The method of wearing Hezi skirt Hanfu is relatively complex, requiring the combination of various different garments and accessories to complete. Firstly, a Hezi skirt needs to be prepared, then paired with Ruqun (a type of skirt), Dalian (a type of bag), belts, hairpins, shoes, and other Hanfu accessories, according to the style and color scheme of the outfit. When wearing it, attention should be paid to the overall coordination and detail processing. The Hezi skirt Hanfu is an important component of traditional Chinese culture, not only possessing profound historical and cultural connotations but also reflecting the aesthetic standards and lifestyle of ancient Chinese women. Therefore, learning how to wear Hanfu can help us better understand traditional culture and enhance our taste and aesthetic abilities in life.
This book is a tutorial on Hanfu accessories suitable for Zan Niang (and Zan Di), covering the making of mainstream Hanfu accessories such as hairpins, combs, earrings, necklaces, face veils, and phoenix crowns. It explains in detail, from tool selection, combinations of different materials, commonly used techniques for making accessories, to practical operations for creating various types of hair ornaments, earrings, necklaces, etc., progressing step by step for systematic learning. It also includes high-definition instructional videos.
Compared to the large number of Hanfu accessories that women choose and add when dressing up, men do not need such adornments when wearing Hanfu. No matter what type of Hanfu men choose to wear, accessories are often superfluous. However, adding items like fans, swords, or bird cages can enrich the appearance, enhance personal charm, and improve the texture of the Hanfu without compromising its inherent elegance, demonstrating a clever choice. If unfamiliar with selecting and matching accessories, boldly removing decorations like Li Jiaqi would also be a good option.
This collaboration between “Xianxia World 2” and the domestic Hanfu brand Jingyu Tang has always been committed to reviving traditional culture. While learning and promoting traditional clothing, they strive to design and produce products suitable for contemporary times. They have brands like “Tang Ben Yong,” which featured in the opening show of “China Huafu Day,” and the well-known Guofeng IP “Tangyuan Sister.” This collaboration introduces themed Hanfu-inspired clothing, providing players with a wardrobe of Xianxia-style outfits, allowing them to exude a fairy-like aura even in everyday life.
As we all know, Hanfu has a history spanning over two thousand years. Its production had been lost in folk traditions long ago. So where does today's Hanfu come from? According to reports, Xu Zhide, a student at Zhongshan University, wears Hanfu made by Hanshang Hualian, a store specializing in the production, promotion, and dissemination of Han ethnic clothing. Hanshang Hualian is one of the more well-known traditional clothing brands. In fact, both Xu Zhide and Hu Chen's behavior of wearing Hanfu is merely a small reflection of the current Hanfu craze. Compared to individual actions, the increasing emergence of Hanfu groups better illustrates the popularity of Hanfu.
Jin Yuxin is one of the Hanfu volunteers participating in this event. From initially being interested in Hanfu to gradually learning traditional etiquette and clothing culture seriously, she moved from being shy in public to engaging in lively conversations with fellow enthusiasts from all over. In her spare time, she learned how to make Hanfu accessories and apply Hanfu makeup. During this period, she and her friends joined a local Hanfu cultural media company, organizing Hanfu cultural activities and elegant gatherings to promote traditional culture and allow people to experience its charm.
Hualian Group is one of the earliest merchants to enter the Hanfu industry in China, possessing a first-mover advantage and a mature business model, with high fan loyalty, enabling it to meet user needs more accurately. The Hualian brand offers a diverse range of products, from daily wear to high-end custom pieces, catering to various demographic groups. However, the Hanfu market is still in its early stages, serving a niche consumer base, making further market segmentation challenging in terms of promotion and sales.
From an industry relevance perspective, in the short few years since its resurgence, the Hanfu industry has been increasingly penetrating related fields such as culture, weddings, photography, exhibitions, and accessories. Among these, the photography and video industries have undergone significant changes thanks to the “Hanfu” trend, with an increasing number of photography enthusiasts willing to try Hanfu photography. Additionally, unlike everyday attire, wearing Hanfu places greater emphasis on accessory pairing, leading to the emergence of numerous traditional-style accessories in the market. Although the economy centered around Hanfu has yet to reach scale, its market-driving potential is considerable. For example, a single intricately crafted velvet flower can sell for 200 yuan, while more elaborate headpieces can reach prices in the thousands. Velvet flowers are intangible cultural heritage in China, and there are collectors who purchase them for their love of such accessories. Handmade processes of Hanfu accessories can be seen regularly on short video platforms like Douyin and Kuaishou, which benefits the inheritance and promotion of traditional culture and intangible cultural heritage. Due to the rise of Hanfu culture, many Hanfu accessory makers are earning decent incomes; according to Baidu Knows consulting services, there are approximately 50,000 Hanfu accessory handcraft workshops, addressing unemployment issues to some extent.
Reason for inclusion: Zhiyuji is a Hanfu-inspired clothing brand co-founded by Xu Jiao and Hangzhou Zaiyi Technology Co., Ltd., dedicated to showcasing and promoting Hanfu worldwide. By combining traditional Hanfu cultural elements with modern fashion, Zhiyuji aims to integrate Hanfu culture into daily life. The brand features an original design team, focusing on multi-sensory expression of design inspiration, carefully selecting dynamic and vivid materials, blending colors to bridge the gap between Han elements and fashion, breaking boundaries, and offering a vibrant experience and wearing style for mixing Hanfu with fashion.
After the worship ceremony, Hanfu enthusiasts began performing traditional talents on a stage beside the Bronze Pavilion, including dance, musical instruments, songs, fashion shows, and poetry recitals. The Flower Festival also featured a Hanfu accessories market, tea ceremonies, and floral arrangements, recreating games favored by talented scholars and beauties during ancient spring outings, such as archery, grass wrestling, flowing cups, egg-standing, flower appreciation, gift-giving, and poetry contests. Additionally, the Flower Festival hosted lectures on Hanfu culture and makeup, bringing a feast of traditional culture to the general public and Hanfu enthusiasts.