Hanfu, Traditional Han Chinese Clothing, and Everyday Wear

Traditional clothing refers to ancient attire, specifically garments worn before the Republic of China era. It can be categorized into various ethnic representations. Therefore, traditional clothing and (traditional Han ) have significant overlap, but traditional clothing is not limited to Hanfu alone. Clothing worn by the Han people before the Qing Dynasty belongs to both categories of traditional and Hanfu. However, outfits like Manchu clothing and Tang-style attire fall under traditional clothing but not Hanfu. Han elements are derived from Hanfu, modified for more convenient everyday wear, yet they do not count as traditional attire.

Hanfu, Traditional Han Chinese Clothing, and Everyday Wear-1

Traditional clothing refers to attire worn before the Republic of China era and can be categorized into various ethnic representations. Thus, traditional clothing and Hanfu have significant overlap, but traditional clothing is not limited to Hanfu alone. Clothing worn by the Han people before the Qing Dynasty belongs to both categories of traditional and Hanfu. However, outfits like Manchu clothing and Tang-style attire fall under traditional clothing but not Hanfu. Han elements are derived from Hanfu, modified for more convenient everyday wear, yet they do not count as traditional attire.

Hanfu, Traditional Han Chinese Clothing, and Everyday Wear-2

Traditional clothing refers to attire worn before the Republic of China era and can be categorized into various ethnic representations. Thus, traditional clothing and Hanfu have significant overlap, but traditional clothing is not limited to Hanfu alone. Clothing worn by the Han people before the Qing Dynasty belongs to both categories of traditional and Hanfu. However, outfits like Manchu clothing and Tang-style attire fall under traditional clothing but not Hanfu. Han elements are derived from Hanfu, modified for more convenient everyday wear, yet they do not count as traditional attire.

Hanfu, Traditional Han Chinese Clothing, and Everyday Wear-3

A beautiful woman with a classic plain look, Aquarius women rank first in this category. They advocate a free lifestyle, often traveling to beaches and forests whenever they have time. When it comes to dressing, they prefer natural without makeup. Regarding clothing, Aquarius women especially love clothes with an ancient flair, such as Hanfu. Therefore, in the eyes of those around them, Aquarius women are undoubtedly perfect classical beauties, attracting many admirers.

Hanfu is a system consisting of different styles and functions of Hanfu and its accessories. In the eyes of those who believe “Hanfu is useless,” Hanfu is considered out of date and impractical, suitable only for artistic photos, mainly because they equate Hanfu with traditional clothing. Is this really the case? Today, we will not discuss how Hanfu enthusiasts can wear Hanfu daily without any issues; instead, let's brainstorm some alternative uses for Hanfu and its accessories.

Following that, Ruby Lin also starred in several popular TV dramas produced by Chiung Yao, maintaining a pure image and leaving a good impression on the audience. Her appearance in these dramas was always fresh and charming, and she has proven herself to be a beauty in traditional costumes. However, her modern outfits often failed to impress. Could it be due to her lack of skill in matching clothes? At the age of 44, Ruby Lin's fashion sense is not what it used to be, and she looks somewhat tired without makeup. To better learn from fashion, we avoid these pitfalls.

In the video, Wang also appeared without makeup. She is completely unfazed by this. However, some netizens commented that without makeup, Sister Wang is not as pretty, which is disappointing. But as a journalist, as long as she looks good on , whether she looks as pretty without makeup is less important. Moreover, Sister Wang still looks quite good without makeup, just not as vibrant compared to when she is made up.

Moreover, worse than these traditional costume designers is the phenomenon of abandoning historical memory, leading to a chaotic scene where “one after another takes a foreign land as home.” After decades of “fashion creativity” in costume design, traditional costume designers now strive for “texture” and “high-end feel” to cater to the market—replacing plastic-like chiffon with rough linen, adjusting the color tone to a dull imitation “Morandi color,” and even traveling overseas to Japan to seek “authentic Tang culture.”

This may enhance the visual appeal of fashion shows and expand the influence of Hanfu, but it also blurs the boundaries between Hanfu, stage costumes, and traditional attire, emphasizing the performative aspect of Hanfu. To some extent, this hinders the integration of Hanfu into daily . For example, despite the popularity of Hanfu, it is rarely seen in everyday life. People associate Hanfu with photo shoots, traditional costumes, and fashion shows. This is one of the effects of this phenomenon. For Hanfu models, this situation could eventually deviate them from their primary role of showcasing clothing.

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