Have you watched the cdrama “Fengqi Luoyang” yet? In recent days, it has ushered in the final ending, as the last surprise in 2021, Fengqi Luoyang can be described as a good drama with a conscience to interpret the oriental aesthetics.
The following we from the scene, props, costumes, makeup, and other dimensions in the drama to see how “Fengqi Luoyang” is outstanding.
Scene in Fengqi Luoyang
“Fengqi Luoyang” is about a suspenseful story that takes place in the ancient city of Luoyang during the Tang Dynasty, three different classes of Luoyang people work together to solve the case, looking to reveal the truth behind the scenes, and the plot is fast-paced.
In order to restore the divine capital of the Tang Dynasty Luoyang, the art scenes of the whole drama are set with great care, each frame is as beautiful as a picture.
The important scenes in the drama are all built in real, covering a total area of over 40,000 square meters, with more than 100 restored scenes.
The 14,000 square meters of the Nanshi, the streets and alleys, a brick and a tile are all efforts, feel the creative team of the ancient Luoyang city culture and humanistic style of meticulous research.
It took 65 days to build 4500 square meters, “underground slum” Buliang Jing (不良井), as if it was the real world at that time.
Grottoes, Buddha statues, and other stone carving elements, replicate the ancient capital scene, to create a mirror image of the life of the people of Luoyang.
Even the Tiantang project, which the Baili family is responsible for building, is a local real-life building in Luoyang.
With the city scenes are different, the scenes in the palace city are more luxurious and complex, the building retains the vermilion, visually beautiful, symmetrical centering composition, with a mysterious long classical soundtrack, full of the Tang Dynasty atmosphere sense.
The scenes in the drama are mostly based on ancient historical materials such as Tang Dynasty architectural paintings and excavated models, aiming to recreate the daily life of the people of Luoyang and restore the gorgeous customs and customs.
The layout, architecture, and scenery of Luoyang City in each place make the audience curious about the city of Luoyang, which is undoubtedly a very good promotional film for the city.
Props in Fengqi Luoyang
The props in the drama “Fengqi Luoyang” is also a highlight, it is reported that a total of 15,000 + props were created, the number of huge, in the Chinese costume drama is rare.
The information collection agency Lianfang (联昉), in charge of all the information in Luoyang city, secretly observing all the movements, it is the most mysterious and special, so the props that appear also make a great impression.
When Lianfang's crystal Buddha head was unveiled, it was indeed very shocking.
Polished with crystal into the shape of a stone and suspended by 2,400 wires, each wire is numbered, forming the shape of the Buddha's head through misalignment, not only shining at every angle, but also rotating automatically.
The props, which can be considered as artwork level, make the overall design of Lianfang, based on the ancient aesthetics, add a bit of modern technology.
In Lianfang, the frequency of lotus-shaped props is also very high, not eye-catching but impossible to ignore, very fine.
Even the lampstands and candlesticks are all in lotus style.
There are also prop elements in Jishan Bofang (积善博坊), which form a distinct visual center and are a symbolic representation of the traditional culture of the time.
These artifacts, which are historically evident, are brought together in an artistic form, and the oriental aesthetics are used to empower the audiovisual aspects of the Chinese drama production.
Hanfu Costumes in Fengqi Luoyang
The costumes of the characters in the drama, the details are also very elaborate, very impressive.
The clothes often worn by the main character Gao Bingzhu, although look tattered, are actually washed, aged, dyed, and then repeatedly aged, as a way to fit the vicissitudes of the minor characters.
Baili Erlang‘s clothing, simply ancient version of the trendsetter, round-necked robe lapel wear, and modern style somewhat similar.
The headdress worn by the Liu Qiniang‘s wedding, is also based on the restoration of cultural relics to create, so beautiful.
The women's clothing of Wu Si Yue, also has a lapel design, and even appeared in the ancient murals, also to highlight the cultural confidence of ancient Luoyang.
In addition to the main characters' costumes, the group actors' dresses are also very attentive, such as the futou worn by men, which at first glance are all black hats, but the size and height of the material are different, and there are subtle differences between the officials' and servants' futou.
In general, each character's styling is outstanding, characteristic but not abrupt. This comes from the drama design team spending a lot of time, after aptly digging into the traditional cultural highlights, penetrating into every aspect of the daily presentation, not simply showing off the production skills, but giving a broader space for the traditional cultural symbols to be displayed.
Makeup in Fengqi Luoyang
Tired of seeing the uniform aesthetic of modern makeup, the “Fengqi Luoyang” drama is full of personality of ancient beauty makeup that will make you shine.
The “flower inlay” on the forehead of the female character is a typical sign of Tang style makeup, in addition to different hairstyles, all kinds of.
