pèi) - also an accessory made of silk threads, beads, and jade stone that hung at the waist. But yùpèi are much simpler than Jin Bu, oftentimes it is just a jade with one or two beads tied together with thread. Oftentimes there will be no silk or bead tassels at the bottom like Jin Bu.   Materials Jin Bu are usually made up of colored silk threads, jade beads, and jade pendants combined together. There may or not have tassels made up of silk thread at the end of the accessory. If not, the tassels may also be made up of threaded beads.  Jin Bu in the past were made up of precious stones, and since they are threaded, they will clash together when walking making jade clash. If this is heard now people might not think much about it, but the etiquette and customs were stricter in ancient times, especially on feminine etiquette and how…

History has annihilated all the past prosperity, and we can no longer witness the traditional dress aesthetics, but can only get a glimpse from the scrolls and terracotta figurines. But the search for Chinese traditional costume culture never stops, looking back at the lost costumes of the years, restoring them and recreating the glory of today. In the first issue, Modern Hanfu collated the styles that directly applied ancient paintings to Hanfu, while in the second issue, the restored Hanfu styles that will be presented to you are those that appear in ancient paintings and ceramic figurines.   The Night Revels of Han Xizai "The Night Revels of Han Xizai" is a painting by Gu Hongzhong, a painter of the Southern Tang Dynasty during the Five Dynasties and Ten Kingdoms period. Depicting the scene of Han Xizai, an official, holding a night banquet at his home, with songs and music. There are five scenes in the scroll, and each scene is cleverly separated by a screen. This set of restored hanfu is based on the costume of the musician girl in "Han Xizai's Night Banquet", with a dark pattern on the top, a flower pattern on the skirt, and an…

Flower Festival, even if few people know, but when you look up and see the flowers blooming, you will become gentle, because we are convinced that the "beautiful", always accompanied by the flowers blooming. Every year in mid-spring, is also a great time to compete with the flowers, among all the flowers, the earliest plum blossom, from camellia, daffodils, spring to peach, plum, pear, and apricot bloom all over the mountain when, "flower festival" will come. The "Flower Festival (花朝节, huā zháo jiē)", commonly known as the "Flower God Festival" and the "Birthday of the Hundred Flowers", is a traditional Chinese festival. Generally held on the second, twelfth or fifteenth day of the second month of the lunar calendar, the festival is held roughly between the Jingzhe (惊蛰) and Chunfen (春分) of the traditional Chinese calendars, at this time, everything revives, the grass is green, the flowers are either in the bud, or in bloom, and people are convinced that the beauty will come with the flowers. As early as the Spring and Autumn Period, "Tao Zhu Gong Shu (陶朱公书)" has recorded: "February 12 for the birthday of the hundred flowers, no rain and hundred flowers ripe." In the Tang…

As requested by user @Wei on my Mamianqun article, here’s a little summary of all the most popular hanfu skirt (qun or types and what the difference between them is! I’m not going to go into as much detail as the previous article since my goal is to go through them all quickly and teach you the differences between them, but I’ll be including some brief details on their name, history, construction, and features so that you can better understand the huge variety of skirts in hanfu. Let’s start off with some basics rules hanfu skirts tend to follow. Skirts are made up of one or two pieces of fabric, usually, and they take the shape of a flat piece of pleated or non pleated cloth that gets wrapped around the body and tied in place by ribbons/ties. There are very few exceptions to this, except in hanyuansu, which is modified hanfu for convenience and style. The waistband of the skirt is usually 6-8cm wide and made with a different piece of fabric than the body of the skirt, which the body of the skirt is then attached to—this is referred to as the skirt head (. But even with…

In the subways of the city, a group of grandmas wearing cheongsams have become a unique landscape. Though they are over fifty years old, they show the everlasting charm with their confident and elegant postures. These "subway cheongsam grandmas" use their dressing and temperament to interpret for people what true fashion and beauty are. The Charm of Cheongsam: Inheritance and Innovation As a traditional female costume in China, the cheongsam has a long history and profound cultural heritage. With its unique cutting and design, it shows the elegance and graceful figure of women. However, with the change of times, the cheongsam is also constantly innovating and developing. Modern cheongsams retain traditional elements, and incorporate fashionable designs and elements, making them more suitable for modern women to wear. These subway cheongsam grandmas choose the cheongsam as their daily dress, which is not only the inheritance and promotion of traditional culture, but also the display of their own beauty and confidence. They use their own ways to put on the traditional costume with a new style and charm. Tips for Selecting Cheongsam For the grandmas who are older, it is not easy to choose a suitable cheongsam. The following are some tips…

Speaking of the Dragon Boat Festival customs, we can certainly think of many. In addition to delicious Zongzi, dragon boats, are also about decorating objects that symbolize good luck to drive away poisonous, as well as a variety of commemorative activities. But do you know what costume elements were used in the Dragon Boat Festival throughout history? Today, let's follow the Hanfu Culture Society and take a look!   Catering to the festive atmosphere, the ancient dressing ideas are generally based on the corresponding seasonal elements, these pattern elements decorated on clothing and accessories. Undoubtedly, in the Dragon Boat Festival, the most common of these patterns is the Wu Du (五毒, five poisons) patterns. Wu Du patterns In the ancient view, the lunar calendar in May is not a good month, that May is prone to disaster, and the fifth day of May, that is, the day of the Dragon Boat Festival is particularly dangerous. Therefore, the ancients called the lunar month of May for the "evil month (恶月)", also known as the "poison month (毒月)", and the Dragon Boat Festival this day (May 5) is called "evil day (毒日)". Therefore, the main activity of the Dragon Boat Festival is…

The Tang Dynasty was the heyday of China's feudal society, especially during the years of Zhenguan (贞观) and Kaiyuan (开元) when the political climate was relaxed and people lived and worked in peace. The typical styles of the Tang Dynasty Hanfu are Gongfu (公服, official uniform), round-necked robe, Banbi (半臂), Pei (帔, large-sleeved formal dress), and so on. From the Sui to the Tang (618-907), the development of ancient Chinese Hanfu clothing reached its heyday, political stability, economic development, advances in production and textile technology, frequent foreign exchanges, etc. contributed to the unprecedented prosperity of clothing, clothing styles, colors, patterns, etc. were the unprecedented new situation. The women's costumes of this period are one of the most exciting chapters of Hans costume, with their rich beauty and splendor, and their exotic decorations are breathtaking. Chang'an in the Tang Dynasty was the political, economic, and cultural center of the time and, at the same time, the center of East-West cultural exchange. There were more than three hundred countries that had friendly relations with the government of the Tang Dynasty. The splendid Chinese culture, spreads to the world. To this day, some countries in East Asia still use the Tang Dynasty dress…