Design of Border-Pushing Patterns for Traditional Hanfu, Design of Tea-Drinking Patterns for Traditional Hanfu

Compared to modern costumes, men's Hanfu exudes an ancient charm. They opt for streamlined cuts and body-shaping designs, knowing that traditional wedding attire and ceremonial robes all feature these elements, which can beautifully accentuate the bride's figure, showcasing her elegant curves and physique. The auspicious cloud embroidery patterns chosen for the garments are imbued with an ancient elegance and opulence, significantly enhancing the bride's aura. This is a category within Qipao attire, hoping newcomers grasp the distinctions and select their preferred styles. I believe everyone has now understood the text, and I hope it helps you.

Design of Border-Pushing Patterns for Traditional Hanfu, Design of Tea-Drinking Patterns for Traditional Hanfu-1

The album of traditional costume design for Hanfu is compiled by netizens on Tietu.com. Each in this collection of traditional costume designs for Hanfu is uploaded by different netizens. This album is curated from images on the website. Please remember, all images in the album of traditional costume designs for Hanfu are copyrighted; please do not use them for any commercial purposes.

Design of Border-Pushing Patterns for Traditional Hanfu, Design of Tea-Drinking Patterns for Traditional Hanfu-2

Baotu provides premium templates for download. This design work is a traditional Chinese embroidery background pattern, in PSD format, with a resolution of 3543×535 pixels at 300 dpi. Downloading grants access to the source file, which is editable. Baotu also offers another template, a traditional embroidery pattern for Hanfu, in PSD format, at 2800×2000 pixels and 300 dpi. Downloading grants access to the source file, which is editable and modifiable.

Design of Border-Pushing Patterns for Traditional Hanfu, Design of Tea-Drinking Patterns for Traditional Hanfu-3

The decorative aspect of Hanfu primarily lies in its pattern design, which is the of Chinese culture, possessing strong independence and capable of being transplanted onto ethnic clothing designs. However, in terms of the characteristics of ethnic clothing and modern aesthetic standards, some of the patterns in traditional Hanfu cultural elements are overly complex and do not conform to the “sturdy and dignified” design features of ethnic clothing. Therefore, when choosing patterns, one cannot simply replicate the intricate Hanfu patterns but should abstract and simplify them, making the resulting Hanfu cultural pattern elements both traditional and in line with the design characteristics and aesthetic concepts of ethnic clothing [5]. In this process, the “double fish pattern,” as one of the most commonly used decorations in Hanfu design throughout history, is a hallmark element of traditional Hanfu. Incorporating Hanfu cultural elements into ethnic clothing decoration design can be achieved through designing the “double fish pattern.” In actual clothing design, one can break conventions by designing irregular fish patterns on ethnic clothing, using color schemes and compositions popular in ethnic clothing design aesthetics to refine the details of the patterns. Continuing the embroidery culture of Hanfu, combining it with modern computer machinery for computerized embroidery, and selecting dark-colored synthetic silk threads as raw materials for overall design not only increases the convenience of ethnic clothing design but also makes the resulting clothing stylish and simple, imbued with profound Hanfu cultural elements.

Given the many comments about quality and borderline issues, I clarify that I have not purchased any of these Hanfu outfits. The recommendation was purely based on the condition of being under 200 yuan. Before recommending, I did conduct a thorough investigation into issues of plagiarism and borderline violations (。・ω・。)ノ. If there are still such problems with my recommendations, please let me know, and I will remove them. As for quality issues, I genuinely cannot verify them, qvq, since I haven't bought them, and buyer reviews only serve as references.

Costume patterns are symbolic languages that help convey the theme of the garment. When designing, it is essential to delve into the cultural connotations behind the patterns and integrate traditional cultures that align with the of tea-dyed earthy fabrics. For example, Liang Quan's painting “Tea Stains” (Figure 7) incorporates tea into the artwork, presenting a unique visual aesthetic. Extracting the design theme from this can form a series of Hanfu inspired by tea paintings. Yu Yao earthy fabrics come in two categories: plain colors and colored weaves, mostly featuring abstract patterns composed of dots, lines, and planes. In design, inspiration can be drawn from these traditional earthy fabric patterns, combining them with tea-dyeing techniques to present the patterns as dyed lines. Under different dyeing methods, the same pattern can develop into countless variations, making Hanfu design more artistically charming and technologically distinctive. Figure 8 shows the pattern design created by the author.

The recent popularity of historical dramas has not only amazed viewers with the splendid culture of ancient imperial court attire but also left them marveling at the ever-changing and colorful patterns of the costumes featured. By analyzing the different personalities conveyed through the costume patterns of various characters in the drama “Zhen Huan Zhuan” and the patterns of traditional costumes across dynasties, further research can be conducted on the content and meaning conveyed by traditional costume pattern symbols. This leads to the proposal of transforming pattern symbols into design elements, better integrating them into contemporary costume pattern designs.

The evolution of artifacts: Zabao Yingluo patterns are also common motifs. According to reports, the original width of the Yingluo pattern's was centimeters, while the width of the Yingluo pattern's hem depicted in the portrait is at most 20+ centimeters. When reconstructing the Yingluo pattern skirt, if the hem width falls within the range depicted in the portrait, it does not involve much redesigning. However, if Merchant C enlarges the pattern to create a hem width of 40 centimeters, this is clearly a skirt that would only appear in modern Hanfu. Would this involve issues of plagiarism or borderline violations if Merchant D also enlarges the pattern?

The designers at Lipin Commerce were very proactive in communicating with me, regarding the rental fees for traditional Hanfu in , to understand the baby's situation. They recommended a very beautiful and suitable children's traditional costume. At first glance, I felt it was perfect, from the patterns, fabrics, and craftsmanship shown in the picture. After showing it to the baby, she loved it too, insisting on having it custom-made. After placing the order, Lipin Commerce promptly made and shipped it. Upon receiving it, the baby immediately , and it fit perfectly, looking even more beautiful. This has given us great confidence for the New Year performance!

The lace crochet pattern is exquisitely detailed. Comfortable chiffon fabric, comfortable to wear. Stitching is precise and meticulous, with extraordinary texture. This Tang Dynasty princess Hanfu skirt from Gusu Xiaopu uses the lace crochet pattern as a decorative embellishment, adding a sense of design while maintaining attention to detail, making it ethereally elegant. Chiffon fabric is soft, light, and translucent, with a smooth feel and excellent elasticity, providing a cool and clean appearance with good breathability and drape, making it very comfortable to wear, extremely ethereal; due to its ethereal, smooth, and transparent nature, chiffon can bring unparalleled effects when used to make women's dresses, imbuing them with a romantic flavor.

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